scholarly journals A Hijab, A Dog, and Many Histories: Wonders of Intersectional Assemblage in Memphis

2019 ◽  
Author(s):  
Wesam M. Salem ◽  
Leslee Bailey-Tarbett ◽  
Susan Naomi Nordstrom
Keyword(s):  
Arts Based Research ◽  
Interdisciplinary Arts ◽  
Intersecting Identities ◽  
Settler Colonization ◽  
Gender And Nation

As part of a larger interdisciplinary arts-based research course, we engaged in walking as a material and relational inquiry in order to disrupt privileged and normalized understandings of class, race, settler colonization, and narratives of othering (Springgay & Truman, 2018). Borrowing Jasbir Puar’s (2012) frictional analysis, that brings together intersectionality (Crenshaw, 1991) with Deleuze and Guattari’s (1987) assemblage, each of the walks sought to “foreground the mutually co-constitutive forces of race, class, sex, gender, and nation” (Puar, 2012, p. 49). As we walked Memphis’ historic neighborhoods, we experienced varying states of wonder as intersecting identities shifted with each step in and out of centers and margins or what Min-Ha (1991) terms as “horizontal vertigos” (p. 15). In this paper, we share two of our “horizontal vertigos” that shaped our experiences walking Memphis neighborhoods and that informed our understandings of the frictional movements in the assemblage and the event-ness of identities.

scholarly journals The great reveal: The experiences of a Registered Music Therapist with a disability: an arts-based research project

2020 ◽  
Vol 20 (1) ◽  
Author(s):  
Zoe Kalenderidis
Keyword(s):  
Music Therapy ◽  
Lived Experience ◽  
Lived Experiences ◽  
Music Therapists ◽  
Arts Based Research ◽  
Music Therapist ◽  
Diverse Workforce ◽  
Intersecting Identities ◽  
Global Population ◽  
Accessible Format

Disability is a human phenomenon experienced not by a small minority but a large percentage of our global population.  Disability is encountered by people of all ethnicities, religions, genders (and non-conforming), sexualities, socio-economic backgrounds, and ages.  Recent music therapy literature has advocated for a diverse workforce and others describe the value in music therapists adopting an intersectional lens, which considers the interconnectedness of social and political identities. However, there is limited dialogue featuring lived experiences of music therapists of underrepresented identities, such as disability.  This research sought to canvass the experiences of Australian Registered Music Therapists who identify as having a disability and to explore how their disability may impact or inform their practice.  One Australian Registered Music Therapist (RMT) who identified as disabled was interviewed.  The student-researcher engaged with arts-based research through music composition to allow an embodied analysis and to present results in an accessible format.  Several themes were revealed, including; hidden disability, disclosure of disability, alliance, positive transference, visibility, and identity.  These findings demonstrate the importance of lived experiences in the music therapy community and calls to amplify diverse voices of those with disabilities and other intersecting identities within our profession. Acknowledging the work of disabled music therapists may further challenge ableist attitudes in our society and provide options to participants who might prefer to work with therapists who have relevant lived experience.

Eating Out in the Nineteenth and Twentieth Centuries: Changes in Food and in Social Identities

2018 ◽  
Author(s):  
Christel Lane
Keyword(s):  
Twentieth Century ◽  
Social Identities ◽  
Rapid Urbanization ◽  
General Terms ◽  
Quality Of Food ◽  
Nineteenth And Twentieth Centuries ◽  
Eating Out ◽  
Gender And Nation ◽  
The Impact

This chapter examines the impact of rapid urbanization and industrialization on food and eating out. It draws attention to the growing standardization of food and, with greater class differentiation, to the growing diversity in eating-out venues. Class, gender, and nation are again used as lenses to understand the different eating-out habits and their symbolic significance. Towards the end of the twentieth century, pubs moved more fully towards embracing dining. However, the quality of food, in general terms, began to improve significantly only towards the end of the century, and hospitality venues also moved towards selling food from diverse national origins.

Arts-Based Research: Merging Social Research and the Creative Arts

2020 ◽  
pp. 600-632
Author(s):  
Gioia Chilton ◽  
Patricia Leavy
Keyword(s):  
Social Research ◽  
Mixed Media ◽  
Assessment Criteria ◽  
Creative Arts ◽  
Arts Based Research ◽  
Poetic Inquiry ◽  
Public Scholarship ◽  
Literary Forms ◽  
The Future ◽  
Methodological Principles

Arts-based research (ABR) is a rapidly growing methodological genre. Arts-based research adapts the tenets of the creative arts in social research to make that research publicly accessible, evocative, and engaged. This chapter provides a retrospective and prospective overview of the field, including a review of some of the pioneers of arts-based research, methodological principles, and robust examples of arts-based research in different artistic genres. We include literary forms such as poetic inquiry and fiction, performative forms such as playbuilding, ethnodrama, ethnotheater and film, and visual forms such as photography, collage, art journaling, and mixed media. We note researches also use multiple art forms, and evolving and innovative forms of art. We provide suggestions for (contested) assessment criteria, such as utility, aesthetics, authenticity and valuing participatory and transformative approaches. The chapter closes with our thoughts regarding the future of the field, which includes ABR’s potential to improve public scholarship.

scholarly journals Towards a Model for Integrating Informal and Formal Learning for Children in Refugee Camps: The Example of the Lesbos School for Peace

2021 ◽  
Vol 10 (3) ◽  
pp. 111
Author(s):  
Ephrat Huss ◽  
Smadar Ben Asher ◽  
Tsvia Walden ◽  
Eitan Shahar
Keyword(s):  
Lived Experience ◽  
Single Case ◽  
Refugee Children ◽  
Refugee Camps ◽  
Arts Based Research ◽  
Whole School ◽  
School Based ◽  
Research Interviews ◽  
Post Disaster

The aim of this paper is to describe a unique, bottom-up model for building a school based on humanistic intercultural values in a post-disaster/refugee area. We think that this model will be of use in similar contexts. This single-case study can teach us about the needs of refugee children, as well as provide strategies to reach these needs with limited resources in additional similar contexts. Additionally, this paper will outline a qualitative arts-based methodology to understand and to evaluate refugee children’s lived experience of in-detention camp schools. Our field site is an afternoon school for refugee children operated and maintained by volunteers and refugee teachers. The methodology is a participatory case study using arts-based research, interviews, and observation of a school built for refugee camp children in Lesbos. Participants in this study included the whole school, from children to teachers, to volunteers and managers. The research design was used to inform the school itself, and to outline the key components found to be meaningful in making the school a positive experience. These components could be emulated by similar educational projects and used to evaluate them on an ongoing basis.

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