scholarly journals Grob 75 s lokaliteta Pakoštane-Crkvina

2013 ◽  
Vol 7 (1) ◽  
Author(s):  
Karla Gusar ◽  
Dario Vujević

In the course of archaeological excavations at the Pakoštane-Crkvina site from 2006 to 2013, the remnants of the Church of St. Mary, which was part of the medieval settlement of Zablaće, were unearthed. Auxiliary rooms and a medieval cemetery were uncovered beside the church. However, the features of grave 75 make it stand out. It is a constructed tomb with Romanesque style characteristics. The construction of this unusual grave can be dated to the 12th century. It can be compared to the tomb of the Abbess Vekenega in the Benedictine monastery of St. Mary in Zadar. Partial reconstruction is also possible based on the preserved parts. Apart from its rich architecture, grave 75 should also be singled out for the finds uncovered within it. These include jewellery, parts of attire and coins. Grave 75 and the other unearthed graves and finds indicate the site’s importance in the period between the 12th and 16th century. 

Author(s):  
Вл.В. Седов

В статье публикуются две арочных ниши (аркосолии) и находящиеся в них два саркофага, содержавшие останки сына князя Юрия Долгорукого князя Бориса Юрьевича (умер в 1159 г.), и его жены Марии (умерла в 1161 г.). Этот погребальный комплекс, находящийся в церкви Бориса и Глеба в Кидекше, белокаменном храме середины XII в., является одним из хорошо сохранившихся и наиболее ранних комплексов Владимиро Суздальской Руси. Он включает в себя также монументальную фресковую живопись в поле аркосолиев. Автор, проводивший в храме археологические раскопки в 2011 2012 гг., приводит аналоги их зеркальному расположению в храмах Византии и Древней Руси, а также описывает сами аркосолии и саркофаги в них, вписывая эти сооружения в контекст и типологию погребальных сооружений Владимиро Суздальского княжества. The paper publishes two arch niches (arcosolia) and two sarcophagi located in these niches with remains of Prince Boris Yurievich, son of Prince Yury the Long Arm, (died in 1159) and his wife Maria (died in 1161). This funerary complex in the Church of Sts. Boris and Gleb in Kideksha, a white stone church built in the mid 12th century, is one of the well preserved and the earliest complexes of this type in the VladimirSuzdal Rus. It also contains a monumental fresco painting in the arcosolia. The author who performed archaeological excavations in the church in 2011 2012 provides analogies of their mirror location in churches and cathedrals of Byzantium and Medieval Russia and describes the arcosolia and their sarcophagi putting them in the context and typology of funerary constructions of the Vladimir Suzdal Principality.


Slovene ◽  
2014 ◽  
Vol 3 (2) ◽  
pp. 130-174 ◽  
Author(s):  
Dmitri G. Polonski

The article focuses on a literary monument presenting Christological debates of the 5th century and the circumstances of the Fourth Ecumenical Council (the Council of Chalcedon), its sources, and the history of dissemination in the Slavic manuscript tradition. It introduces a list of forty-two East Slavic manuscripts of the 15‒17th centuries, including The Word on the Council of Chalcedon, a work on the history of Christianity and its dogmas. In thirty-nine of the manuscript copies, the literary monument serves as an introduction to the Slavic translation of Pope Leo the Great’s Tome to Archbishop Flavian of Constantinople (451), confirmed by the Fourth Ecumenical Council as an essential document of dogma. Judging by the provenance of the manuscript sources, in the 15‒17th centuries The Word on the Council of Chalcedon, along with the translation of Pope Leo’s Tome, were widely read and copied in the monasteries and churches of Moscow, Volok Lamsky, Pereyaslavl-Ryazansky, and Novgorod Veliky, as well as those of northern Russia. As its first researcher, O. M. Bodianskii, showed in 1848, the Slavic translation of the pope’s Tome was made from Greek by the monk Feodosii (“Theodosius the Greek”) in the 12th century. However, the attribution of The Word on the Council of Chalcedon to the same translator remains to be proved. The present work shows that the anonymous compiler of The Word on the Council of Chalcedon was well aware of the church history of the 5th century, remembering many historical details he would most probably have come across in Greek rather than in translated Slavic sources. On the other hand, several historical mistakes made by the compiler suggest that he lacked the texts necessary to verify the facts and had to rely on his memory, which occasionally failed him. Nevertheless, despite occasional factual errors and a compilative narrative structure, The Word on the Council of Chalcedon is in some ways more informative than many Byzantine chronicles.


