scholarly journals Iuramentum na inaugurację władzy w mieście średniowiecznym. Przykład Krakowa

2018 ◽  
Vol 69 (2) ◽  
pp. 331-352
Author(s):  
Patrycja Wiencierz

The article is devoted to the oaths related to the inauguration of the authorities in medieval Cracow. The paper is mainly based on Cracow’s two municipal codes: the Grabowski Codex (from the 14th and the 15th century) and the Balthasar Behem Codex (from the beginning of the 16th century).The oath played an enormous part in the legal and social relations in the Old Polish period. Cracow’s burghers took an oath of homage (Latin homagium) to every single Polish monarch. Moreover, the clerks, municipal workers and craftsmen yearly pledged their allegiance to the city and took a vow to diligently perform their professional duties. The Grabowski Codex contains oaths (Latin iuramenta) which were written down chaotically for about two centuries. Consequently, it allows one to follow even minor changes in the content of the vows which highlights the significance of the contents of theoath themselves. On the other hand, the Balthasar Behem Code, which was a dignified book and a municipal insignia (Latin insignium), gathered the contemporary oaths in an orderly fashion. As a consequence, it outlines the hierarchy of the municipal clerks and institutions. This further emphasizes the huge importance of a municipal scribe whose oath is inscribed right after the pledge of the town council which was the main municipal institution in town. This paper also undertakes the topic of the elections of new people to perform various functions, pinpoints the dates of these nominations and it outlines the issue of the ceremonies which accompany them. At the same time, it emphasizes the splendour connected with the election of new members of the city council.

1991 ◽  
Vol 105 (4) ◽  
pp. 291-305 ◽  
Author(s):  
Truus Van Bueren

AbstractKarel van Mander's Schilder-Boeck was published in 1604. During this period the Haarlem city council was pursuing an active cultural policy in which painting played a central role. In 1603, the porter at the Prinscnhof was instructed not to refuse admission to people who wanted to view the paintings and other objects of art housed there. That same year Hendrik Goltzius, Cornelis van Haarlem and Hendrik Vroom were commissioned to paint pictures of their own choice to commemmorate their art. The paintings were to hang in the Prinsenhof. In 1605 the council cndcavoured to ensure the city's claim to a number of paintings from the Jansklooster. This monastery, unlike others in Haarlem, had not been seized when the city became Protestant. The monks were allowed to keep their property until the last one died, but not to adopt any more monks. In 1605 the council demanded an inventory of the immovables and of the paintings too. The majority of the paintings in the inventory, which was supplied a year later, proved to be the work of highly esteemed artists. Although by no means all the art in the monasterey was listed, the city council did not protest. The intention had simply been to secure the important paintings with a view to placing in the Prinsenhof when the time came. Karel van Mander and his friends Cornelis van Haarlem and Hendrik Goltzius undoubtedly contributed to the creation of a climate in which such an art policy was feasible. Van Mander had spent years preparing his Schilder-Boeck, and had paid a great deal of attention to Haarlem painting. In his efforts to gather information the had established numerous contacts. He had carefully described he paintings in the Prinsenhof, and had also seen works by Haarlem painters belonging to private individuals. One such man was Gerrit Willemsz. van Schoterbosch, a burgomaster who had been on the council when that body commissioned Cornelis van Haarlem to make four paintings for the Prinsenhof during the last decade of the 16th century, and also during the period discussed here, 1603-1605. What were the aims of the city council in pursuing this cultural policy? There are two possibilities, both of which are encountered in the Schilder-Boeck. Van Mander wanted to elevate painting to a higher status than a craft. In his praise of painting he therefore dwelt at length on art lovers who collected paintings for art's sake. May not the city council have desired to assemble such a collection? If so, something very special was happening in Haarlem. Perhaps there is more to be said for the other possibility, to which Van Mander also refers: the council could have enlisted the Haarlem painters to sing the praises of the city.


1980 ◽  
Vol 7 (1-2) ◽  
pp. 241-247 ◽  
Author(s):  
Paul Vincent Spade

Summary This paper argues that the 14th-century Oxford Carmelite Richard Lavenham was the author of the treatise De syncategorematibus that was used as a textbook in 15th-century Cambridge, a version of which was printed several times in the late 15th and early 16th centuries in the Libellus sophistarum ad usum Cantabrigiensium. The manuscript versions of this treatise differ significantly from one another and from the printed editions, so that the claim of Lavenham’s authorship needs to be carefully considered. The evidence for this claim is described briefly. The identification of the De syncategorematibus in the Cambridge Libellus as Lavenham’s provides the first real indication that Lavenham, whose works testify to the influence of other authors on logico-linguistic studies in late 14th-century Oxford, was himself not without influence as late as the early 16th century. On the other hand, the De syncategorematibus is not a very competent treatise, so that its inclusion as a textbook in the Libellus sophistarum is an indication of the decline of the logical study of language in England during this period. A brief analysis of the contents of the treatise supports this observation.


