scholarly journals Lechner Ödön rajzai a szegedi városházához

2021 ◽  
Vol 69 (2) ◽  
pp. 303-326
Author(s):  
Váraljai Anna

The paper is about the set of drawings and documents by Ödön Lechner and Gyula Pártos for the Town-hall of Szeged dated to 1881–1883 (Hungarian National Archives, Csongrád-Csanád County Archives, Szeged [MNL CSML], Collection of Building Plans and Documents of the Municipality of Szeged, marked Lecher Ödön, Pártos Gyula: A Szegedi Városházhoz készített tervek, rajzok és iratok, [Plans, drawings and documents for the Szeged Town-hall], XV.2b. 45. d.-49.d). The elaborated theme includes ground-plans, rosette, baluster and skylight plans, detail plans of staircase and main cornice, plan of the roof of the main staircase, 37 drawings of ornamental sculpture, window pillars, window frames and rail chains, painter’s stencils signed by Ödön Lechner, two façade versions, tower detail, details of the main portal, drawings of the vault around the clock, of the ornaments of room doors and cornice elements. The building logbooks, list of submissions to the competition with code-names and the contracts signed with the building contractors are also valuable sources.In addition to eighty drawings of diverse sizes and techniques, the collection includes the construction documents, accounts, correspondence, building logbooks, planning competition calls, and a colour plan for the tiling of the Szeged Town-hall now in the Architectural Collection of the Kiscelli Museum of the Budapest History Museum (inv.no. 117). I evaluate the drawings both within the conception of an architectural work and also as separate graphic sheets, and try to describe their background in terms of the history of architecture, art and ideas.I am led to conclude that the Szeged Town-hall was the first project to manifest Lechner’s ambition to lay the groundworks of a national architecture based on the more abstracted and universal basic forms of folk art but keeping abreast of European tendencies. The drawings are invaluable in that they add more information to the chronology of Lechner’s artistic career and lend stress to the fact that folklore and local history researches, the intellectual approach, the synthesis of local and international achievements, a thorough knowledge of the history of ceramics, the redefinition of traditions played at least as important roles in creating the concept of a building as individual intention and creative imagination.The paper was supported by the Ernő Kállai Art Historical Research Grant.

2021 ◽  
Vol 3 (2(83)) ◽  
pp. 4-14
Author(s):  
D. Makhat

The article examines previously unpublished letters of Siberian scientists from the family archive of the Kazakh scientist-encyclopedist academician Alkei Khakanovich Margulan. The scientific relations between scientists of Kazakhstan and Russia of the second half of the XX century, fundamental research and discoveries in the history of Kazakhstan are systematized. Introduced into scientific turnover 6 letters and 1 postcard from Academician, Doctor of Historical Sciences, Professor Alexei Pavlovich Okladnikov, who identified the local culture of the Paleolithic, Neolithic, Bronze and Iron Age in the steppes of Siberia, the Far East and Central Asia, who wrote many scientific papers on the culture of the first communal structure in these regions, And also 3 letters from Vitaly Epifanovich Larichev, archeologist, anthropologist, doctor of historical sciences, one of the leading specialists in archeology and history of ancient peoples of the Russian Far East and neighboring Manchuria and Mongolia, and 6 letters from Andrey Fedorovich Palashenkov, ethnographer, director of Omsk local history museum in 1943-1957. All these letters addressed to the academician A. Kh. Margulan are new data not published anywhere before. In addition, the study uses materials, memoirs and research from the personal fund of Academician A. Margulan in the Central State Archive of the Republic of Kazakhstan.


2017 ◽  
Vol 5 (6) ◽  
pp. 24-30
Author(s):  
Н. Рыжова ◽  
N. Ryzhova ◽  
Е. Нуттунен ◽  
E. Nuttunen

The authors proposed a didactic model of the formation of civil and patriotic qualities of an individual by a junior schoolchild on the basis of materials of a historical-literary (local history) museum. The possibilities of using museum means and multimedia technologies for acquiring knowledge on the history of our country, our native land, our families, which allow schoolchildren to develop own historical consciousness, to join the traditions and culture of Russia, to educate in the spirit of respect and love for their Motherland are considered.


