Public Monuments, Memorial Churches and the Creation of Serbian National Identity in the 19th Century

2012 ◽  
pp. 33-40 ◽  
Keyword(s):  
National Identity ◽  
19Th Century ◽  
Public Monuments ◽  
The Creation ◽  
The 19Th Century

The role of the Qachaq movement in the development of national consciousness in Azerbaijan

2020 ◽  
Vol 58 (9) ◽  
pp. 4-11
Author(s):  
Rafail Ayvaz Ahmadli ◽  
◽  
Lala Yashar Ahmadova ◽  
Keyword(s):  
National Identity ◽  
Key Words ◽  
19Th Century ◽  
National Character ◽  
National Consciousness ◽  
Ordinary People ◽  
The North ◽  
The Creation ◽  
The 19Th Century

The article discusses the role of the "gachag movement (a form of rebel movement of fugitives)" in the formation of national self-consciousness in the north of Azerbaijan, the reasons for its occurrence, an appreciation of their struggle against the russian imperial regime and against the dishonesty of local oppressors by this regime, explores the causes of popular love, praise, protection and the creation of heroic epics about them. The article reveals the special activities of such famous fugitives who gained respect among ordinary people for their courage in the second half of the 19th and early 20th centuries, us Gachag Nyabi from Gubadli (in the former Zangezur district), Dely Alu and Gambar from Ganja, Suleiman, Murtuza and Mamed-Bek Cavalier from Karabakh, Yusif from Zagatala, Karim Efendi oglu Gutgashenli from Nukha, Gachag Karim from Gazakh and the woman Gachag Gulsum from Shamkir popularly known as “Gachag Suleiman”. The article emphasizes not only the national character of the "gachag movement" in Azerbaijan, but also their contribution to the formation of national self-consciousness to a greater extent than the role of thinkers of that time. Key words: North Azerbaijan, national identity, the Russian imperial regime, the "gachag movement", the occupation of Russian imperia, the 19th century, the struggle, local beks (nobles), gentlemen (little nobles)

scholarly journals KONAK IN GORNJA CRNUCA: THE COURT OF PRINCE MILOS OBRENOVIC

2018 ◽  
pp. 025
Author(s):  
Tijana Borić
Keyword(s):  
National Identity ◽  
19Th Century ◽  
National Consciousness ◽  
The Balkans ◽  
Nation States ◽  
Long Time ◽  
Key Issues ◽  
The Creation ◽  
The 19Th Century ◽  
Structural Simplicity

The process of founding and shaping a capital proved to be one of the key issues within the representative culture in any era. This was of particular importance when it came to the 19th century societies in the Balkans due to the emergence of national consciousness and the creation of nation-states on what had been Ottoman territory for quite a long time. Despite the lack of independence and extreme political circumstances, the Serbian community was aware of contemporary European phenomena in creating and disseminating the ruler’s image as an important part of enhancing the sense of national identity. The heart of Serbia under the reign of Milos Obrenovic was a princely court in Gornja Crnuca that, in spite of its structural simplicity, was an unmistakable expression of the highest state authorities.

scholarly journals Literature, religion and the birth of a nation: The creation of the “literary Bosnianhood”

2017 ◽  
pp. 665-680
Author(s):  
Jovana Saljic
Keyword(s):  
National Identity ◽  
19Th Century ◽  
Religious Affiliation ◽  
Geographical Area ◽  
The Other ◽  
National Literature ◽  
The Awakening ◽  
First Case ◽  
The Creation ◽  
The 19Th Century

The question of national identity and nationality of the group of people inhabited in a particular geographical area, despite numerous theories which over the last nearly two and a half centuries have been giving the variety of answers, most frequently is related to a common ethnical background, culture, history, tradition, and as it was considered for a longer period of time, a common language. Although it is not uncommon for members of one ethnic group to profess the same religion in the vast majority, the religion, at least according to the theories of the nation, has never been an essential definition of the national identity. It should not be surprising if we take into account the circumstances that led to the awakening of nations and national movements in the 19th century of the European Enlightenment period, when the other form of togetherness started to replace a religion dominant for centuries. Thus, in forming national consciousness, religion found itself in the last place. On the other hand, if nationality formed by a religion was unacceptable for the theories of the nation, forming a national literature by the religious affiliation would have been unthinkable. By the simple analogy, the first was excluding the other which means that if it was not possible for the religion to form a nation, it was also not possible to form a national literature. At least, it was common opinion. However, right in the European region where those theories had been developed, we can also find the first case to refute them. And we can do that with the so-called Bosnian- Muslim literature that have made its first steps during the second half of the 19th century as ? mean in the creation of the new Bosnian nation. It was not the religious literature with religious themes and motifs, but the literature of the religion, of the members of a religion in an effort to create their own national identity based on a religious one. In that sense, there were three most important literary events that made the foundations for the creating the so called ?literary Bosnianhood? in the last decades of the 19th century: a collection of proverbs and lessons called ?National Treasure? by Mehmed-beg Kapetanovic Ljubusak, a collection of epic poems called ?Folk Songs of the Mohammedans in Bosnia and Herzegovina? by Kosta H?rmann and the launch of the literary magazine called ?Bosniak?. The paper presents historical, political and social circumstances that had led to those literary events, the birth of the new type of literature as well as the new Bosnian nation and national identity.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

The Short Story: A Very Short Introduction

2021 ◽  
Author(s):  
Andrew Kahn
Keyword(s):  
19Th Century ◽  
Short Story ◽  
Popular Fiction ◽  
The Novel ◽  
Short Introduction ◽  
The Press ◽  
Character Study ◽  
The Creation ◽  
The 19Th Century ◽  
Plot Design

