scholarly journals Ekokritik dalam Sastra Indonesia: Kajian Sastra yang Memihak

2017 ◽  
Vol 15 (1) ◽  
pp. 19
Author(s):  
Novita Dewi

Literary studies of high quality require at least two things: (1) an increase on the weight and depth of appreciation of the literary works under investigation, and (2) the study’s social contribution towards the factual problems in society. The study of literature should involve the production of useful knowledge, instead of formal academic compliance. This paper is to discuss one possible type of study on Indonesian literature, i.e. ecocritical reading of literature. When examined closely through today’s politically contextual lenses and the implications thereof, Indonesian literature on environment and literary filmization can result in useful and referential knowledge. Studies of this kind differ significantly in terms of quality from a mere textual analysis of literary works with a brief, shallow description of some literary terminologies that function only as scientific embellishments. The objective of this article, therefore, is to discuss studies on Indonesian Literature using Ecocriticism as one possible trajectory to transform society.

Paramasastra ◽  
2017 ◽  
Vol 4 (1) ◽  
Author(s):  
Aprinus Salam

Literary studies can not be separated from the literary theory initiated and developed by “Western” scholars. Indonesian Literature also refers to these theories in interpreting and explaining literary works. This paper intends to ask the historical contextuality and the theoretical independence of Indonesian literature as a nation that has a historicity different from the West. The main offer in this paper is the importance of a theory called the theory of harmony-constitution. The important objectives of the theoretical point of view of the theory of harmony-the constitution are 1) all efforts to build an independent society and social justice, 2) a happy and safe condition, and hence the freedom that has been achieved should always encourage unity, sovereignty and prosperity, and 3) the acknowledgment “on the blessings of almighty God and by the noble driven.” Methodologically, the theory of harmony-constitution is based on semantics. This theory can be used to analyze social and cultural issues, but in the case of this paper will be tested to study literary works, especially the poetry of Chairil Anwar.


EDU-KATA ◽  
2020 ◽  
Vol 6 (2) ◽  
pp. 141-148
Author(s):  
Erna Rakhmawati

The background of this research is many indigo events in the community and many indigo literary works. Indigo research in the  “Indigo dalam Novel Supernova Akar Karya Dee Lestari:Tinjauan Psikologi Sastra,” first aims to find the description of the indigo abilities experienced by the characters, secodly to find the causes of indigo experienced by characters, and thirdly to find out the type of indigo experienced by characters in the Supernova Akar. The research includes qualitative descriptive research on data analysis techniques using textual analysis or text analysis. The subject of this study is a character in the Supernova Akar. The result of research that is narated by Dee lestari source are; 1)levitasi, 2) procegnition, 30 psicometri, 4) teleportasi, and 5) clayvoyance. Indigo causes experienced by characters in the Supernova Akar are; 1) a gift from God, 2) from offspring, and from training. The type of indigo experienced by characters in the Supernova Akar are; humanis and artis.


Author(s):  
Grant D. Campbell

Computing in the humanities has grown beyond its traditional roles; with the phenomenal growth of hypertext and hypermedia, scholars are learning to exploit the potential of these new media to reinvent the "scholarly edition" and to present literary works to the reader in radically new ways. Information studies research contains numerous insights that the literary scholar would find. . .