2020 ◽  
pp. 57-64
Author(s):  
Oleksandr Gladkey ◽  
Volodymyr Kilivnuk

Goal of the article consist in analyzing and systematizing of experience in creating a non-governmental medical-technological and local history museum collection on the territory of SE "Clinical Sanatorium "Avangard" located in Nemyriv city, Vinnytsia region. Method. The methodological basis of this study is a general scientific dialectical method. The main research methods are: the method of literary, illustrative, descriptive, analytical and scientific synthesis. Results. Local history, technical-technological, medical-rehabilitation and sanatorium-medical aspects of creation a non-governmental medical-technological and local history museum collection on the territory of SE "Clinical Sanatorium "Avangard" located in Nemyriv city, Vinnytsia region are revealed. The key preconditions for the appearance of the museum collection have been identified. The funds of the museum collection, the history of their collection and the modern exposition are described in detail. The key organizational, legislative, economic, employee and managerial problems of the museum collection's existence have been identified. Practical significance. The experience of creating a non-governmental medical-technological and local history museum collection on the territory of SE "Clinical Sanatorium "Avangard" located in Nemyriv city, Vinnytsia region can be used in the practice of other sanatoriums of Ukraine as well as can be used for further organization of non-governmental museum collections with medical-technological and local history profile. Scientific novelty. The scientific novelty of this article consist in the attemption of the first comprehensive analysis in Ukraine of the advantages and disadvantages in organization of non-governmental museum collections in sanatoriums, rest homes and other medical and health facilities of general profile.


2020 ◽  
Vol 16 (1) ◽  
pp. 109-123
Author(s):  
Marino Manin ◽  
Hrvoje Čapo

Although historiography (as part of the local history of the Labin region and its coal mines) and scholarly literature from other disciplines (primarily the history of architecture) have addressed different aspects of the construction of the miners’ town in Raša, this paper focuses on the reasons, circumstances, and processes of infrastructure construction in Arsia / Raša, based both on a critical evaluation of the present research and on a study of archival sources. It has been observed that Raša – built within 547 days from April 1936 to November 1937 – was not primarily a project of the fascist regime intended to serve its glorification, but was constructed by the administration of the coal mine due to its need of new workers, in the context of increasing the production of coal for industrial and transportation purposes (railroad, navy, and maritime transport) at the time when approximately 1,000,000 tons or 10% of the Italian needs for this energy resource were pumped from the Raška Basin. The town’s construction was preceded by extensive land reclamation works in the area.


2020 ◽  
Vol 11 (2) ◽  
pp. 290-309
Author(s):  
Vladimir V. Silchenko ◽  
Tatyana A. Litvin ◽  

The article is devoted to the history of museums and the modern development of local history work in one of the northernmost districts of the Irkutsk region. The article briefly describes the circumstances of the foundation of a mica mining enterprise on the banks of the Vitim and Mama rivers in the late 1920s as well as the history of production being stopped and the degradation of settlements in the post-Perestroika period. In 1965, a mineralogical museum was established in the Mama village. In 2003, it was converted into a local history museum. In recent decades, the functions of the modern museum have changed, but this has manifested itself in the work of a local history museum of the Mama village only in the form of concentrated pedagogical activities. Important functions for studying the heritage of the Soviet time, documenting the modern life of the district, working with society, in particular, with an older audience, were gradually taken over by a group of enthusiasts who founded the voluntary Mamskoe Historical and Local History Association (MICRO) in 2008. Over the past twelve years, the Association has organized about twenty museum and street exhibitions, published a number of monographs, stories about the residents of Mama, and published two photo albums. Photos have been published as well as archival documents, and oral histories of local elders, many of whom are descendants of repressed peasant families forcibly resettled here in the early 1930s. Participation in district and regional conferences on local history helps to influence the social situation and supports the proper level of cultural life of the region. The article touches on such modern museological concepts as “social inclusion”, “intangible cultural heritage” and “participatory practices”. The authors hope that in the future, experts will be able to discuss the possibilities of developing the tourism sector in this area.


