scholarly journals Dylematy terapeutycznej wielokulturowości. Pomiędzy swojskością a innością

2016 ◽  
Vol 10 (2) ◽  
pp. 181-190
Author(s):  
Grażyna Teusz
Keyword(s):  
Social Identity ◽  
The Other ◽  
Individual Identity ◽  
Human Identity ◽  
Therapeutic Implications ◽  
Main Emphasis ◽  
Psychosocial Dimension

The article is an attempt to analyze the phenomenon of multiculturalism and the issues to accompany in the context of building and achieving human identity. The main emphasis is placed on presenting the psychosocial dimension of constructing identity and its interactive character. Social identity is the other essential part of the issue next to individual identity. The objects of the author’s attention here are therapeutic implications and dilemmas presented in the context of multiculturalism.

scholarly journals Commercial Limits to Personality: Instagram Influencers and Commoditized Content Receptivity

Societies ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 77
Author(s):  
Tyler Horan
Keyword(s):  
Social Networks ◽  
Social Media ◽  
Social Identity ◽  
The Other ◽  
Audience Reception ◽  
Media Audiences ◽  
Unique Identity ◽  
The One ◽  
Commercial Relationships ◽  
Network Power

Social media influencers-individuals who utilize various forms of network power on social networks occupy a unique identity space. On the one hand, their network power is often tied to their social identity as creators of engaging material. On the other hand, their ability to promote commercial products and services steps outside the traditionally distinct commercial–social, occupational–personal divides. In this work, the network morphologies of influencers are explored in relation to their delivery of sponsored and non-sponsored content. This article explores how the disclosure of content as ‘sponsored’ affects audience reception. We show how that the promotion of content on social media often generates higher levels of engagement and receptiveness amongst their audience despite the platform’s assumption of organic non-commercial relationships. We find that engagement levels are highest among smaller out-degree networks. Additionally, we demonstrate that sponsored content not only returns a higher level of engagement, but that the effect of sponsorship is relatively consistent across out-degree network sizes. In sum, we suggest that social media audiences are not sensitive to commercial sponsorship when tied to identity, as long as that performance is convincing and consistent.

scholarly journals “Just Being Us” – Secrecy, authenticity and identity in The Americans

2020 ◽  
Author(s):  
Alberto N. García ◽  
Pablo Castrillo
Keyword(s):  
Cold War ◽  
Married Couple ◽  
The United States ◽  
Multiple Identities ◽  
Point Of View ◽  
The Other ◽  
Individual Identity ◽  
Pivotal Moments ◽  
Best Friend ◽  
And Performance

This article analyzes, from an aesthetic and cultural point of view, two pivotal moments in The Americans, a Cold War spy thriller set in the heart of Ronald Reagan’s America. Both samples—one from the mid-series episode “Stingers” (3.10.), and the other from the series finale, “START” (6.10.)—show how the protagonists, two KGB spies living undercover in the United States as a married couple with two kids, disclose their secret identity to characters with whom they have a special emotional bond: their daughter, who has become a devout Christian; and their best friend and neighbor, who happens to be a counterintelligence officer in the FBI. After exploring how identity and performance play a crucial role in the spy-thriller genre, the article investigates whether it is possible for the audience to interpret the feelings and thoughts of characters with multiple identities who excel in the art of duplicity; and whether the viewer can infer intention from performance. Following this epistemological discussion, the article then sets out to explain the sociocultural relevance and timeliness of The Americans as a text whose thematic and aesthetic concerns ultimately revolve around individual identity vis-a-vis collective allegiances and ideologies.

scholarly journals The Social Identity Change of Little Bee as the Main Character in Chris Cleave‟s The Other Hand

2019 ◽  
Vol 25 (1) ◽  
Author(s):  
Riska Hendika Rani
Keyword(s):  
United Kingdom ◽  
Social Identity ◽  
Identity Formation ◽  
The Other ◽  
Immigration Detention ◽  
Detention Center ◽  
The United Kingdom ◽  
Other Hand ◽  
Three Stages ◽  
British People

