scholarly journals The Uncanny in the Themes of Evil, Transgression and the Double in Nathaniel Hawthorne's "Rappaccini's Daughter"

LETRAS ◽  
2006 ◽  
pp. 33-47
Author(s):  
Esteban Barboza Núñez
Keyword(s):  
Nineteenth Century ◽  
Sigmund Freud ◽  
Jacques Lacan ◽  
Psychoanalytic Theory ◽  
Main Character ◽  
The Uncanny ◽  
Siglo Xix ◽  
Human Component

El propósito de este artículo consiste en explorar los mecanismos y representaciones de lo siniestro en "La hija de Rappacci" de Nathaniel Hawthome como expresión del mal dentro de los límites del género gótico del siglo XIX; como expresión del tema del doble en tres personajes humanos y en uno no humano que aparecen en el cuento; y como expresión de trasgresión en el personaje principal, Giovanni Guasconte. El concepto de lo siniestro que se usará será el de la teoría psicoanalítica, siguiendo especialmente los aportes de Sigmund Freud y Jacques Lacan. The purpose of this artide is to explore the mechanisms and representations of the uncanny in Nathaniel Hawthome's "Rappaccini's Daughter" as an expression of evil within nineteenth century Gothic boundaries; as an expression of the theme of the double in three human characters and in one non-human component of Rappaccini's garden; and as an expression of transgression in Giovanni Guasconte, the main character. The concept of the uncanny to be used will be that of psychoanalytic theory, especially reliant on the contributions on the topic by Sigmund Freud and Jacques Lacan.

scholarly journals Unspeakable references — On infective states of words and images in the "SHUT DOWN 2020" project

Artnodes ◽  
2021 ◽  
Author(s):  
Claudia Reiche ◽  
Brigitte Helbling
Keyword(s):  
Sigmund Freud ◽  
Jacques Lacan ◽  
Psychoanalytic Theory ◽  
The State ◽  
Late Spring ◽  
Visual Elements ◽  
States Of Emergency ◽  
The Uncanny ◽  
Words And Images ◽  
New Situation

The authors discuss a collective art project, initiated by them during the time of the first COVID-19 shutdown in Europe in late spring 2020. With 58 participants contributing short texts in combination with an image, the collection reflects the specific responses to the new situation. This article investigates the state of the project after its publication by a German online cultural magazine (CulturMag). A fusion of the authors’ expertise, ranging from psychoanalytic theory to literary and performative experimentation, undertakes a tentative deciphering of what lies unrecognised and virulent amidst and in between verbal and visual elements. Reflections on the uncanny, "das Unheimliche" (Sigmund Freud) – as well as "l’extimité" (Jacques Lacan) – connect paradoxical psychic (non-, mis-, over- etc.) representation of the COVID-19 danger with all too well un/known experiences of ongoing states of emergency – touching on their ecological, economical, ideological aspects, tiptoeing perhaps on the windblown tracks of childhood fears? In this way the authors asked the participants, most of them artists and writers, to submit to us something of their lives in the NOW – “no analysis, no commentaries. We've got enough of those. We want to know what is going on inside your rabbit holes" (Helbling/Reiche, 2020) – in order to find 'unspeakable references’ with precision and in abundance.

scholarly journals PSYCHOLOGICAL CONFLICT OF THE MAIN CHARACTER REFLECTED IN LADY BIRD MOVIE

JURNAL BASIS ◽  
2021 ◽  
Vol 8 (2) ◽  
pp. 231
Author(s):  
Kicki Herdayanti ◽  
Robby Satria
Keyword(s):  
Sigmund Freud ◽  
Psychoanalytic Theory ◽  
Main Character ◽  
Qualitative Descriptive ◽  
Psychological Conflict

This research was useful for knowing the personality of the main character in the film. The researchers used the film Lady Bird as the object of research because this film was very interesting and told the story of a teenager who had very strong ambitions. This film was written by Greta Gerwig in 2017. The researcher used the psychoanalytic theory by Sigmund Freud. The study aimed to analyze the psychological conflict between ego, id and super ego trough the attitude and utterances of the main character.  The method was qualitative descriptive. In result, researchers found 6 aspects of the id that are directly related to the main character, 2 aspects of the ego and 2 aspects of the superego. Therefore, the researcher concludes that in the main character in this film, she was more controlled by his id, where she was a form of personality that a person carried when she was born. The Id on Ladybird showed how she fulfilled a wish she deserved and felt that she enjoyed it more without realizing it.

scholarly journals Homosexualidad, cultura y representaciones sociales

POLIANTEA ◽  
2015 ◽  
Vol 10 (18) ◽  
pp. 227
Author(s):  
Luciana Marques
Keyword(s):  
Sigmund Freud ◽  
Jacques Lacan ◽  
Siglo Xix

