THE BEGINNINGS OF ESTABLISHMENT AND DEVELOPMENT FOR UKRAINIAN ACADEMIC VOCAL PERFORMING

2019 ◽  
pp. 25-36
Author(s):  
A. K. Tereshchenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Scientific Work ◽  
Historical Method ◽  
The World ◽  
Characteristic Features ◽  
Vocal Art ◽  
Opera Singers ◽  
The 19Th Century ◽  
Creative Life

The purpose of this article is disclosing genic underground for germination and evolution of Ukrainian academic vocal performing. The target of this investigation is also revealing the most characteristic features of domestic vocal tradition into the stage concerning to formation of Ukrainian professional vocal art. The methodology of this exploration is formed by researcher on the basis employment of historical method, which connects with studying definite biographical information of Ukrainian academic singers. The systematic manner has the specific significance for special formation the investigative sequence of Ukrainian performers’ the most characteristic vocal criterions. The structurally analytical method26allows to hold out the logic of scientific disquisition, its structure and to texture the general conclusions. The scientific newness of the presented article is determined by appeal to phenomenon of Ukrainian vocal academic art into its stage beginning and further evolutional development. The discovering of not renowned facts from creative life of celebrated Ukrainian singers namely Mykola Ivanov, Semen Hulak-Artemovsky, Alexander Mishug, Kamil Everardy, Alexander Korobeychenko, Anatoly Solovyanenko and Lyudmila Yurchenko is novelty into the scientific work. Conclusions. The world famous creation of Ukrainian opera singers specifically Mykola Ivanov and Semen Hulak-Artemovsky is genic foundation of Ukrainian academic vocal performing. Namely these artists, from the middle of the 19th century, began its approving and passing to descendants on the highest professional level. The permanent connect with Italian vocal tradition as well as Ukrainian-Italian concert-creative relationships are the most peculiar traits, the characterological features of domestic vocal performing, into the stage organization of Ukrainian vocal art’s phenomenon. The successors of such a type art events in the 20th century were celebrated performers, exactly the singers and teachers Alexander Mishug, Kamil Everard, Alexander Korobeychenko, Anatoly Solovyanenko, Lyudmila Yurchenko and others.

scholarly journals Etymology and Historiography of the Ukrainian Headscarf as an Element of National Dress

2021 ◽  
Vol 4 (2) ◽  
pp. 254-264
Author(s):  
Olena Ivanenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Historical Method ◽  
The North ◽  
Production And Distribution ◽  
Characteristic Features ◽  
The 19Th Century ◽  
The Village ◽  
The City ◽  
North Western

The purpose of the article is to find out the peculiarities of headscarves functioning in the late 19th – early 20th centuries as an element of women’s national dress, to identify general and specific characteristics of their manufacturing and methods of tying, to find out the etymology of the word "headscarf", to trace its relationship with the concept of "ubrus" and others similar in meaning. Research methodology. Using a comparative-historical method, we have explored the etymology of concepts related to Ukrainian women’s headwear. Using a historical-typological method, a cultural and art analysis of the study has been conducted. Scientific novelty. The etymology of significant concepts of Ukrainian headwear, namely "ubrus", "headscarf" and others, is thoroughly studied. Their characteristic features in different regions of Ukraine are noted. The methods of tying headscarves from the 19th to the early 20th century are analysed and presented, the characteristics of their production and distribution in the counties of Poltava province are marked. It is proved that in Poltava province at the end of the 19th century, there were two main ways of tying headscarves simultaneously: in the counties of the north-western part of the province, the method of tying a headscarf with a knot on the top of the head was common, and in the eastern part – with a knot on the neck. Conclusions. Everyday women’s headscarves were intended to cover, insulate and decorate the heads of married women. Patterned woven headscarves were distinguished by the local originality of the artistic solution. Festive headdresses of Ukrainian women differed in variety and elegance. Strict completeness is inherent in the forms of this integral part of the national costume as those that have been refining over many generations. At the end of the 19th century. the wimples, on which a lot of material was spent, were almost destroyed. Headwear of new shapes was becoming more practical, cheaper and lighter. "Starovytsky headscarves" give way to manufactured goods. At the beginning of the 20th century, headscarves became the most common headdress both in the city and in the village.

scholarly journals Research of the History of Inter-Religious Relations in Ukraine in the Kyiv Theological Academy (Second Half of the 19th – Beginning of the 20th Century)

2021 ◽  
Vol 8 ◽  
pp. 60-79
Author(s):  
Luidmila Pastushenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Legal Aspects ◽  
Systematic Analysis ◽  
Literary Traditions ◽  
The Social ◽  
Academic Researchers ◽  
History Of ◽  
Characteristic Features ◽  
The 19Th Century