Author(s):  
Pavel Blokhin ◽  

Introduction. In 1275, two drafts of town law of Freiburg im Breisgau were created. This article presents an analysis of one of these texts, namely the short draft. Methods and materials. The main research method is comparative historical analysis. The contents of two charters are compared, namely the 1218 Rodel draft and the short draft of 1275. Analysis. There are 6 thematic clusters uniting the laws by branches of law: 1) privileges of citizens and rights of the Town Lord; 2) criminal procedure law; 3) civil law; 4) town administration; 5) trade law; 6) various laws. The first part of the laws from the short draft is a translation of the Rodelian laws, the second one represents reformulated Rodelian norms, while the last one contains new laws in the legislation of Freiburg. Results. Though the document did not become an official town charter, it manifested the changes in the town law of the 13th century, compared to the previous 1218 Town Charter. In addition, the laws in the draft reflected the political struggle for power between the Town Lord of Freiburg, the City Council of 24 and the town community. The Town Lord regained his previously lost rights, in particular the legislative initiative. However, at the same time, the short draft significantly limited Lord’s arbitrariness towards the property of citizens as well as Freiburg citizens themselves. According to the short draft, the City Council of 24 strengthened and expanded its power in the town, becoming a full-fledged legislative and executive body of the town administration. The town community, on the other hand, was losing its privileges and rights, for example, it lost the opportunity to elect some of the civil servants and members of the Council of 24.


Author(s):  
Héctor Hugo ◽  
Felipe Espinoza ◽  
Ivetheyamel Morales ◽  
Elías Ortiz ◽  
Saúl Pérez ◽  
...  

The University of Guayaquil, which shares the same name as the city where it is located, faces the challenge of transforming its image for the XXI century. It was deemed necessary to identify details about the urban evolution of the historic link with the city, in relation to the changes produced by the project’s siting and its direct area of influence. The goal is to integrate the main university campus within a framework which guarantees sustainability and allows innovation in the living lab. To achieve this, the action research method was applied, focused on participation and the logic framework. For the diagnosis, proposal, and management model, integrated working groups were organized with internal users such as professors, students, and university authorities, and external actors such as residents, the local business community, Guayaquil city council, and the Governorate of Guayas. As result of the diagnosis, six different analysis dimensions were established which correspond to the new urban agenda for the future campus: compactness, inclusiveness, resilience, sustainability, safety and participation. As a proposal, the urban design integrates the analysis dimensions whose financing and execution are given by the Town Hall, at the same time the Governorate integrates the campus with its network of community police headquarters.


Africa ◽  
2018 ◽  
Vol 88 (S1) ◽  
pp. S51-S71 ◽  
Author(s):  
Alexis Malefakis

AbstractFor a group of Wayao street vendors in Dar es Salaam, Tanzania, kinship relations were simultaneously an advantage and a hindrance. Their migration to the city and entry into the urban economy had occurred along ethnic and kinship lines. But, as they perceived the socially heterogeneous environment of the city that potentially offered them opportunities to cooperate with people from different social or ethnic backgrounds, they experienced their continuing dependency on their relatives as a form of confinement. Against the backdrop of the city, the Wayao perceived their social relations as being burdened with an inescapable sameness that made it impossible to trust one another. Mistrust, contempt and mutual suspicion were the flip side of close social relations and culminated in accusations ofuchawi(Swahili: witchcraft). However, these accusations did not have a disintegrative effect; paradoxically, their impact on social relations among the vendors was integrative. On the one hand,uchawiallegations expressed the claustrophobic feeling of stifling relations; on the other, they compelled the accused to adhere to a shared morality of egalitarian relations and exposed the feeling that the accused individual was worthy of scrutiny, indicating that relationships with him were of particular importance to others.


