A Research on the Historical/Cultural Space Creation for Women’s literary(History) and Design for Digitalized ‘Creative-Production’ - Prerequisites, Conditions, and Methods for Designing Imagined and Cultural Creation

2018 ◽  
Vol 43 ◽  
pp. 155-198
Author(s):  
Key-Sook Choe
Keyword(s):  
Literary History ◽  
Cultural Space ◽  
Creative Production

“Extraordinary Female Affection”: The Ladies of Llangollen and the Endurance of Queer Community

2005 ◽  
Author(s):  
Fiona Brideoake
Keyword(s):  
Literary History ◽  
Same Sex ◽  
Female Desire ◽  
The Future ◽  
Queer Communities ◽  
Creative Production

AbstractThis essay explores romantic responses to Lady Eleanor Butler and Miss Sarah Ponsonby, known as the Ladies of Llangollen, arguing that Anna Seward and Anne Lister celebrated the Ladies’ relationship in order to melancholically enact the same-sex ties they were themselves unable to maintain. Hailed as both pioneering lesbians and chaste romantic friends, Butler and Ponsonby may appear unlikely candidates for queer recuperation. Their place within romantic literary history is equally contentious, their status as a female couple challenging notions of singular and masculine romantic subjectivity, and their creative production diverging from canonical textual forms. This essay nonetheless claims Butler and Ponsonby as queer romantics, arguing that the indeterminacy of their bond constitutes a commensurately queer resistance to definition. Their romanticism is similarly disclosed by that of their romantic acolytes, who lauded the Ladies’ home as an ideal of lasting affective community. Drawing on Judith Butler’s account of gender melancholia, this essay claims that Seward and Lister identified Butler and Ponsonby as embodying the hopes of queer community foreclosed in their own lives. Accordingly, they protected and promulgated the Ladies’ relationship in order to melancholically enact the same-sex attachments they were unable to establish enduringly or mourn publicly. In celebrating a model of flourishing female desire, Seward and Lister thus melancholically preserved their own lost love-objects, and affirmed the future instantiation of enduring queer communities.

Espionage and Exile

2016 ◽  
Author(s):  
Phyllis Lassner
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Cold War ◽  
Literary History ◽  
Political Engagement ◽  
The Political ◽  
International Crises ◽  
Popular Entertainment ◽  
John Le Carre ◽  
The Cold War

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.

Forming Provisional Identities

2018 ◽  
Author(s):  
Jennifer J. Smith
Keyword(s):  
Social Media ◽  
Short Story ◽  
Literary History ◽  
Contemporary Fiction ◽  
Short Story Cycle ◽  
Literary Responses ◽  
American Literary History ◽  
Story Cycle ◽  
Narrative Techniques

The introduction argues that the short story cycle is the preeminent genre for articulating the uncertainty that characterizes literary responses to modernity. The introduction outlines two vital contributions of the cycle to American literary history: 1. the absence of textual harmony in the cycle initiated new, pervasive narrative techniques of proliferating perspectives and disrupting chronology that inflect modern and contemporary fiction and 2. the form of the cycle enables the expression of subjectivity without fixity. Contingency and multiplicity are so central to our social-media infused culture that provisionality is its defining characteristic, but this book shows that the seeds for this go back almost to the nation’s founding.

Migration and Modernities

2019 ◽  
Keyword(s):  
Native Americans ◽  
Literary History ◽  
Historical Study ◽  
Racial Categories ◽  
Geographic Boundaries ◽  
The Us ◽  
Technological Developments ◽  
History Of ◽  
The Aesthetic ◽  
Eighteenth And Nineteenth Centuries

Migration and Modernities recovers a comparative literary history of migration by bringing together scholars from the US and Europe to explore the connections between migrant experiences and the uneven emergence of modernity. The collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries, demonstrating how mobility unsettles the geographic boundaries, temporal periodization, and racial categories we often use to organize literary and historical study. Migrants are by definition liminal, and many have existed historically in the spaces between nations, regions or ethnicities. In exploring these spaces, Migration and Modernities also investigates the origins of current debates about belonging, rights, and citizenship. Its chapters traverse the globe, revealing the experiences — real or imagined — of eighteenth- and nineteenth-century migrants, from dispossessed Native Americans to soldiers in South America, Turkish refugees to Scottish settlers. They explore the aesthetic and rhetorical frameworks used to represent migrant experiences during a time when imperial expansion and technological developments made the fortunes of some migrants and made exiles out of others. These frameworks continue to influence the narratives we tell ourselves about migration today and were crucial in producing a distinctively modern subjectivity in which mobility and rootlessness have become normative.