<p>Fruto de una investigación de reflexión, este artículo se propone a recorrer la historicidad de la homosexualidad en la cultura, así como las representaciones sociales advenidas del campo simbólico, que promueven, a través del lenguaje, las más variadas atribuciones de valores al comportamiento humano. Partiendo de las representaciones en la Grecia Antigua, donde el placer tomaba la escena, aunque con reglas, atravesando el estatuto de pecado, en la Edad Media, hasta llegar a la categoría de enfermedad, según la atribución diseminada por el discurso médico del siglo XIX, nuestro recorrido desembocará en la despatologización de la homosexualidad, promovida por Sigmund Freud, con la publicación de <em>Tres ensayos de teoría sexual</em>, obra que subvierte la noción de sexualidad y promueve un nuevo mirar para el sujeto e sus elecciones. Por fin, con base en el discurso heterosexista actual, que condena las nuevas formas de representación social de la familia, censurando la creación de hijos por parejas homosexuales, tenemos como objetivo dilucidar, a partir de las enseñanzas de Jacques Lacan, las diferentes funciones, materna y paterna, desconectadas de cualquier diferenciación anatómica necesaria a la asunción de un sujeto de deseo.</p>

‘Behind the Poetic Fiction’: Freud, Schnitzler and Feminine Subjectivity

2004 ◽  
Vol 6 (2) ◽  
pp. 201-223
Author(s):  
Elizabeth Goodstein
Keyword(s):  
Sigmund Freud ◽  
The Other ◽  
Modernist Literature ◽  
Arthur Schnitzler ◽  
Feminine Subjectivity ◽  
The Uncanny ◽  
Poetic Fiction ◽  
Psychoanalytic Theories

In 1922 Sigmund Freud wrote to fellow Viennese author and dramatist Arthur Schnitzler: ‘I believe I have avoided you out of a sort of fear of my double’. Through a series of reflections on this imagined doubling and its reception, this paper demonstrates that the ambivalent desire for his literary other attested by Freud's confession goes to the heart of both theoretical and historical questions regarding the nature of psychoanalysis. Bringing Schnitzler's resistance to Freud into conversation with attempts by psychoanalytically oriented literary scholars to affirm the Doppengängertum of the two men, it argues that not only psychoanalytic theories and modernist literature but also the tendency to identify the two must be treated as historical phenomena. Furthermore, the paper contends, Schnitzler's work stands in a more critical relationship to its Viennese milieu than Freud's: his examination of the vicissitudes of feminine desire in ‘Fräulein Else’ underlines the importance of what lies outside the oedipal narrative through which the case study of ‘Dora’ comes to be centered on the uncanny nexus of identification with and anxious flight from the other.

Capital californiano, necesidad presupuestal y cambio político: Juan Temple y el arrendamiento de la Casa de Moneda de México, 1827–1857

2019 ◽  
Vol 35 (3) ◽  
pp. 327-351
Author(s):  
Omar Velasco Herrera
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Mexico City ◽  
Economic Conditions ◽  
The Political ◽  
Las Casas ◽  
Siglo Xix ◽  
The Government

Durante la primera mitad del siglo xix, las necesidades presupuestales del erario mexicano obligaron al gobierno a recurrir al endeudamiento y al arrendamiento de algunas de las casas de moneda más importantes del país. Este artículo examina las condiciones políticas y económicas que hicieron posible el relevo del capital británico por el estadounidense—en estricto sentido, californiano—como arrendatario de la Casa de Moneda de México en 1857. Asimismo, explora el desarrollo empresarial de Juan Temple para explicar la coyuntura política que hizo posible su llegada, y la de sus descendientes, a la administración de la ceca de la capital mexicana. During the first half of the nineteenth century, the budgetary needs of the Mexican treasury forced the government to resort to borrowing and leasing some of the most important mints in the country. This article examines the political and economic conditions that allowed for the replacement of British capital by United States capital—specifically, Californian—as the lessee of the Mexican National Mint in 1857. It also explores the development of Juan Temple’s entrepreneurship to explain the political circumstances that facilitated his admission, and that of his descendants, into the administration of the National Mint in Mexico City.

The Kinds of Personality Disorders of The Main Character in Inside Out Movie Script

CALL ◽  
2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Firman Nur Zaman ◽  
Udayani Permanaludin
Keyword(s):  
Personality Disorder ◽  
Personality Disorders ◽  
Psychoanalytic Theory ◽  
Point Of View ◽  
Main Character ◽  
Moral Value ◽  
Dsm V ◽  
Movie Script ◽  
Inside Out

Movie script is a narrative literary wok that has intrinsic elements in it, that the intrinsic elements are theme, setting, point of view, plot, moral value, and last but not least are character and characterization. Movie script that are visualized into movies are categorized as modern dramas. Nowdays, the movie is used as a medium of entertainment and as a medium for delivering messages. This research aims to find two things, that is the personality disorders experienced by the main character in “Inside Out” movie script by Pete Docter. In this research, the researcher uses Sigmun Freud’s psychoanalytic theory (1923), and assisted by other supporting theories. The result of the research found that there were eight types of personality disorders of ten types of personality disorders. This research uses DSM-V (2013) as a reference for discussion of personality disorders.Keywords: Personality Disorder, Main Character, Inside Out Movie, Riley, Author, Dialogue, Narration.

