scholarly journals Yelling into the Silence and its Echos. Czech Shoah Poetry Written till 1960s and its Reception

2017 ◽  
pp. 29-45
Author(s):  
Štěpán Balík
Keyword(s):  
World War Ii ◽  
Critical Reflection ◽  
Mass Murder ◽  
The Other ◽  
World War ◽  
War Poetry ◽  
Ww Ii ◽  
The World ◽  
Post War ◽  
Hypothetical Reaction

The literary reflection of the Shoah in Czech war and post-war poetry is very limited. Only a few non-Jewish poets have ever returned to thistheme (e.g. František Halas,Jiří Kolář,Jaroslav Seifert, Jan Skácel, Karel Křepelka, Radek Malý). Additionally, literary “testaments” of Jewish authors (Karel Fleischmann, Pavel Friedmann etc.) resulted in only two collections of poems entirely dedicated to the suffering of the Jews during the Nazi oppression (Ota Reich and Michal Flach). On the other hand, there are several books of poetry about Lidice and suffering of the Czech people during the World War II by Viktor Fischl, Karel Šiktanc, Libuše Hájková, Miloš Vacík and others. After the war there were only Jaroslav Seifert and Jiří Kolář among well-known poets who refered to the Shoah in a more significant way. Seifert created a figure of a Jewish girl, Hendele, in his collection of poems Koncert na ostrově (Concert on the Island), which develops the literary narration of the Shoah. Jiří Kolář referred to the Shoah repeatedly, however, he only had a limited chance to publish his work. As a result of this fact, the reception of Czech post-war poetry about the Shoah is almost absent. In my article, I concentrated on some reviewers’ remarks that have already been published since the war-time and other reflections of this kind such as editions of books by Jiří Orten, Hanuš Bonn, Jiří Daniel. A hypothetical reaction on the Shoah verses by Pick’s cabaret audience or Halas’s anonymous poetic obituary paying tribute to Jiří Orten are rather specific sorts of reception. The critical reflection of Kolář’s work in the context of the mass murder commited during the WW II is exceptional. However, the specific motifs of the Shoah were significantly focused on only in recent years by three foreign reviewers (Leszek Engelking, Hanna Marciniak and Anja Golebiowski). Czech Shoah poems printed or reprinted in Jewish periodicals (e.g. annual “Židovská ročenka”, published since 1954) represent a commemorative function, even though sometimes with informative commentaries. They miss any analytical aspect.

scholarly journals Debates about the Polish eastern border after World War II in the Polish immigrant circle

2020 ◽  
pp. 62-71
Author(s):  
Tetiana Yelova
Keyword(s):  
World War Ii ◽  
Editorial Staff ◽  
World War ◽  
Annual Basis ◽  
The World ◽  
The Usa ◽  
Eastern Border ◽  
The Republic ◽  
Post War

The new geopolitical realities after the World War II saw the revival of the Polish state in a new form. The Republic of Poland appeared on the map of Central Europe, with about half of its territory being the so-called Recovered Territories, while the state borders moved west. The new eastern border of the post-war Poland ran along the Curzon line. The new post-war eastern border of Poland was being negotiated and agreed upon by the Soviet and the Polish authorities starting from 1944 on an annual basis, up to 1948. The last exchange of territories took place in 1951. The debates about the political map of Europe and the new eastern border of Poland, which became a new reality after the World War II, were held both at politicians’ offices and in various media outlets. The most prominent debate about the new Polish eastern border could be found on the pages of the Kultura immigrant periodical. The Polish immigrant public intellectuals Jerzy Giedroyc, Juliusz Mieroszewski, Josef Czapski and other members of the Kultura periodical editorial board were adamant about the need to recognize the Polish borders drawn after the World War II. Such a stance was unacceptable for the Polish Governmentin-Exile based in London and some immigrant circles in the USA. Starting from 1952, the Kultura editorial staff is consistent in its efforts to defend the principle of inviolability of borders drawn after the World War II, urging the Poles to give up on the so-called Polish Kresy (Kresy Wschodnie) and to reconcile with the neighbours on the other side of the new eastern border.

scholarly journals Ready for the Homeland

2018 ◽  
Vol 20 (3) ◽  
pp. 31
Author(s):  
Katarina Damcevic ◽  
Filip Rodik
Keyword(s):  
World War Ii ◽  
Hate Speech ◽  
The Other ◽  
Right Wing ◽  
World War ◽  
Historical Revisionism ◽  
Communicative Functions ◽  
The World ◽  
Facebook Pages ◽  
The Way