Chris Cleave‟s novel entitled The Other Hand pictures an African refugee‟s life in the United Kingdom and her struggle to survive in the country. As an illegal refugee from Africa who smuggles herself into a tea ship, Little Bee, the refugee, has to stay in the immigration detention center when she arrives in the United Kingdom. She deals with identity issues during her two-year-stay in the immigration detention center. The questions such as „why don‟t British people treat her in a good way‟ and „why do British people get respect and she does not‟ make her want to be treated like a British, which she assumes, being treated nicely in the United Kingdom. Under the paradigm of social identity theory which contains the three stages of identity formation proposed by Henri Tajfel and John Turner, this study attempts to explain Little Bee‟s process of identity formation. Focusing on Little Bee‟s struggle in the United Kingdom as an illegal refugee from Africa, this study analyzes the three stages of identity formation that Little Bee has been through during her social identity transformation, as well as the factors influencing her and her struggle during the process.

scholarly journals The Translation of Ellipsis as Identity Marker in the Literary Dialogue

2018 ◽  
Vol 10 (3) ◽  
pp. 19-32
Author(s):  
Mona Arhire
Keyword(s):  
Social Identity ◽  
Emotional State ◽  
The Other ◽  
Literary Works ◽  
Loss Of Information ◽  
Rhetorical Device ◽  
Formal Equivalence ◽  
Languages In Contact ◽  
Structural Differences ◽  
State Of Mind

AbstractApart from the ellipsis occurring in discourse as a fairly common cohesive device, the literary dialogue oftentimes uses ellipsis as a stylistic or rhetorical device or as a means of endowing characters with idiolectal or sociolectal features. This paper examines such instances of ellipsis which contribute to the construction of the literary heroes’ identity through their speech, while providing them with features distinguishing them from the other characters either in terms of social identity or emotional state. The study is based on examples depicted from the dialogue of a number of literary works written in English and selected so as to exhibit a variety of functions which ellipsis acquires to complete some heroes’ identity or state of mind. Considering the importance of the information embedded in such ellipses, a contrastive approach to translation is obvious. The analysis focuses on the translation of ellipsis from English into Romanian and scrutinizes the situations when structural differences between English and Romanian prevent formal equivalence, which triggers an important loss of information in translation. The findings lead to conclusions relative to translation solutions that can be adopted to compensate for the scarcity of structural similarities between the two languages in contact in translation.

Practicing Catholic “Place”—The Eucharist

Horizons ◽  
2001 ◽  
Vol 28 (2) ◽  
pp. 163-182 ◽  
Author(s):  
Philip F. Sheldrake
Keyword(s):  
Sense Of Place ◽  
Entry Point ◽  
The Other ◽  
Ritual Practice ◽  
Human Identity ◽  
Ethical Perspectives

ABSTRACTA sense of place is critical to human identity. The Eucharist is a ritual practice that “places” us within a narrative wider than our individual and exclusive stories. The Eucharist breaks open private identities to embrace the oikumenē of all times, places and people. This article explores ways in which the Eucharist may be thought of as “the practice of Catholic place.” It does this by integrating sacramental and ethical perspectives. The eucharistic narrative in a radical way makes a place for stories of suffering and exclusion that demand redress. It is a place of reconciliation that makes space for memories that refuse to remain silent. The Eucharist draws believers into the all-embracing catholicity of God. It thus engages a power beyond the ritual enactments themselves that makes an entry point for “the other,” not least for the oppressed, the marginalized and the excluded.

scholarly journals The Person and Religious Poetry in Malay

2014 ◽  
Vol 27 (2) ◽  
pp. 242-261
Author(s):  
Harry Aveling ◽  
Keyword(s):  
Social Identity ◽  
The Self ◽  
Close Connection ◽  
Muslim Community ◽  
Human Identity ◽  
Religious Poetry ◽  
The Social ◽  
The Individual ◽  
Individual Self ◽  
Religion And Poetry