2018 ◽  
Vol 26 (2) ◽  
pp. 381-394
Author(s):  
Zhang Jiang

Ever since the mid-twentieth century, there has been a prevailing tendency of eliminating the author’s existence in his or her text, as well as the existence of his or her intention. The practice of negating the meaning of the author’s intention and thereby imposing arbitrary interpretations on the text to serve the critic’s own interpretive purpose, has led contemporary literary hermeneutics onto the wrong road of relativism and nihilism. It is sensible for us to identify an impact of scientism on such a hermeneutic tendency. However, no matter how we try to deny and dissolve the author’s intention, its being in the text is a hard fact that always determines the text’s quality and value and influences the readers’ understanding and interpretation. The author’s intention runs through the whole process of the text’s creation, displaying itself in all the plans and designs of the text, such as its language, structure and style. It is a false question to ask whether intention exists in literary creation, and the idea that the other person can be totally independent of the author’s intention to assert the meanings or significance of the text will finally lead us to nowhere but sheer subjective imagination. Any serious and responsible critic must research in depth to first bring out the author’s intention, and then bring out the text’s historical and social milieus. This is the foundational step towards fair and justified interpretation of the text. Since literary works are the objectification of the authors’ thoughts and mind power, we, whatever theories we are interested in, should give the author and his or her intention due respect. This is undoubtedly a scientific attitude toward literary studies.


Author(s):  
Simone Winko

AbstractThis article analyses genre-specific methods of textual analysis that are considered to be elementary and ‘close’ to the surface level of literary texts. It focuses on two questions: How do these methods explicitly and implicitly make use of the concept of textuality? And what kind of knowledge do they presuppose? A linguistic model of textuality is taken as the frame of this analysis. The article argues for the utilization of linguistic concepts in literary studies, both in theory and practice. At the same time it is assumed that historical and genre-oriented studies of literary texts focussing on the prerequisites of textuality will contribute to a differentiated view of a prototypical concept of textuality.


PMLA ◽  
2011 ◽  
Vol 126 (3) ◽  
pp. 651-657
Author(s):  
Christopher P. Hanscom

“Nothing,” Paul Jay writes in his recent work Global Matters: The transnational turn in literary studies, “has reshaped literary and cultural studies more than its embrace of transnationalism” (1). Certainly the shift toward a transnational model has been useful in mounting a critique of nation-based literary studies and in debunking the “natural” link among national identity, race, and language, challenging both the “hermeneutic preeminence of nations” and the “neutrality of comparison as a method” (Seigel 62–63). Combined with a postcolonial attentiveness to local or peripheral literary production and an expanded notion of agency, transnationalism works to designate “spaces and practices acted upon by border-crossing agents, be they dominant or marginal” (Lionnet and Shih 5) and to diversify the authors and texts available to students of literature, broadening curricula and the scope of literary studies (Jay 22). Those studying and teaching non-Western literatures might well find value in the challenge to the nation as the unquestioned context for the production and interpretation of literary works and in the healthy skepticism toward a supposedly neutral comparative method.