The article presents the first attempt of a complete and systematic analysis of historic and theological publications of teachers and pupils of the Kyiv Theological Academy in the second half of the 19th – beginning of 20th century in the field of studying the history of relations of Catholicism and Protestantism with Orthodox on the Ukrainian lands. The specifics of Kyiv academic historians studies was determined by the social and-political circumstances in the middle of the 19th century and denoted by an attempt to comprehend this issue in the perspective of the history of interconfessional relations of two Western Christian traditions with the eastern tradition of Orthodoxy in the historical gap of the 16th – 17th centuries – the period of the largest confrontation in confessional relations in Ukraine. The author clarifies the characteristic features of researching the question of inter-confessional interaction in the 15th – 17th centuries, which are expressed in attempts to describe the coexistence of three denominations as multidimensional and provoking а variety of different interpretations. Historical studies present the attempt to show confessional interaction in the political and legal aspects and to provide historical interpretations to the ground of philosophy of history. The article proves the tendency of Kyiv academic researchers to move away from the established Russian historiography of the 19th century view at confessional relations in Ukraine through the prism of hard confrontation and outline in religious life Ukraine conditions and circumstances of inter-confessional dialogue. Also, historians in their studies repeatedly note the significant educational and outlook influence of Western Christian denominations on the formation of educational, cultural, theological, literary traditions in Ukraine.

De la escena a la viñeta:

Neuróptica ◽  
2021 ◽  
pp. 227-240
Author(s):  
Alejandro Silvela Calvo
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Oscar Wilde ◽  
Musical Work ◽  
Visual Medium ◽  
Richard Strauss ◽  
The World ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Siglo Xx

Resumen: P. Craig Russell ha destacado, entre otras aportaciones, por su labor a la hora de realizar una larga serie de adaptaciones del mundo de la ópera a la viñeta. El estilo de Russell se caracteriza por partir de la idea de adaptar una obra musical a un medio plástico y visual haciendo que no solo se convierta en la simple narración de una ópera musical, sino que crea una obra en sí misma en la que intenta recoger diferentes sensaciones estilísticas, estructurales y estéticas de la obra y generar una representación de las mismas. En este artículo nos valdremos de su adaptación de Salomé, ópera de Richard Strauss de 1905 basada en la obra teatral homónima de Oscar Wilde. Se tratará la idea de musicalización del cómic y la forma en la que Russell plasma diferentes ideas musicales referentes no solo a timbres, leitmotiv u orquestación, sino atendiendo a diferentes parámetros que engloba la obra de Strauss, en torno a la idea de maximalización y decadencia del arte de finales del siglo XIX y principios del siglo XX. Abstract: P. Craig Russell has stood out, among other contributions, for his work in making a long series of adaptations from the world of opera to comic. Russell's style is characterized by starting from the idea of adapting a musical work to a plastic and visual medium, making it not only become the simple narration of a musical opera, but also creates a work in itself in which he tries to collect different stylistic, structural and aesthetic sensations of the work and generate a representation of them. In this article we will use his adaptation of Salomé, an opera by Richard Strauss from 1905 based on the play of the same name by Oscar Wilde. The idea of musicalization of the comic will be discussed and the way in which Russell expresses different musical ideas referring not only to timbres, leitmotivs or orchestration, but also taking into account different parameters that encompass Strauss's work around the idea of maximalization and decadence of art from the end of the 19th century and the beginning of the 20th century.  

scholarly journals Reforming Police: Opportunities, Drivers and Challenges

2005 ◽  
Vol 38 (2) ◽  
pp. 167-180 ◽  
Author(s):  
Philip C. Stenning ◽  
Clifford D. Shearing
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Special Issue ◽  
Quiet Revolution ◽  
The World ◽  
The Creation ◽  
The 19Th Century ◽  
Different Parts

A few years ago, David Bayley and Clifford Shearing (1996) argued that at the end of the 20th century we were witnessing a ‘watershed’ in policing, when transformations were occurring in the practices and sponsorship of policing on a scale unprecedented since the developments that heralded the creation of the ‘New Police’ in the 19th century. In this special issue of the journal, we and our fellow contributors turn our attention to a somewhat neglected aspect of this ‘quiet revolution’ in policing (Stenning & Shearing, 1980), namely the nature of the opportunities for, and challenges posed by, the reform of policing in different parts of the world at the beginning of the 21st century. Our attention in this issue is particularly focused on the opportunities, drivers and challenges in reforming public (state-sponsored) police institutions.