Accepting that there is a close connection between religion and poetry, the paper focuses on the person that is presented in poetry in Malay in response to the Divine. The concept of “the person” used contains three elements: (a) the human identity – our common physiological and psychological qualities; (b) the social identity – arising from our membership in the various groups that make up our particular society; and, (c) the self – the unique personal sense of who I am. It argues that the person in Malay religious poetry is largely a “social identity” the self surrendered to God through membership in the Muslim community. Keywords: religious poetry, person, human identity, social identity, the individual self

Naive Experience, Religious Root Unity, and Human Identity

2021 ◽  
pp. 1-26
Author(s):  
James W. Skillen
Keyword(s):  
Cosmic Time ◽  
Image Of God ◽  
The Other ◽  
Common Denominator ◽  
Human Identity ◽  
Human Community ◽  
To Come ◽  
The Image Of God ◽  
The Way

Abstract Resolving Dooyeweerd’s temporal/supratemporal dialectic opens the way to a deeper appreciation of naive experience and human identity as the image of God. This essay makes a case for that proposition, building on my critique of Dooyeweerd’s idea of cosmic time published previously in this journal. There I hypothesized that time—temporality—should be recognized as the first modal aspect rather than as a transaspectual common denominator of the other aspects. The religious root unity of the human community is not a supratemporal, spiritual concentration point but rather humans themselves in their generations answering to God in all that they are and do. Humans are not temporal bodies directed by imperishable souls but whole persons-in-community, subject to all the modal laws and norms (including the temporal), living by faith in the true God or in false gods throughout this age, which opens to creation’s fulfillment in the age to come.

Social Systems on the Cross

2017 ◽  
Author(s):  
Marinos Diamantides ◽  
Anton Schütz
Keyword(s):  
Systems Theory ◽  
20Th Century ◽  
Social Systems ◽  
Modern Society ◽  
The Other ◽  
Social Darwinism ◽  
Early 20Th Century ◽  
Individual Identity ◽  
Human Consciousness ◽  
The One

While early 20th century Social Darwinism has been discredited, post-WW2 theories have re-emphasized Darwin's notion of the environment. On this basis, and substituting social systems for natural species, society has been analyzed as a system-in-evolution, a machinery that, reflexively or self-referentially, produces itself at every moment anew. Modern society, according to social systems theory, continuously makes itself, thanks to countless simultaneous communications taking place at once. There are two equally disquieting lessons here. On the one hand, modern law, understood as the communicative system that applies the distinction lawful/unlawful to everything that gets in its way, is placed within an environment constituted by other communicative social systems (the economy, politics, religion, art etc) and the conditions created by those. On the other hand, social systems at large are separated from the realm of human consciousness, i.e. of collective or individual identity (the ‘psychic systems’). While ‘social' and ‘psychic’ systems never meet, they rely on absolute indifference with respect to their other side, as only this indifference enables especially social systems to assure their (superior) fact-creating potential. Our own project consists in spelling out the implications of this scissile sense of ‘meaning’, at once understood as a shorthand for what is actually happening (fragmented communications) and as consciousness-as-identity (imaginary unity).

Robot Double

2013 ◽  
pp. 680-702
Author(s):  
Yuji Sone
Keyword(s):  
Performance Studies ◽  
The Self ◽  
The Other ◽  
Culturally Specific ◽  
Human Identity ◽  
Physical Movement ◽  
Self And Identity ◽  
Japanese Studies ◽  
And Performance

This chapter discusses Japanese roboticist Hiroshi Ishiguro’s performance experiments with robotic machines (humanoid and android) as a case study for this book’s theme, “the techno-self.” Ishiguro’s robots are highly sophisticated pieces of engineering intended to replicate human physical movement and appearance. In addition to claims relevant to robot engineering, for Ishiguro, these machines are reflexive tools for investigations into questions of human identity. In Ishiguro’s thinking I identify what I call a “reflexive anthropomorphism,” a notion of the self’s relation to the other that is tied equally to Buddhism and Japanese mythology. Using concepts from Japanese studies and theatre and performance studies, this chapter examines one culturally specific way of thinking about concepts of the self and identity through Ishiguro’s discussion of the human-robot relation.

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