2016 ◽  
Vol 10 (1) ◽  
Author(s):  
Christian Folde

AbstractThe Norwegian philosopher Dagfinn Føllesdal and his German colleague Heide Göttner argued independently from one another that the interpretation of literary texts proceeds by the hypothetico-deductive method. In this paper I critically examine their view. My interest, however, is systematic rather than exegetical. After elucidating the claim and working through some case studies, I discuss several objections raised in the debate. My central point is that the view runs into a dilemma: there is no variant of the view which is both tenable and capable of showing that the interpretation of literature is a respectable scientific activity.Among other things Føllesdal (1979) and Göttner (1973) argue that the justification of hypotheses in interpretations of works of literature proceeds by the hypothetico-deductive method. I refer to this as the HD-view. Systematically, it has much to offer. If interpretation is hypothetico-deductive, then it seems to inherit all the alleged merits of this method: exactness, intersubjectivity, reliability, and rationality, among other things. Interpreting literary works would turn out to be a proper scientific activity subject to the same general standards as, say, experimental physics. The interpretation of literary works is thereby demystified and rendered comprehensible. Also, the HD-view would speak in favor of the idea that all empirical science is equal, unified by a single method and the same general goals, among them, arguably, pursuing the truth and generating knowledge.In the first section of my paper I elucidate the HD-view in more detail. The key element of the view is the hypothetico-deductive method. The idea of the HD-method is roughly this. One forms a hypothesis which often cannot be directly verified (e. g., all ravens are black), deduces from this hypothesis in conjunction with auxiliary assumptions (e. g., this is a raven) all kinds of empirical consequences (e. g., this raven is black), and checks these consequences: observation either confirms or disconfirms them. If the consequences are disconfirmed, the hypothesis (or the auxiliary assumptions) should be discarded. If, however, the consequences are confirmed, the hypothesis (and the auxiliary assumptions) is also confirmed (to a certain degree) – it fits in with our experience. Importantly, the HD-method concerns not the genesis but the justification of a hypothesis.After pointing out some of the philosophical issues surrounding the HD-method, I distinguish several variants of the HD-view that will play a role when assessing the objections directed against it. Finally, I discuss issues that arise when transferring the HD-method to the interpretation of literature, such as the role of hypotheses, auxiliary assumptions, data and observation.The second part of my paper concerns Føllesdal’s and Göttner’s case studies and their positive arguments for the HD-view. I go through their examples (interpretations of Ibsen’sThe third and final section addresses several objections that have been raised against the HD-view. Some argue that the view is too strict: other methods of justification are used in interpretations. Others argue that the view is too broad: some (kinds of) interpretation hypotheses cannot be justified by the HD-method. A third objection has it that the view fails because some interpretations cannot, even in principle, be (dis)confirmed. Some take the view to be a false descriptive claim. Others take it as a misguided normative claim. Finally, the view is said to be insufficient because it does not supply criteria to decide between rival interpretations. None of these objections is found to be fatal. However, the HD-view must be modified to circumvent each objection. These modifications result in the following variant of the view: the justification of empirical hypotheses in argumentative interpretations of literary works can be reconstructed as proceeding, among other things, by the HD-method.Although this claim seems tenable it is far from the original view. This would not be a problem, if it were to meet the main goal the HD-view was meant to achieve, viz. show that the interpretation of literary works is a kosher scientific activity. Unfortunately, the modified variant does not deliver the goods. Only a fragment of all interpretations of literary works conducted in literary studies is rendered scientific. This result does not do justice to scientific practice. And it does not offer a methodology for all interpretations.The result is a dilemma: the modified version of the HD-view is correct but misses its goal whereas the original version does meet this goal but is incorrect. The choice is between admitting that the project failed and saying something false.The second horn of the dilemma – meeting the goal but saying something false – is no option for a rational being. Thus, friends of the original idea should opt for the first horn: admit that the project has failed and make something of the modified variant.One way to go is to become revisionary and claim that only a fraction of all interpretations conducted in literary studies is actually scientific. This entails a ban from science for a bulk of current interpretative practice. I am not aware of anyone in the literature who defends this position. It is certainly not the position of Føllesdal or Göttner. And it faces the problem of explaining why the interpretations characterized by it are the only scientific ones.I conclude that it is still a desideratum of literary studies to come up with a convincing methodology of interpretation.


2021 ◽  
pp. 80-104
Author(s):  
Vitalij Makhlin

The article is an attempt to understand and evaluate Sergey Bocharov’s critical activities and heritage from the point of view of some contemporary problems in human and philological studies. What was and comparatively is quite original in Bocharov’s articles and books, it is, I believe, his approach to a literary text, beginning with his early little book about Tolstoy’s «War and Peace», where this scholar tried to combine his research with his concrete experience of a «common reader». This approach, it seems, allowed him to avoid the two extremes in recent literary studies, namely, abstract theoretism, on one hand, and abstract positivism, on the other. In this sense, Bocharov’s heritage may help us today to return to some «pre-scientific», but scholarly forms of textual analysis in philology based on the reading experience itself.