Author(s):  
M. Koehl ◽  
Ph. Fabre ◽  
B. Schlussel

Turckheim is a small town located in Alsace, north-east of France.<br><br> In the heart of the Alsatian vineyard, this city has many historical monuments including its old church. To understand the effectiveness of the project described in this paper, it is important to have a look at the history of this church. Indeed there are many historical events that explain its renovation and even its partial reconstruction.<br><br> The first mention of a christian sanctuary in Turckheim dates back to 898. It will be replaced in the 12th century by a roman church (chapel), which subsists today as the bell tower. Touched by a lightning in 1661, the tower then was enhanced. In 1736, it was repaired following damage sustained in a tornado. In 1791, the town installs an organ to the church. Last milestone, the church is destroyed by fire in 1978. The organ, like the heart of the church will then have to be again restored (1983) with a simplified architecture.<br><br> From this heavy and rich past, it unfortunately and as it is often the case, remains only very few documents and information available apart from facts stated in some sporadic writings. And with regard to the geometry, the positioning, the physical characteristics of the initial building, there are very little indication.<br><br> Some assumptions of positions and right-of-way were well issued by different historians or archaeologists. The acquisition and 3D modeling project must therefore provide the current state of the edifice to serve as the basis of new investigations and for the generation of new hypotheses on the locations and historical shapes of this church and its original chapel (Fig. 1)


Aethiopica ◽  
2014 ◽  
Vol 17 ◽  
pp. 25-64
Author(s):  
Michael Gervers

The five churches of Yǝmrǝḥannä Krǝstos, Ǝmäkina Mädḫane ʿAläm, Ǝmäkina Lǝdätä Maryam, Walye Iyäsus and Žämmädu Maryam are all built in caves in the massif of Abunä Yosef, situated in the Lasta region of Wollo. Changes in their architectural forms suggest that they were constructed over a period of several hundred years in the order listed and as such represent a significant chronological model against which many of Ethiopia’s rock-hewn churches may be compared. Until the publication of this paper, it has been universally accepted that the church of Yǝmrǝḥannä Krǝstos was built in the second half of the 12th century under the sponsorship of an eponymous king. Aspects of the church’s architecture, namely the absence of a raised space reserved for the priesthood before the triumphal arch (the bema), of any sign of a chancel barrier around it, of western service rooms, of a vestibule and narthex, and of the presence of a reading platform (representative of the Coptic ambo), of a full-width open western bay (allowing for a ‘return aisle’), and of arches carrying the aisle ceilings, all point to a date of construction around the mid-13th century. In fact, the closest parallels to Yǝmrǝḥannä Krǝstos may be found in Lalibäla’s second group of monolithic churches, Amanuʾel and Libanos. Closely associated also is the church of Gännätä Maryam. A painting of the Maiestas Domini in the south-east side room (pastophorion) of the latter suggests that the room served as an extension of the sanctuary. By the end of the 13th century, as witnessed by Ǝmäkina Mädḫane ʿAläm and the other churches built in caves, the full-width sanctuary becomes a characteristic which endures throughout 14th- and 15th -century Ethiopian church architecture. Yǝmrǝḥannä Krǝstos and Gännätä Maryam stand on the cusp of a major liturgical change which coincides with the transfer of royal power from the Zagwe dynasty to their Solomonic successors, who sought legitimacy by following Coptic practices.


2004 ◽  
pp. 271-277 ◽  
Author(s):  
Dusan Sindik

The location called Trinity is situated nearby Kotor (Cattaro), and was most probably named after the Saint Trinity Church, built at the same place. The church does not exist any more. Several documents regarding that church have been kept. One of them, written in September 1476, is subject of analysis of this contribution. As it happened, instead of a priest died in May of the same year, the church was taken care by the Minor Council upon the suggestion of the city of Kotor. The election of the same priest was performed in the Minor Council, upon suggestion of the two electors, by secret voting of all members of the Council. It seems the document to be the only one from the Archive of Kotor (today kept in the State Archive of Zadar), in which has been described the voting in the Minor Council, with presences of the two members of Council, who had voted with the golden balls (balotta aurea electionis). As it is possible to see from this case, as well as from the other documents kept in the city archives along the eastern Adriatic Coast, their role was to suggest personalities for important city duties. It is also possible to see from the document that the Minor Council of the Kotor Municipality had separated a book in which the records for the sessions or at least decisions of the Council was registered. The second interesting thing in this document is the name of the deceased priest. His name was don Matej Curilica, which should be understood as a nickname, given because of that he had probably served upon the Roman ritual, but in Slavic language, from the books written in Cyrillic or Glagolitic alphabet. The first name for the Glagolitic alphabet was kjurilica. There are strong reasons for presumptions that still in the first half of the 12th century the Glagolitic alphabet was in use in the regions southeast from Dubrovnik.