The article analyzes nationalistically motivated online hate speech on selected right-wing public Facebook pages in Croatia. The rise of historical revisionism and populism paved the way for the growing presence of hate speech, with the most salient example being the resurfacing of the World War II fascist salute Za dom spremni (“Ready for the Homeland”) across different communicative situations. We account for the online dynamic of Za dom spremni as well as for the most frequent expressions of xenophobia that accompany the salute by presenting data gathered between 2012 – 2017 using Facebook Graph API. From the total of 4.5 million postings published by readers, those containing Za dom spremni and its variations were filtered and followed by the frequency and prevalence of the accompanying notions. By relying on cultural semiotics, we highlight the socio-communicative functions of hate speech on two levels. Firstly, the notion of the semiosphere helps us illustrate how hate speech is used to reproduce the idea of Croatianness as the dominant self-description. Secondly, we examine how the dominant self-description maintains the boundary between us and the other by merging diverse textual fragments and how their perseverance depends on the communicative situations they enter online.

scholarly journals Polish books production in exile in the years 19391950: statistical and geographical perspectives

2019 ◽  
Vol 13 ◽  
pp. 273-289
Author(s):  
Oskar Stanisław Czarnik
Keyword(s):  
World War Ii ◽  
External Factors ◽  
Cultural Tradition ◽  
World War ◽  
Polish People ◽  
The World ◽  
History Of ◽  
The Subject ◽  
Post War

The subject of this article is an overview of Polish publishing in the exile during the World War II and first post-war years. The literary activity was mostly linked to the cultural tradition of the Second Polish Republic. The author describes this phenomenon quantitatively and presents the number of books published in the respective years. He also tries to explain which external factors, not only political and military, but also financial and organizational, affected publications of Polish books around the world. The subject of the debate is also geography of the Polish publishing. It is connected with a long term migration of different groups of people living in exile. The author not only points out the areas where Polish editorial activity was just temporary, but also the areas where it was long-lasting. The book output was a great assistance to Polish people living in diasporas, as well as to readers living in Poland. The following text is an excerpt of the book which is currently being prepared by the author. The book is devoted to the history of Polish publishing in exile.

scholarly journals CONFLICT MANAGEMENT IN THE MILIEU OF UKRAINIAN POST-WAR EMIGRATION: THE EXPERIENCE OF THE UKRAINIAN ART MOVEMENT (1945–1948)

2019 ◽  
pp. 62-66
Author(s):  
Serhiy Denysiuk
Keyword(s):  
World War Ii ◽  
Displaced Persons ◽  
World War ◽  
Monetary Reform ◽  
Starting Point ◽  
The World ◽  
Common Purpose ◽  
History Of ◽  
Post War ◽  
Higher Purpose

The history of Ukraine has got many examples of how different personalities were able to unite and direct their efforts in meaningful way for higher purpose. One of such interesting pages is an activity of Ukrainian Art movement (UAM) –unification of Ukrainian writers in emigration, who after the end of World War II turned up in camps for displaced persons in Germany and Austria. The leadership of union helped to create such climate in the organization that would maximize imaginative work and minimize confrontational points among its members. The peculiar quality check of the organization and its ability to withstand the devastating tendencies was a debate in UAM about relevant problems of searching for ways of development Ukrainian culture in emigration conditions. Its starting point was Y. Shevelov`s report «The styles of contemporary Ukrainian literature in emigration» (1945), which he pronounced at the First congress of organization. The reviewer proclaimed the mission of new organization - to create a nationwide and a sub-region writing, which can reach worldwide recognition. The main direction of its development Y. Shevelov determined the creation of deeply peculiar Ukrainian literary style. The idea of national-organic style has caused mixed reactions and criticism in the Ukrainian emigration environment. The national-organic style does not anticipate a forced imposition on his writers. This style does not mean an isolation of narrow national limits and departure from European influences and traditions. It includes only blind copying borrowed samples. Supplemented the concept of Y. Shevelov with his ideas such persons as I. Bagryany, Y. Kosach, I.Kosteckii and other representatives of UAM`s, who defended national origin in literature. The most irreconcilable opponent of Y. Shevelov and his theory of national-organic style became a literary scholar, critic, translator V. Derzhavin. There were several reasons for the conflict between these creative personalities among which, in particular, differences between generations, to which they belong. In the modern scientific literature one can come across for approval that a deepening conflict between Y. Shevelov and V. Derzhavin led to the split and termination of the organization activity. Such an estimate is untrue, because the real reason for the termination of the organization was hold at the 1948 a monetary reform in Germany and mass departure of Ukrainian emigrants from displaced persons camps to the other countries of the world. Well, conflicts, which took place in the history of Ukrainian Art Movement, did not lead to the division of the organization into hostile camps, as its members were united by the common purpose of creating new Ukrainian literature, that would take a worthy place in the world culture.

scholarly journals The other Europe? Scandinavian intellectuals and the fragility of democracy in the wake of World War II