2017 ◽  
Vol 3 (2) ◽  
pp. 365
Author(s):  
Lucia Santa Cruz

Este artigo analisa a série especial 50 anos de jornalismo da Globo, exibida em cinco episódios ao final do Jornal Nacional, na semana do aniversário de meio século da emissora, em abril de 2015. O conteúdo do programa foi organizado tomando como base a memória de 16 jornalistas que participaram das coberturas dos principais fatos do período. Parte-se da hipótese que, muito mais que uma simples recordação, este especial tem como objetivo evocar a importância do telejornalismo e reafirmar a qualidade do trabalho desenvolvido pela emissora. Esta iniciativa se colocaria, portanto, como um contraponto à uma crescente desvalorização dos meios noticiosos tradicionais e especialmente à uma queda na popularidade da própria Rede Globo. Como método, empregaram-se a análise documental, a análise textual qualitativa e a análise de enquadramento.     PALAVRAS-CHAVE: Memória jornalística; História do jornalismo; Autoridade jornalística; Telejornalismo; Rede Globo.   ABSTRACT This article intends to analyse the special series 50 anos de jornalismo da Globo (50 years of Globo Network Journalism), held on five sequenced days at the last part of Jornal Nacional, during the broadcast half century commemoration, in april 2015. The show content was organized over the memories of 16 journalists that took part of most important coverages of the period. The main hypothesis here is that, much more than just a simple remembrance, this special aimes to evocate the telejournalism importance and its authority, but also to reaffirm the network high quality work. That iniciative can be understood as a counterpart to a growing devaluation of traditional media, and also to a decay in Rede Globo’s own popularity. As method, were used the documental analysis, the qualitative textual analysis and the framework analysis.   KEYWORDS: Journalistic memory; journalism history; journalistic authority; Telejournalism; Globo Network.     RESUMEN En este artículo se analiza la serie especial de 50 anos de jornalismo da Globo (50 años de periodismo de Globo), que aparece en cinco episodios al final del Jornal Nacional, la semana del aniversario de medio siglo de la estación en abril de 2015. El contenido del programa se organizó en la memoria de 16 periodistas que participaron en la cobertura de los principales acontecimientos del período. Se partió de la hipótesis de que, mucho más que un simple recordatorio, esto especial tiene como objectivo evocar la importancia del periodismo de televisión y reafirmar la calidad de los productos de la estación. Esta iniciativa se pone, por lo tanto, como contrapunto a una devaluación creciente de los medios de comunicación tradicionales y, especialmente, una caída en la popularidad de la propia Red Globo. Como método, se emplearon para el análisis de documientos, el análisis textual cualitativo y el análisis de framing.   PALABRAS CLAVE: Memória del periodismo; Historia.


2021 ◽  
Vol 37 (2) ◽  
pp. 171-194
Author(s):  
Mohamed Nazreen Shahul Hamid ◽  
◽  
Muhammad Nur Saiful Ghazali ◽  

In the era of globalization, physical comics have undergone a transformation from being available in a printed format to the e-comics production that are accessible online. However, e-comic-related studies are still limited. Looking at this gap, this study is conducted on the e-comic, Hikayat Patani: Putera Pewaris Kerajaan, published by Dewan Bahasa dan Pustaka (DBP). This study involved three main analyses, namely on the text, importance and challenges. The textual analysis uses five comic principles introduced by Hall in his writing Five Essential Principles of Comics and Cartooning. A library research, meanwhile, was conducted to identify the importance of e-comic and challenges. The analysis in textual aspect results found that the e-comic fulfils all the five comic principles by Hall. This shows that the e-comics have a high quality. In fact, the created illustrations are filled with abundant aspects of Malay identity and not be influenced by any other form of comic technique while presenting the content using an interesting storyline. The e-comic may be indicated as vital to attract the youth generation to learn about the traditional text of Hikayat Patani and the history of the Patani state while becoming a tool in fostering the interest among the younger generation to read and acquire knowledge. However, poor internet network, low chapter production and high cost of producing e-comics are challenges which must be overcome. Thus, this study find it is important to produce more e-comics based on historical sources or traditional texts so that the nation's civilization may continue to be preserved. Keywords: E-comic, Hikayat Patani: Putera Pewaris Kerajaan, textual, importance, challenges.


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