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.

scholarly journals ZAINTERESOWANIA JĘZYKOZNAWCZE ZYGMUNTA KRASIŃSKIEGO

2020 ◽  
pp. 93-101
Author(s):  
TADEUSZ LEWASZKIEWICZ
Keyword(s):  
National Identity ◽  
19Th Century ◽  
Mother Tongue ◽  
Polish Language ◽  
Strong Attachment ◽  
The 19Th Century

Zygmunt Krasiński devoted much if his attention to the “philosophical” essence of the language and the origins of various tongues. His conjectures, based on speculative and mystic philosophy, are of no scientific importance; rather, they reflect the author’s strong attachment to religion. While not original, his views on the role of a mother tongue in preserving national identity are correct. The writer was interested in spelling and correct grammatical usage of the Polish language. He also focused on assessing the style of texts written in Polish and French. His views were hardly innovative, offering some value in comparison with the 19th century theory of style. Other language-related mentions: the sophistication of Juliusz Słowacki’s language and proposals of baby names based on “inspired” etymological ideas, are inconsequential.

scholarly journals Akademickie periodyki narodowe. Z dziejów prasy Narodowej Demokracji (do 1939 roku

2021 ◽  
pp. 262-279
Author(s):  
Aneta Dawidowicz
Keyword(s):  
19Th Century ◽  
Political Thought ◽  
Democratic Movement ◽  
Creation Process ◽  
The Press ◽  
The World ◽  
The Creation ◽  
The 19Th Century

The community periodicals had accompanied the creation process of the press system in the Polish territory since the end of the 19th century. The community dimension of the press relates to both its spatial scope and the concreteness of the publishing profile. The National Democracy press was a collection of periodicals characterised by their typological diversity, in which the world presented equalled reality of the readers. From its beginnings, the National Democracy treated press in a purely utilitarian manner, as a form of dissemination of political thought and the tool which supported the achievement of political goals. The press took a multifaceted part in the development of national democratic movement.

ing if one remembers that the Industrial Revolution started in France a few decades after England. But several authors [Levy-Leboyer, 1968; Asselain, 1984; and Keyder & O'Brien, 1978] ex­ plain that the French economy always kept up with technological progress in Great-Britain. A massive deceleration in the economy occurred between 1790 and 1810; the French industrial produc­ tion, which was probably equivalent in volume to the English one in 1790, was reduced to a much lower level in 1810. However, a new start occurred after 1810 and the two countries had parallel industrial growths all through the 19th century. Cost accounting systems may have appeared around the turn of and after the 15 th century in Europe [Gamer, 1954]. They actually spread to most firms during the industrial revolution in the 19th century; first in England, then in France, then in the USA, and in Germany. The aim of the present article is to describe the creation and development of such an industrial accounting system at Cie Saint-Gobain. This paper discusses the development of accounting by this very old company (created in 1665) between 1820, when it abandoned single entry bookkeeping, and 1880, when it achieved a full cost system. When examining the archives, this researcher saw no evidence that the textbooks mentioned above were read by anyone at Saint-Gobain. HISTORICAL BACKGROUND OF SAINT-GOBAIN: THE ROYAL MANUFACTURE AND THE PRIVILEGE Instead of continuing to buy glass from Venice, which was too much for the finances of the French kingdom, Colbert encouraged the foundation of a Manufacture Royale des Glaces, established in Rue Reuilly in Paris. The creation and development of the Com­ pany resulted from privileges granted by the monarch to business­ men successively in 1665, 1683, 1688, 1695, 1702, 1757 and 1785. Those privileges made the firm a hybrid one, depending both on public and private laws; on the one hand it had a privilege and on the other hand the legal statutes of a limited Company [Pris, 1973, p. 26]. Having a privilege meant industrial, commercial, fiscal, ad­ ministrative, juridical and financial advantages such as exemption of taxes, free circulation for goods bought and sold, and a prohibi­ tion for anyone to sell the same kind of product. Saint-Gobain was therefore protected from possible rivals and all those years of 194

2014 ◽  
pp. 250-250
Keyword(s):  
19Th Century ◽  
Industrial Revolution ◽  
Historical Background ◽  
Public And Private ◽  
Accounting Systems ◽  
French Economy ◽  
Single Entry ◽  
The Creation ◽  
The One ◽  
The 19Th Century

Siddiq Hasan Khan (1832-90) and the Creation of a Muslim Cosmopolitanism in the 19th century

2011 ◽  
Vol 54 (1) ◽  
pp. 1-38 ◽  
Author(s):  
Seema Alavi
Keyword(s):  
Intellectual History ◽  
19Th Century ◽  
Spatial Connectivity ◽  
History Of ◽  
Temporal Moment ◽  
The Creation ◽  
The 19Th Century

AbstractThe essay highlights the role of one individual, Nawab Siddiq Hasan Khan (1832-90), in writing the cultural and intellectual history of imperialisms. It brings his biography, journeys and intellectual forays together to show how he used the temporal moment of the mid 19th century ‘age of revolts’, and the spatial connectivity offered by British and Ottoman imperialisms and re-configured them to his own particular interests. Locating Siddiq Hasan in the connected histories of the British and Ottoman Empires, it views his in-house cosmopolitanism as a form of public conduct that was shaped by Islamic learning that cultivated urbane civility as Muslim universalist virtuous conduct. This was a form of cosmopolitanism enabled by imperial networks, informed by pre-colonial webs of interaction between India and West Asia, and deeply rooted in the scriptures.

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