1966 ◽  
Vol 7 (1) ◽  
pp. 168-168

Professor Philip D. Curtin of the University of Wisconsin has written to correct certain points made by Dr John E. Flint in his review of The Small Brave City State: A History of Nembe-Brass in the Niger Delta, by Ebiegberi Joe Alagoa (Journal, VI, 2(1965), 248). He points out that Mr Alagoa's book was a preliminary study in local history which was written in Nigeria while Mr Alagoa was in the service of the National Archives there. Since then, Dr Alagoa has completed a Ph.D. thesis at the University of Wisconsin, but it is not yet published. Dr Flint also accepts Professor Curtin's correction of his observation about ‘the difficulty of pursuing research in such a topic [of African history] from a base in the U.S.A.’ This would not, in any case, apply to the University of Wisconsin, since Wisconsin normally requires Ph.D. candidates in African history to conduct their research in Africa and in appropriate European archives.Dr Robert Rotberg of Harvard and Herr Hans-Jürgen Greschat of the Philipps-Universität, Marburg, have pointed out an inaccurate compression of events in my article on ‘Witnesses and Watchtower in the Rhodesias and Nyasaland’. As some of your readers may come to accept my chronology of the imprisonment of Elliott Kenani Kamwana Chirwa (p. 92, n.4), perhaps I should set matters straight. I said that he was arrested, deported to Mauritius in June 1909, released by March 1914 and re-deported around December 1916. In fact, Kamwana was given the choice of restriction to Nyasaland's Southern Province or removal to South Africa in 1909. He seems to have returned in 1910, was sent back to South Africa, which this time refused him entry, and next went to Chinde in Mozambique, where he stayed until the outbreak of war, when the Portuguese repatriated him. The British once more detained him in the Mlanje District and after the Chilembwe revolt sent Kamwana and others back to Mauritius for about a year and then to the Seychelles until 1937. These additional details concerning his peregrinations are interesting in themselves and I thank my two correspondents for supplying them.


1970 ◽  
pp. 119-129 ◽  
Author(s):  
Eva Silvén

In the last twenty-five years, the Swedish museum landscape has expanded and contains today several thousand museums, from the single local history museum to the merged governmental central museum, many of them organized in different networks. During the same period contemporary collecting, diversity issues and difficult matters became both attractive and urgent topics for the public cultural history museums. Also, museology and cultural heritage studies were established at several universities, with professorships as well as basic educational programmes. As a consequence, the perception of museology as research done at museums was replaced by research on museums, often with a critical view of the history of collections and exhibitions. During the last few years, however, a polarized media debate reveals that there might still be a gap between the actual, contemporary museum and the more traditional concept of the museum in (some) people’s minds.


Author(s):  
Darikha Dyusibaeva ◽  

The origins and characteristics of the rare book collection of L. Tolstoy Scientific Library are discussed. The focus is made of the unique publications in the local history of the late 19-th – eary 20-th century. The publications cover the history of the region and comprising vast document array. Several publications are described in detail, e. g. «Migrant small-holders in Turgay Oblast», «Essays in the Natural History of the 1- st and 2-тв Maurzum volost of Turgay Oblast», statistical reports, land management instructions, «The Proceedings of Kustanay Society of Local Lore and History», etc. The problem of the collection preservation and digitization is discussed.


2012 ◽  
Vol 3 (1) ◽  
pp. 97-104
Author(s):  
Friedrich Kittler

Der Vortrag schlägt vor, nicht mehr den Menschen als letzte Referenz und vertrauten Maßstab der Architektur zu setzen, sondern Architekturen als Mediensysteme zu denken. Eine noch ungeschriebene Mediengeschichte der Architektur sollte daher auch und gerade in historischer Absicht nach formalen Entsprechungen zwischen Techniken des Entwerfens und solchen der Bauten suchen, in denen Praxis und Produkt zusammenfallen. </br></br>The paper proposes the consideration of architecture(s) as a media system, instead of imposing man as its ultimate reference and known measure. A media history of architecture – which remains to be written – should therefore search for formal correspondences between techniques of drafting and those of buildings, in which practice and product coincide.


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