Author(s):  
Noema Wis Molino

En los albores del siglo XII, se producía en los Reinos de España la caída del Imperio musulmán y la toma de Córdoba. El proceso de Reconquista comenzó en el suroeste de Andalucía, por la provincia de Jaén, y continuó hacia la ciudad más importante de los territorios del Al Ándalus, Córdoba. Se inició una nueva etapa en la historia y el arte, influenciada por las corrientes del Reino de Castilla, ya bajo la dominación de los reyes cristianos. Durante esta nueva etapa surgieron en la ciudad nuevas tipologías arquitec- tónicas con finalidad religiosa, los palacios-conventos. Uno de los más importantes es el convento de Santa Marta y su iglesia, un hito en la arquitectura de finales del gótico, gracias a la familia de canteros y escultores que llegados desde Burgos ejecutaron para la capital este monumento. La portada principal de la iglesia fue esculpida y proyectada en 1511 por Hernán Ruiz I, maestro mayor de la catedral (anti- gua mezquita del califato cordobés). Este frontal es el objetivo de la investigación y de los trabajos de restauración, que pusieron en valor este conjunto arquitectónico de la Córdoba del siglo XVI. Palabras clave.-Convento Santa Marta, Hernán Ruiz I, Córdoba. ABSTRACTIn the early days of the 12th century, the fall of the Muslim Empire and capture of Cordoba was taking place in the kingdoms of Spain. The process of Reconquista that began in the south-east of Andalucía, through the province of Jaen, and continued towards the most important city of the ter- ritories of Al Ándalus, Cordoba. A new period in art and history began, influenced by trends of the Kingdom of Castilla, already under the control of Christian kings. In the course of this new stage, a new architectural typology emerged in the city. It had religious purpose and are known as the pal- ace-convents. One of the most important edifices is the Santa Marta convent along with its church, a landmark in late Gothic architecture. It owes such characteristics to families of stonemasons and sculptors who arrived from Burgos, making the city into this magnificent site. The main façade of the church was sculpted and designed in 1511 by Hernán Ruiz I, master of the cathedral (former mosque of the caliphate). This front is the subject of research and restoration work, which revalued this architectonical assortment of the Cordoba of the 16th century. Keywords.-Santa Marta monastery, Hernán Ruiz I, Cordoba.


2021 ◽  
Vol 19 (1) ◽  
pp. 101-112
Author(s):  
Paola Badino ◽  
Marta Licata ◽  
Francesca Monza ◽  
Omar Larentis ◽  
Rosagemma Ciliberti

The monastery of Saint Catherine of Sasso was built overhanging the eastern shore of Lake Maggiore in the municipality of Leggiuno (VA). In particular, our paper concerns the relics housed in the Sacellum of the church of St. Caterina. According to the tradition, the first Sacellum dedicated to the saint was built before the 16th century over a medieval hermit’s refuge. The chronicle, the Historieta, remembers that, in the 12th century, a merchant of Arolo, Alberto Besozzi, survived the lake crossing shipwreck and made a vow to St. Catherine of Alexandria. He decided to retreat in prayer in a cave on that part of the coast. The Sacellum, now incorporated in the monastery complex (at the bottom of the central nave of the church), preserved human remains of Blessed Alberto in the past. We present the important role that the Sacellum and the relics have played not only for the faith, but also for the devotion of pilgrims and local people. In this context, this monument is related to the sense of religiosity and spirituality that pervaded medieval life, where every form of prayer is to be materialized in the physicality of a tangible creation.


2013 ◽  
pp. 461-478
Author(s):  
Marko Popovic

The focus of the paper is the stone fragment of a Byzantine architectural element discovered in Belgrade several decades ago. It has served as a basis for reconstructing the original appearance of the element which has been identified as the plinth of a chancel screen column. The plinth, which flanked the north side of the central templon door, is decorated in low relief on three sides, and has been dated by style to the 11th century. It presumably formed part of the templon of Belgrade?s cathedral church, of which no remains have survived. Based on analogies, the church might have been a three-aisled basilica, probably located in the urban zone of 11th- and 12th-century Byzantine Belgrade. Archaeological excavations indicate that this urban zone was situated within the walls of the former Roman castrum.


2020 ◽  
Author(s):  
Marina Vdovichenko

Veliky Novgorod is an ancient Russian medieval metropolis that formed part of the system of European trade and cultural relations. Many important monuments central to the history of the city were damaged during the first half of the 20th century. Three sites that have been the focus of recent conservation and presentation projects are discussed here; the medieval Church of the Assumption in Volotovo, St Panteleimon's Cathedral, and the Church of the Annunciation on Gorodische, a 12th-century church of great significance in medieval Russia. Archaeological excavations informed the conservation and presentation phase of each project, and the completed works have become an important element in Novgorod's tourism branding.


2012 ◽  
Vol 41 (2) ◽  
pp. 22-27
Author(s):  
Sissel Undheim

The description of Christ as a virgin, 'Christus virgo', does occur at rare occasions in Early Christian and late antique texts. Considering that 'virgo' was a term that most commonly described the sexual and moral status of a member of the female sex, such representations of Christ as a virgin may exemplify some of the complex negotiations over gender, salvation, sanctity and Christology that we find in the writings of the Church fathers. The article provides some suggestions as to how we can understand the notion of the virgin Christ within the context of early Christian and late antique theological debates on the one hand, and in light of the growing interest in sacred virginity on the other.


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