The chapter examines a wide variety of documentaries featuring Muslim women from the Maghreb in France. It critically analyzes the different mediations and techniques, such as the use of extra-diegetic music, voiceover, and archive material, that are employed in the documentaries and serve to ‘frame’ the women’s voices in various ways and with different consequences. It identifies three distinct levels of intervention: the first involves a heavy-handed approach, where the voices of the women are significantly ‘framed’ or even drowned out (most notably in the post-production process). The second reflects a more minimalist approach with regard to framing, while the third appears to be minimalist or transparent but in fact involves a significant degree of intervention. In examining the different forms of mediation and degrees of intervention at work in these documentaries, as well as the consequences of this with regard to the voices of the Maghrebi migrant women in them, this analysis draws on Bill Nichols’ critical writings on the different modes of documentary, notably expository, observational, and interactive. The films examined in this chapter include documentaries directed by Yamina Benguigui, Malek Bensmaïl, and Yasmina Kherfi.