scholarly journals Study of Phonological Phenomena of Literary Language Reflecting Gyeong-sang Dialect from the Late 19th Century through Early 20th Century

2014 ◽  
Vol null (71) ◽  
pp. 93-125
Author(s):  
김예니 ◽  
김명주
2017 ◽  
Vol 16 (31) ◽  
pp. 41-59
Author(s):  
Dídac Pujol

This article shows how the language of Shakespeare’s plays has been rendered into Catalan in three especially significant periods: the late 19th century, the early 20th century, and the late 20th and early 21st centuries. The first section centres on the contrast between natural and unnatural language in Hamlet, and considers how this differentiation is carried out (by linguistic techniques that differ substantially from Shakespeare’s) in a late 19th-century Catalan adaptation by Gaietà Soler. The second part of the article investigates the reasons why in an early 20th-century translation of King Lear the translator, Anfòs Par, resorts to medieval instead of present-time language. The last section of the article illustrates how and explores the motivations why Salvador Oliva’s first (1985) version of The Tempest is retranslated in 2006 using a different language model. The ultimate aim of the paper is to put forward the hypothesis that, in the case of Catalan, Shakespearean translations are both a reflection of the current state of the language and a major linguistic experimentation that shapes and creates (sometimes through a via negativa) the Catalan literary language.


Synthese ◽  
2021 ◽  
Author(s):  
Ansgar Seide

AbstractIn this paper, I take a closer look at Hans Reichenbach’s relation to metaphysics and work out some interesting parallels between his account and that of the proponents of inductive metaphysics, a tradition that emerged in the mid- and late 19th century and the early 20th century in Germany. It is in particular Hans Reichenbach’s conception of the relation between the natural sciences and metaphysics, as displayed in his treatment of the question of the existence of the external world, that shows some very interesting similarities with inductive metaphysics. By a comparison with the position of the inductive metaphysician Erich Becher and his handling of the problem of realism, I work out the parallels between Reichenbach’s program and inductive metaphysics. I come to the conclusion that while there are certainly some respects in which Reichenbach’s logical empiricism is closer to the positions of the representatives of the Vienna Circle, it turns out that with regard to his views on metaphysics there is a greater affinity with the program of inductive metaphysics.


2018 ◽  
pp. 359-373
Author(s):  
Dominika Gołaszewska-Rusinowska

This case study focuses on the life and work of Joaquín Costa. He was a Spanish intellectual who in late 19th century and early 20th century started the intellectual and political movement called Regenerationism. This movement emerged in response against the political system of Spanish Restoration.  


Folklorica ◽  
2015 ◽  
Vol 18 ◽  
Author(s):  
Vladimir Klyaus

This article considers the remnants of Russian ritual practices surrounding houses in the Priangun’ie region of China. This region was populated by Russians from the late 19th century on. A large group of immigrants (Russian, Tungus and Buriat) immigrated there from the Transbaikal region of Russia after the establishment of Soviet rule in the early 20th century. The paper examines what remains of Russian traditional practices, how they have been blended with native Chinese traditions, and adapted over time to reflect intermarriage between people of Chinese or Tungus and Russian descent.


10.1068/d51j ◽  
2005 ◽  
Vol 23 (1) ◽  
pp. 119-147 ◽  
Author(s):  
Derek P McCormack

In this paper I seek to apprehend some of the powers of nonrepresentational practice and performance through an encounter with the rhythmic movement of the body. I concentrate on eurhythmics, a practice that emerged in Geneva in the late 19th century and early 20th century as an effort to improve musical appreciation through rhythmic movement. Drawing on work in cultural and architectural theory, I argue that the historical and cultural geographies of eurhythmics can best be apprehended diagrammatically. Specifically, I situate eurhythmics in diagrammatic relation to the corporeal kinaesthetics of rhythmic movement, to practices of social and cultural transformation, and to architectures of performative potential. By apprehending the geographies of eurhythmics in this way, I not only work to demonstrate that nonrepresentational styles of thinking and working multiply rather than undermine the field of power in which geographers move, but also present a sense of how these powers can become implicated in the very practice and performance of geographical research.


1998 ◽  
Vol 17 (1) ◽  
pp. 32-40 ◽  
Author(s):  
George Vlahakis

Although oceanography in Greece reached international standards only recently, it has its origins as an independent scientific practice in the late 19th century due to the work of Andreas Miaoulis, a brilliant officer of the Hellenic Navy who cooperated with the English admiral Arthur Mansel for the solution of the Euripus problem. During the early 20th century oceanographic studies took a more systematic character under the supervision of the Hellenic Thalassographic Committee and several reports and books were published before World War II, which interrupted the evolution of oceanography in Greece.


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