Sustainable development and the arts

2012 ◽  
Vol 60 (1/2) ◽  
pp. 23 ◽  
Author(s):  
Paul Shrivastava ◽  
Vera Ivanaj ◽  
Silvester Ivanaj
2017 ◽  
pp. 1-11
Author(s):  
Nidhi Tiwari

Ever since the focus on cultural diversity and identities acquired prominence globally, there has been a shift in limiting sustainability only to environmental, economic and social dimensions. Culture is more than just the manifestation of culture, for example, ‘the arts’ and should be viewed instead as the ‘whole social order’ (Williams 1983). This naturally leads to an interrogation of the construct of sustainable development. The definition which emerged in the Brundtland Report (WCED 1987) is the widely accepted one and it states, “Sustainable development is development that meets the needs of the present without compromising the ability of future generations to meet their own needs.”


2019 ◽  
Vol 5 (2) ◽  
pp. 169
Author(s):  
Shunji Kanie

Ground freezing has been broadly applied to construction and maintenance works of infrastructures because of its environmental friendliness. Since freezing technology represented by ground freezing can improve the strength of soil as well as its water-tightness, it becomes an essential technology for construction and maintenance of urban infrastructures where the use of space in underground has already been highly integrated. In this paper, overview of the freezing technology is introduced with some important characteristics of freezing soil for practical application. In addition, freezing technology is used for interesting works which could not be completed without freezing, and the state of the arts in freezing technology is presented. A pipe-in-pipe, now the authors are developing, is an example to utilize the potential of frozen sand, and the effect of freezing is explained with experimental results.


Ozone Therapy ◽  
2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Marco Remondino

Sustainability, as a scientific concept, is multidisciplinary and very wide topic. Sustainable development bases its strategies not simply on the concept of growth, but rather on that of optimisation, around three main principles: ecosystem integrity, economic efficiency and social equity. The purpose of this paper, after an introduction about the concept of sustainability in general and as a strategy for the enterprises, is to discuss the potential of the use of ozone in different field, as a source of sustainable development, according to two of those principles, i.e. economic and environmental. In the first part, the concept of sustainability will be investigated in deep, with a managerial point of view, while the second part of the work will briefly analyse the current state of the arts of the uses of ozone, with also some practical examples. Finally, the discussion will take care of the reasons why the use of ozone, in several fields, could be considered as a driver for sustainability.


2019 ◽  
Vol 11 (14) ◽  
pp. 3780
Author(s):  
Tarah Wright ◽  
Yichao Liang

The Arts shows great promise in working toward a sustainable future as they can have a significant influence on the development of cultural norms. Using bibliometrics, this study uncovers the current body of scholarly literature related to the intersection of sustainability and the Arts. The results show that while there are very few articles (n = 77) published in scholarly journals related to this area, the number of manuscripts and the number of journals publishing manuscripts related to this subject area is increasing. Further, while there is no one individual who stands out to date as a leader in this field, the results show that Australia and Canada have produced the most published articles. Finally, this study demonstrates that scholarly articles related to the Arts and sustainability are mostly being published in well-established interdisciplinary sustainability-related journals and journals associated with the field of education for sustainable development. The results of this study give a more definitive answer to the question: what scholarly literature resources currently exist on the intersection of the Arts and sustainability and offers the scholarly community a better idea of what and how those involved in this area are publishing and mobilizing knowledge regarding their work.


2021 ◽  
Author(s):  
Shona Paterson ◽  
Hester Whyte ◽  

<p>Generating social behavioural change in the face of increasing variability in our planet’s climate remains one of the biggest challenges of our time. In a world of constantly shifting biophysical and social realities, we face an ever-evolving need for new and innovative ideas around sustainable development.</p><p>The philosophy and nature of the Catching A Wave project has the liberty and potential to generate, and inspire, shifts in social perceptions in ways that science and data alone currently do not. Catching a Wave acts as a catalyst to shift individual and collective mind-sets towards climate action and consideration for the people who live, work and interact within at-risk coastal spaces. Using a transdisciplinary approach to overcome barriers in language, discipline specific jargon and siloed thinking, the project team are exploring ways of integrating voices of coastal and island peoples and communities who are often marginalized into a multi-media sea level rise installation.</p><p>Extensive 3D digital mapping of actual waves by CaW researchers has enabled the creation of glass wave sculptures at various scales as a mechanism to demonstrate the synergies between art and science. While the glass art acts as a visual interpretation of the oceans’ complexity, the inclusion of soundbites of coastal people as well as sounds of the ocean itself is another way to  communicate and connect with our audiences. In addition to interviews with coastal communities, we are working with a music composer  and singer to ‘re-map’ our digital wave data to the sonic parameters of pitch, volume, spatialisation and audio filtering (Riding the wave). Despite in person activities being curtailed by the COVID-19 pandemic, we are engaging in several on-going digital initiatives. We have launched the virtual Planetary Wave project to demonstrate the connection we all have in different ways with the ocean.</p><p>CaW aims to ensure that the visualisation and realisation of solutions and pathways to sustainability become more reachable for all, from local to global scales and is a partner in the United Nations Decade of Ocean Science for Sustainable Development. Catching a Wave represents a collective of transdisciplinary researchers from five universities based in the USA, UK and Ireland, combining expertise in environmental, social sciences and the arts.</p>


Author(s):  
Cecil E. Hall

The visualization of organic macromolecules such as proteins, nucleic acids, viruses and virus components has reached its high degree of effectiveness owing to refinements and reliability of instruments and to the invention of methods for enhancing the structure of these materials within the electron image. The latter techniques have been most important because what can be seen depends upon the molecular and atomic character of the object as modified which is rarely evident in the pristine material. Structure may thus be displayed by the arts of positive and negative staining, shadow casting, replication and other techniques. Enhancement of contrast, which delineates bounds of isolated macromolecules has been effected progressively over the years as illustrated in Figs. 1, 2, 3 and 4 by these methods. We now look to the future wondering what other visions are waiting to be seen. The instrument designers will need to exact from the arts of fabrication the performance that theory has prescribed as well as methods for phase and interference contrast with explorations of the potentialities of very high and very low voltages. Chemistry must play an increasingly important part in future progress by providing specific stain molecules of high visibility, substrates of vanishing “noise” level and means for preservation of molecular structures that usually exist in a solvated condition.


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