scholarly journals Foreign Layer of the Chuvash Book

2020 ◽  
pp. 28-32
Author(s):  
Alena Mikhajlovna Ivanova ◽  
Eduard Valentinovich Fomin
Keyword(s):  
Foreign Language ◽  
Qualitative Analysis ◽  
20Th Century ◽  
19Th Century ◽  
Publishing House ◽  
Scientific Publications ◽  
The Past ◽  
The World ◽  
The 19Th Century ◽  
Parallel Texts

The article is devoted to the consideration of extraterritorial publications on the Chuvash theme. The purpose of the work is to identify the essential features of the foreign layer of the Chuvash book. The conclusions of the work are based on a quantitative and qualitative analysis of bibliographic indexes and a direct study of the books themselves de visu. The authors of the article consider foreign books as an important component of modern Chuvash culture, endowed with communicative, cognitive-cumulative, ethno-presentative and educational functions. Extraterritorial editions of the Chuvash book appeared in the first half of the 19th century, and only by the end of the 20th century they formed an independent layer. At the same time, one should objectively speak of two exteriorics – the Chuvash and by the poet G. Aygi. Each of them is represented by almost 150 publications. The predominant problematic of the foreign language layer of the Chuvash book proper is the Chuvash language. Moreover, its notable aspect is the publication of books in the Chuvash language or their publication with parallel texts in Sweden and Turkey. G. Aygi’s foreign publications are already represented by collections of poems in Russian, published by the publishing house of the artist N. Dronnikov in France. This work is a publication that should provide an introduction to the scientific use of literature that has not yet become the property of the Chuvash Studies. Its task is to promote the full functioning of modern Chuvash science in conjunction with the world one. The authors come to the conclusion that, in general, the foreign layer of the Chuvash book has an enduring value, and many of the scientific publications published in the past are rightly elevated to the rank of classical ones by the scientists.

Why the “True” Philosophy of Valisiy Rozanov Is So Consanguineal for Me

2019 ◽  
Vol 60 ◽  
pp. 237-261
Author(s):  
Alexander Tsipko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Political History ◽  
Intrinsic Value ◽  
The World ◽  
Rich People ◽  
The Right ◽  
The 19Th Century ◽  
World Mission

The author of the article analyzes the key directions of Russian philosophic thought starting with the end of the 19th century, as well as the course of Russian political history in the 19th century, and using his fist-hand experience gives his own interpretation of the phenomena of Russian nihilism, Russian socialism and Russian messianism. In particular the author discusses the ascetic Orthodoxy idea of “rich people being worse than poor”, that during long periods united the narratives of various, and very often oppositional to each other, directions of the Russian thought, as well as the purposes of intelligentsia on the whole. That attitude to “richness” according to the author was based on the long-standing tradition of the mobid attitude to asceticism, and he develops Rozanov’s idea that there is no proof of the postulate that a suffering proletarian is closer to spiritual perfection than a so-called “exploiter”. At the bottom of Russian nihilism was the total denial of life, that later led the attitude to any individual as just means in the revolutionary doctrine and in post-revolutionary political practices. On the contrary, the acknowledgement of the world intrinsic value can serve as philosophical prerequisite of the opposition to the interpreting of an individual as “just means”. V.V. Rozanov supported that idea of intrinsic value connecting the divine with the living in his “philosophy of the mundane”, thus defending the right of any Russian man to the joys of commonness. On the basis of that position the author of the article discredits the Russian messianism that was understood as socialist world mission by some thinkers at the beginning of the 20th century. According to the author the paradox lies in the fact that Russian messianism was generated in reality not by the love to Russia, but by the lack of national feelings, he also states that all these problems are still relevant in contemporary Russia.

Sokol Idea – Idea For The 21st Century

2020 ◽  
Vol 7 (2) ◽  
pp. 199-210
Author(s):  
Kristina M. Pantelić Babić ◽  
Sladjana Mijatovic ◽  
Dejan Gavrilovic
Keyword(s):  
Physical Exercise ◽  
Theoretical Analysis ◽  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Physical Culture ◽  
Historical Method ◽  
The 19Th Century

SummaryCreated by the idea of Miroslav Tyrš in the second half of the 19th century as a movement of spiritual and physical strengthening of the nation, sokolism soon spread to all countries where the Slavic people lived. In that way, it reached the territory of Herzegovina as well. However, what exactly was the idea of the sokol movement, what did it develop into in the first half of the 20th century in Herzegovina and whether it is an idea that can benefit a man of the 21st century as well, are just some of the questions that the authors deal with in this research. Although Miroslav Tyrš and his sokols are typical representatives of ethnocentrism, the sokolism of Herzegovina has expanded its ideas also in another direction. Using physical exercise as a gracious food for their body and truth and zeal as food for their soul, they may have been able to hint at what is an essential need almost a century later, and that is a theoanthropocentric way of approaching man which has been used more and more lately, especially in the field of physical culture. The appointed problems authors research using the method of theoretical analysis and historical method.