2019 ◽  
Vol 17 (4) ◽  
pp. 500-518
Author(s):  
Johan Strang
Keyword(s):  
World War Ii ◽  
Popular Sovereignty ◽  
The Other ◽  
Individual Rights ◽  
World War ◽  
European Continent ◽  
Total State ◽  
Post War

It is often argued that the Scandinavian post-war period was marked by a democratic optimism that contrasts with the deep concerns for the inherent dangers of popular sovereignty and the thorough moral reconsideration that took place on the European continent in the wake of World War II. This article seeks to balance this view by exploring what Scandinavian intellectuals believed had caused the collapse of democracy in Europe in the 1930s and what they saw as the main threats to democracy in the emerging post-war societies. Focusing on the fears of socialist planning, concerns about the position of individual rights and freedoms in modern societies, and the anxieties concerning the secular total state, the article suggests that the Scandinavian post-war democratic settlement was indeed built around a different set of ideas from those evident in many other places in Europe, but that it was no less informed by recent historical experiences or concerns for the fragility of democracy.

Commonly Used Disposing Of Waste Pesticides

2021 ◽  
Vol 08 ◽  
Author(s):  
Eva Chmielewská
Keyword(s):  
European Union ◽  
Sustainable Development ◽  
World War Ii ◽  
The Other ◽  
Pesticide Use ◽  
World War ◽  
Chemical Hazards ◽  
The World ◽  
Reach Regulation ◽  
The Eu

: The starting of DDT production during World War II signalized also the beginning of very rapid increase in pesticide use. Pesticides applied in the control of invertebrates are insecticides. On the other site, vertebrates are controlled by rodenticides killing rodents, avicides are applying to repel birds and piscicides are used in fish control. Herbicides are most important in agriculture by plants cultivation,fungicides are useful in killing fungi, bactericides are used against bacteria, slimicides against slime- cusing organisms in water and algicides against algae. Many pesticides which were used in agriculture last 30-40 years ago are no longer authorised and have been replaced by pesticides on non-chemical basis. Currently, the aim of the REACH Regulation in European Union is to provide better protection for humans and the environment from possible chemical risks and to promote sustainable development. The European Chemicals Agency established under this regulation and based in Helsinki, is responsible for managing the technical, scientific and administrative aspects of REACH, and for ensuring consistency in its application (www.europarl.europa.eu). In order to enhance the level of protection of human health and the environment, the same criteria for identifying, and labels for describing, chemical hazards should be used throughout the EU and the world (www.europarl.europa.eu). This contribution briefly refers about the pesticides classification and their most commonly used detoxification.

Conclusion

2014 ◽  
pp. 123-125
Author(s):  
Gerard L. Weinberg
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
Southeast Asia ◽  
World War ◽  
Population Movements ◽  
New Developments ◽  
The Soviet Union ◽  
War Criminals ◽  
The World ◽  
Post War

The ‘Conclusion’ shows how the world was changed forever by World War II, during which around sixty million people had been killed, the majority of them civilians. There were huge losses in the Soviet Union and China, but the country most damaged was Poland. Massive destruction and economic dislocation characterized much of Europe, East Asia, Southeast Asia, and portions of North Africa. The war and its ending also brought about enormous population movements. Countries faced massive reconstruction, the defeated had reparations to pay, and war criminals had to be dealt with. The war also provided new developments in technology and medicine, which transformed post-war life.

scholarly journals BUDAYA POPULER GAME POKEMON GO SEBAGAI SOFT DIPLOMACY JEPANG

IZUMI ◽  
2017 ◽  
Vol 5 (2) ◽  
pp. 1
Author(s):  
Chadijah Isfariani Iqbal
Keyword(s):  
Foreign Policy ◽  
Popular Culture ◽  
World War Ii ◽  
International Cooperation ◽  
Soft Power ◽  
Cultural Diplomacy ◽  
The Other ◽  
World War ◽  
The World ◽  
Pokémon Go

Pokemon Go is a smartphone game that blends the real and digital worlds, tasking players with exploring their neighborhoods to find creatures and treasure for in-game use. This research describes the ways Japan uses its soft power in international coorporation relations, particulary through Pokemon Go’s game. Based on Joseph S. Nye, Jr, the soft power defined as the ability of country to achieve its goal using cultural attraction rather than coercion and violence. After the World War II, Japan has tried to change its image as war crime through popular culture, such as anime, manga and cosplay. According to Nye, Japan has more potential resources in soft power compared to the other countries. This research is focus on Popular Culture of Pokemon Go’s Game as Japan’s Soft Diplomacy. Pokemon Go is one of  Japan’s cultural diplomacy activities and the other countries uses popular culture to strengthen the positive image of Japan in the international world. The development of popular culture as a soft power and soft diplomacy also a diplomacy tool of development that can be used by Japan in conducting foreign policy in relation to international cooperation.

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