The Caroline Grotesque in Verse: Robert Herrick, Richard Flecknoe and John Taylor

2014 ◽  
Vol 44 (1) ◽  
pp. 137-155
Author(s):  
L. E. Semler
Keyword(s):  
XVII-XVIII ◽  
1988 ◽  
Vol 27 (1) ◽  
pp. 141-155
Author(s):  
Gérard Gacon
Keyword(s):  

Author(s):  
Margaret J. M. Ezell

During the Commonwealth period, manuscript circulation networks continued to disseminate texts although at a lesser level than in the 1620s. Some were formed prior to the war at the Universities or Inns of Court, others were based on family or geography, and some had international reach. Samuel Hartlib’s extensive correspondence network circulated information between England and the Continent, while informal networks of friends and family likewise sustained communications. Catholic families had well-developed networks for circulating manuscripts, books, and people. Others such as Katherine Philips in Wales developed networks of literary friends. Thomas Stanley supported numerous friends and family, including Andrew Marvell and Robert Herrick, as they engaged on translation projects and collected their poems for publication.


Author(s):  
Timothy Larsen

At this point, Mill meets the great, passionate partner of his life, Harriet Taylor. This chapter endeavours to explain the complex relationship and way of life that they created for themselves during the lifetime of her first husband, John Taylor. The choice of celibacy is investigated. Even for freethinkers, chaste affairs were often pursued in this time period and milieu, including by people close to Mill such as W. J. Fox (with Eliza Flower) and Auguste Comte (with Clotilde de Vaux). This chapter also reveals the way that Harriet became a kind of substitute deity and religion for Mill. He frequently applied religious language to her, including deeming her judgement to be ‘perfect’ and ‘infallible’. With Harriet, Mill’s devotional sense finally found an outlet.


Early Music ◽  
2020 ◽  
Author(s):  
Steven Plank

Abstract This article considers questions relating to the performance practice of listening to music in early modern contexts. The evidence of paintings by Pieter Lastman, Gerard ter Borch and Hendrik Sorgh, poetry by Robert Herrick, William Shakespeare and Edmund Waller, and accounts of performances by Francesco da Milano, Nicola Matteis and Queen Elizabeth I all help to bring into focus questions of attentiveness, affective response and analogical understanding. The source material also interestingly raises the possibility of occasionally understanding the act of listening within a frame of erotic relationship modelled on Laura Mulvey’s well-known concept of the ‘male gaze’.


1999 ◽  
Vol 35 (1) ◽  
pp. 57-72 ◽  
Author(s):  
WILLIAM LANE CRAIG

John Taylor complains that the Kalam cosmological argument gives the appearance of being a swift and simple demonstration of the existence of a Creator of the universe, whereas in fact a convincing argument involving the premiss that the universe began to exist is very difficult to achieve. But Taylor's proffered defeaters of the premisses of the philosophical arguments for the beginning of the universe are themselves typically undercut due to Taylor's inadvertence to alternatives open to the defender of the Kalam arguments. With respect to empirical confirmation of the universe's beginning Taylor is forced into an anti-realist position on the Big Bang theory, but without sufficient warrant for singling out the theory as non-realistic. Therefore, despite the virtue of simplicity of form, the Kalam cosmological argument has not been defeated by Taylor's all too swift refutation.


1980 ◽  
Vol 14 (3) ◽  
pp. 387-405 ◽  
Author(s):  
Duncan Macleod

After years of comparative neglect John Taylor of Caroline has recently begun to receive again a degree of attention more in keeping with his true importance. That his impact upon both his own generation and upon subsequent generations of historians has always been less than it might have been is due largely to his tortured style of writing and the tortuous thought processes it reflected. John Randolph of Roanoke once commented that Taylor needed only a translator to make an impact, and Thomas Jefferson, replying to a communication from John Adams in 1814, wrote that a book received by Adams must have been Taylor's An Inquiry into the Principles and Policy of the Government of the United States: “neither the style nor the stuff of the author of Arator can ever be mistaken. [I]n the latter work, as you observe, there are some good things, but so involved in quaint, in far-fetched, affected, mystical conceipts [sic], and flimsy theories, that who can take the trouble of getting at them?” Taylor himself appeared to hold a fluent style in contempt, commenting that “A talent for fine writing is often a great misfortune to politicians.”Although Taylor's style renders study of his writings far from congenial, the consistency of his purpose and thought make it relatively easy to extract the main thrusts of his arguments. Far from a rigorous theorist he provides a running commentary upon the politics of his times. In that capacity, however, he never felt compelled to define clearly, even to himself perhaps, some of the central premises from which his arguments derived.


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