Antoni Tuchendler i Leon Plocker – twórcy polskiej powojennej szkoły gastrologicznej

Nowa Medycyna ◽  
2020 ◽  
Vol 27 (3) ◽  
Author(s):  
Maria Ciesielska ◽  
Przemysław Ciesielski
Keyword(s):  
Internal Medicine ◽  
20Th Century ◽  
19Th Century ◽  
Scientific Work ◽  
Medical Society ◽  
Warsaw Ghetto ◽  
Independent Field ◽  
Jewish Hospital ◽  
The University ◽  
The 19Th Century

The origin of gastrology as an independent field of internal medicine began in the second half of the 19th century. The so-called “Polish gastrological school” of the first half of the 20th century was composed of, among others: Edward Korczyński, Walery Jaworski, Antoni Gluziński, Józef Wacław Grott, Ludwik Justman, Wilhelm Rubin, Anastazy Landau, Antoni Tuchendler and Leon Plockier (vel Plockier, Płocker, Płockier). Dr. Antoni Tuchendler, after graduating from the University of Dorpat, trained at the Charitè Clinic in Berlin. He worked in Warsaw and was a member of the prestigious Warsaw Medical Society. Before the outbreak of the war, Dr. Leon Plocker worked at the Czyste Jewish Hospital in Warsaw. In 1939 he took part in the defensive war and was taken prisoner by the Germans. In 1940 both doctors were forcibly relocated to the Warsaw ghetto. From 1942, Dr. Plocker hid after the so-called on the Aryan side under the false name of Konstanty Szustowski. He took part in the Warsaw Uprising as the commander of one of the field hospitals. The article is devoted to the fate of two of the above-mentioned doctors: Antoni Tuchendler and Leon Plocker. The first one dealt with the etiology and diagnosis of habitual constipation, the second focused his scientific work on issues related to the stomach cancer.

7. The impact of Methodism

2019 ◽  
pp. 80-93
Author(s):  
William J. Abraham
Keyword(s):  
Social Movements ◽  
20Th Century ◽  
19Th Century ◽  
Successful Schools ◽  
The Political ◽  
Political Arena ◽  
Temperance Movement ◽  
The World ◽  
The 19Th Century ◽  
The Impact

‘The impact of Methodism’ considers Methodism’s impact on and contribution to social movements, politics, education, and healthcare. Social movements that were deeply influenced by Methodism include the abolition of slavery in the 19th century and the Temperance Movement in the 20th century. The Methodist tradition has always encouraged diversity of judgement in the political arena and Methodists can be found on both the conservative and progressive wings of politics. One of the most important expressions of social holiness in Methodism shows up in its role in education. Methodists founded numerous successful schools and universities around the world. Methodism has also had an impact on popular and high culture.

The visions of global salvation in Juliusz Słowacki’s messianic thought and the philosophical works of Teilhard de Chardin

2020 ◽  
Vol 35 (2) ◽  
pp. 16-39
Author(s):  
Olaf Krysowski
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
Intellectual Style ◽  
Final Shape ◽  
The World ◽  
The Absolute ◽  
The Mind ◽  
The 19Th Century ◽  
Common Vision

Juliusz Słowacki and Teilhard de Chardin did not have much in common. The former was a Polish poet who wrote in the first half of the 19th century using a literary-pictorial style. The latter, on the other hand, was a French philosopher working in the first half of the 20th century using a scientific and intellectual style. In spite of these differences, one may get the impression that they both followed the same goal: to learn and explain the principles of the development of the world, from its origin to its end, from Alpha to Omega. This aspiration was accompanied by a belief (in Słowacki’s case, a messianic one) that the progress of existence leads to salvation and takes place according to a certain plan. One of the main mecha- nisms of this plan is the process of lifting the consciousness through the evolution of various biological forms towards its final shape – unity with God who is both a person and the absolute which encompasses all of the creation. Although the poet and the philosopher used different communication codes, their works share a common vision of evolution as a transition from an unconscious, dispersed exist- ence to a united being in which the spirit, the knowledge and the mind can achieve a “global”, yet personalized level.

Sign in / Sign up

Export Citation Format

Share Document