Minorities in the Contemporary Egyptian Novel

2018 ◽  
Author(s):  
Mary Youssef
Keyword(s):  
Literary History ◽  
First Century ◽  
Nation State ◽  
Colonial Rule ◽  
The Novel ◽  
Robust Analysis ◽  
Specific Approach ◽  
And Gender ◽  
Context Specific ◽  
Historical Moment

This book examines questions of identity, nationalism, and marginalization in the contemporary Egyptian novel from a postcolonial lens. Under colonial rule, the Egyptian novel invoked a sovereign nation-state by basking in its perceived unity. After independence, the novel professed disenchantment with state practices and unequal class and gender relations, without disrupting the nation’s imagined racial and ethno-religious homogeneity. This book identifies a trend in the twenty-first-century Egyptian novel that shatters this singular view, with the rise of a new consciousness that presents Egypt as fundamentally heterogeneous. Through a robust analysis of “new-consciousness” novels by authors like Idris ᶜAli, Bahaᵓ Tahir, Miral al-Tahawi, and Yusuf Zaydan, the author argues that this new consciousness does not only respond to predominant discourses of difference and practices of differentiation along the axes of race, ethno-religion, class, and gender by bringing the experiences of Nubian, Amazigh, Bedouin, Coptic, Jewish, and women minorities to the fore of Egypt’s literary imaginary, but also heralds the cacophony of voices that collectively cried for social justice from Tahrir Square in Egypt’s 2011-uprising. This study responds to the changing iconographic, semiotic, and formal features of the Egyptian novel. It fulfills the critical task of identifying an emergent novelistic genre and develops historically reflexive methodologies that interpret new-consciousness novels and their mediatory role in formalizing and articulating their historical moment. By adopting this context-specific approach to studying novelistic evolution, this book locates some of the strands that have been missing from the complex whole of Egypt’s culture and literary history.

Digital Curation, AustLit, and Australian Children's Literature

2019 ◽  
Vol 12 (1) ◽  
pp. 1-17
Author(s):  
Amy Cross ◽  
Cherie Allan ◽  
Kerry Kilner
Keyword(s):  
Children's Literature ◽  
Cultural History ◽  
Literary History ◽  
Children’S Literature ◽  
Distant Reading ◽  
Critical Spaces ◽  
Reading Methods ◽  
Digital Curation ◽  
Definition Of ◽  
Significant Attention

This paper examines the effects of curatorial processes used to develop children's literature digital research projects in the bibliographic database AustLit. Through AustLit's emphasis on contextualising individual works within cultural, biographical, and critical spaces, Australia's literary history is comprehensively represented in a unique digital humanities space. Within AustLit is BlackWords, a project dedicated to recording Australia's Aboriginal and Torres Strait Islander storytelling, publishing, and literary cultural history, including children's and young adult texts. Children's literature has received significant attention in AustLit (and BlackWords) over the last decade through three projects that are documented in this paper. The curation of this data highlights the challenges in presenting ‘national’ literatures in countries where minority voices were (and perhaps continue to be) repressed and unseen. This paper employs a ‘resourceful reading’ approach – both close and distant reading methods – to trace the complex and ever-evolving definition of ‘Australian children's literature’.

Echohistoricism: Aristotle, Dryden, Montgomery, Conrad

Romanticism ◽  
2018 ◽  
Vol 24 (3) ◽  
pp. 278-293
Author(s):  
Thomas H. Ford
Keyword(s):  
Literary History ◽  
Joseph Conrad ◽  
John Dryden ◽  
Modern Literature ◽  
Critical Dialogue ◽  
Lecture Series ◽  
Narrative Frame ◽  
Definition Of

The contingencies of military decisions and their outcomes have always shaped the course of literary history, determining even the languages in which it has been conducted. But modern literature takes a new bearing on its determinant military contingencies. This paper describes a modern literary scene that self-reflexively attributes to literature the potential to suspend these determining military events, and so to communicate the unactualised possibilities contained in past contingencies, even those that have been violently foreclosed. It is a scene of interested observers, adrift in a boat, who listen for the sounds of a distant naval battle. Having first located this scene's classical antecedents in Aristotle, I then track it through three pivotal and distinctively modern moments of literary self-periodization. In each instance, the scene is differently configured, articulating a specific conjuncture of war, textuality and literary self-definition. It appears in John Dryden as the setting of a modern critical dialogue on theatre, with James Montgomery as a Romantic definition of the poetry of sound in a lecture series on literature, and with Joseph Conrad as the narrative frame of a modernist tale within a tale. But the same scene re-echoes in all three – the scene of literary inscription as one in which, contingently, a war neither did nor did not take place, a battle was and was not fought.

Poetry and Science: William Wordsworth and his Irish Friends William Rowan Hamilton and Francis Beaufort Edgeworth, c. 1829

Romanticism ◽  
2020 ◽  
Vol 26 (1) ◽  
pp. 89-101
Author(s):  
Brandon C. Yen
Keyword(s):  
Literary History ◽  
William Wordsworth ◽  
Trinity College ◽  
Bodleian Library ◽  
Trinity College Dublin ◽  
The Relationship

Through hitherto neglected manuscripts at Trinity College Dublin, the Bodleian Library, and the Wordsworth Trust, this paper explores the relationship between William Wordsworth and his Irish friends William Rowan Hamilton and Francis Beaufort Edgeworth around 1829. It details the debates about poetry and science between Hamilton (Professor of Astronomy at Trinity College Dublin and Royal Astronomer of Ireland) and Edgeworth (the novelist Maria Edgeworth's half-brother), in which Wordsworth was embroiled when he visited Ireland in the autumn of 1829. By examining a variety of documents including letters, poems, lectures, and memoirs, a fragment of literary history may be restored and a clearer understanding may be reached of the tensions between poetry and science in Wordsworth's poetry, particularly in The Excursion, and of the Irish provenance of a memorable passage in ‘On the Power of Sound’.

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