“Da mágoa, sem reméDio, De perDer-te”: o luto como trabalho Da linguagem na poesia De camões

2017 ◽  
Vol 19 (1) ◽  
Author(s):  
Monica Genelhu Fagundes
Keyword(s):  
Sigmund Freud ◽  
Jacques Lacan ◽  
Maurice Blanchot

Ao abordar a arte, especifcamente a poesia, como meio (espaço e ato) de resistência, este ensaioparte de duas constatações e de uma confssão. As constatações: (1) para além de todo poder deordem histórica, de todo instrumento de coerção, seja político, econômico, ideológico, moralou cultural a que o homem esteja submetido e deva resistir, está a certeza da fnitude -- a sua ea daqueles que ama. Também (sobretudo, talvez) diante da consciência dessa condição mortalque limita, oprime e fere o humano, cabe resistir. O luto, como modo de lidar com a morte, é,portanto, ato de resistência; (2) Se a resistência se organiza no campo da arte, ela deve se valerdas armas próprias dessa linguagem, pelo que aqui importa, tanto quanto a temática abordadana poesia elegíaca de Camões, a forma poética como elaboração de um trabalho de luto. A confssão: este texto é em si mesmo um trabalho de luto, que se vale do exercício de pensamentopróprio do ensaio como forma para elaborar a perda que motiva sua escritura. A partir dessespressupostos e desse lugar de fala, realiza-se nas páginas que seguem uma leitura atenta de trêssonetos camonianos que compõem o assim chamado ciclo a Dinamene, pondo-os em diálogocom as reflexões de Sigmund Freud, Jacques Lacan e Jean Allouch sobre o luto, bem como coma teoria de Maurice Blanchot sobre a linguagem, que a concebe como trabalho de luto.

scholarly journals ALL IS NOT SEXUALITY THAT LOOKS LIKE IT

2018 ◽  
Vol 17 (1) ◽  
pp. 239-247
Author(s):  
DAGMAR HERZOG
Keyword(s):  
Sigmund Freud ◽  
Jacques Lacan ◽  
Vital Signs ◽  
Turn Of The Millennium ◽  
Master Narrative ◽  
Special Issue ◽  
Rescue Operation ◽  
French Studies ◽  
Textual Interpretation

I am grateful for the observations of these five wonderful and thought-provoking interlocutors: Camille Robcis, Todd Shepard, Suzanne Stewart-Steinberg, Regina Kunzel, and Michal Shapira. They have prompted me to read a whole range of clarifying texts—from Jacques Derrida's reflections on Friedrich Nietzsche to the work of classicist James Davidson on Michel Foucault and George Devereux (as well as more writings by Devereux) to historian Chris Waters's recovery of Edward Glover, and from literary scholar Shoshana Felman's brilliant Jacques Lacan-inspired rescue operation for psychoanalytic textual interpretation (in the special issue of Yale French Studies she edited in 1977) to Charles Shepherdson's turn-of-the-millennium revisionist take on Lacan and Foucault in Vital Signs. They have prompted me, too, to reconsider key texts by Sigmund Freud. And I am glad that the interlocutors challenge me with questions. These include: why the Left abandoned psychoanalysis (Robcis); how I have come to think about practices and desires and the relationships between “the sexual” and other realms of human existence (Shepard and Stewart-Steinberg, each in their own way); how a more integrated and comprehensive master narrative of psychoanalysis might be written, connecting the first and second halves of the twentieth century (Shapira); and how to delve more deeply into the role of analysands in shaping what counts as psychoanalysis (Kunzel).

scholarly journals From de Clérambault's Theory of Mental Automatism to Lacan's Theory of the Psychotic Structure

2018 ◽  
Vol 20 (2) ◽  
pp. 205-228 ◽  
Author(s):  
Stijn Vanheule
Keyword(s):  
Jacques Lacan ◽  
Psychoanalytic Theory ◽  
Structural Approach ◽  
Mental Life ◽  
Clinical Issues ◽  
The Subject ◽  
Lacanian Theory ◽  
Structural Perspective

In 1966, in a paper on those who have influenced his work, Jacques Lacan suggested that his concept of ‘paranoid knowledge’ and his structural approach to psychoanalysis were closely linked to the work of Gaëtan Gatian de Clérambault. This article examines both of these points. Starting with an introduction to de Clérambault, focusing on his concept ‘mental automatism,’ the link between ‘mental automatism’ and ‘paranoid knowledge’ is discussed. Loyalty to Henri Claude and conflicts around theoretical and clinical issues seem to lie at the basis of Lacan's initial neglect of his conceptual indebtedness to de Clérambault. Second, the author discusses the presumed connection between mental automatism and Lacan's structural psychoanalytic theory, which Lacan did not elaborate. It is argued that from a structural perspective, mental automatism comes down to a rupture in the continuity of the signifying chain, which provokes the disappearance of the subject. Furthermore, Lacan's theory implies the hypothesis that manifestations of mental automatism are determined by a foreclosure of the Name-of-the-Father, where questions related to existence cannot be addressed in a stable way. Lacanian theory thus retained de Clérambault's notion of a rupture in mental life that lies at the basis of psychosis, but replaced his biological framework with the dimension of the subject as produced through speech.

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