2018 ◽  
Vol 54 (2) ◽  
pp. 27-34 ◽  
Author(s):  
Rafał Kobis

Abstract The main aim of author was to present the specific features of the architecture and urbanisation of Algiers – the capital of Algeria. The history of the city was marked by two great periods: Muslim domination (especially from the 15th century) and French colonialism (in the years 1830 – 1962). Both of these have left behind numerous traces of architectural and urbanistic thought. The material effect of French domination is the architecture of modern Algiers, which took the form of a French ville, similar to Paris, Lyon or Marseille. On the other hand, the architecture of Algiers also includes the old Arab district – Casbah, that resembles the cities of the Middle East (Madīnah in Arabic), like Istanbul, Cairo or Damascus. Both architectural traditions give the city of Algiers a cosmopolitan and universal character. The threat to the peculiar coexistence of these traditions is the progressive migration from the countryside to the city, which results in the expansion of area of slums, called bidonvilles.


Author(s):  
E. Ashtor

It is a well-known fact that the discovery of the sea route to India and the ensuing scarcity of spices and other Indian products on the markets of Alexandria and Damascus resulted in their prices rising steeply. Judging from Venetian sources, the change in the condition of the Levantine trade was considered catastrophic. On the other hand, some scholars have already drawn attention to the fact that pepper prices fell considerably on European markets in the period preceding the expedition of Vasco da Gama, and especially in the second quarter of the 15th century. It is probable, a priori, that this was caused by a downward trend of prices in the Near East. But other factors, such as the level of demand in European countries and the conditions of trade (communications with the Near East, direct or indirect trade), could also have influenced the course of spice prices in Europe. In order to explain the tremendous impact of the rise of spice prices at the beginning of the 16th century, I have suggested, in my Histoire des prix et des salaires, the probability of a fall of prices in the Near Eastern emporia in the pre-Vasco period. In a paper published a few years later I tried to substantiate this conjecture by additional materials and, further, by the supposition that it was accompanied by a great increase in the volume of the Levantine trade, and also a general price-decline in the Near East at the end of the Middle Ages.


2014 ◽  
Vol 38 (1) ◽  
pp. 11-23 ◽  
Author(s):  
Sally Carlton

The Christchurch City Council election of 2013 provides a compelling case study through which to consider the interaction between politics and city space. On the one hand, through the careful placement of campaign posters, politics encroached on the physical terrain of the city. On the other hand, candidates included in their campaign material multitudinous references to ‘Christchurch the city,’ demonstrating the extent to which the physical environment of the post-disaster city had become central to local politics.


2015 ◽  
Vol 46 ◽  
pp. 203-227
Author(s):  
Marta Filipová

Not very often does a work of art, which provoked very mixed reactions at the time of its completion, continue to stir the political and cultural waters nearly one hundred years later. The Slav Epic, a series of twenty large canvases created by Alfons Mucha (1860–1939) between 1909 and 1926 on the topic of Slavic history and myth, is such a work, and it has provoked critical comments from Czech art historians, politicians, and journalists. The most recent disputes, which have arisen in the last couple of years, concern the city council of Prague, which has expressed a wish to house the work somewhere in Prague in fulfillment of the artist's wishes, and the town of Moravský Krumlov in Mucha's home region, where the Epic was exhibited for forty years and lays claims to it as well. The debate about its physical location has also been joined by a number of public figures, including Mucha's grandson and the secretary to the then Czech president Václav Klaus, who called the Epic “the kitsch of the millennium” and “sheer Pan-Slavic propaganda.” Such negative comments only highlight the fact that the Slav Epic continues to generate controversy and has not yet found its place in the Czech, let alone European, context.


Focaal ◽  
2010 ◽  
Vol 2010 (57) ◽  
pp. 62-76 ◽  
Author(s):  
Anders H. Stefansson

This article critically addresses the idea that ethnic remixing alone fosters reconciliation and tolerance after sectarian conflict, a vision that has been forcefully cultivated by international interventionists in post-war Bosnia and Herzegovina. Based on ethnographic fieldwork in the town of Banja Luka, it presents a multi-faceted analysis of the effects of ethnic minority return on the (re)building of social relations across communal boundaries. Although returnees were primarily elderly Bosniacs who settled in parts of the town traditionally populated by their own ethnic group, some level of inter-ethnic co-existence and co-operation had developed between the returnees and displaced Serbs who had moved into these neighborhoods. In the absence of national reconciliation, peaceful co-existence in local everyday life was brought about by silencing sensitive political and moral questions related to the war, indicating a preparedness among parts of the population to once again share a social space with the Other.


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