Correspondance avec le Scriblerus Club by Jonathan Swift

2007 ◽  
Vol 40 (1-2) ◽  
pp. 141-142
Author(s):  
Françoise Deconinck-Brossard
Dialogos ◽  
2021 ◽  
Vol 38/2021 ◽  
Author(s):  
ROBU Valentina

Gulliver’s Travels was first published in 1726 and several reprints, each with minor changes in text, were issued within a few years’ time, with the 1735 edition being generally regarded as the more authentic version. Since then, the popularity of the book has never ceased to increase. Swift was as hostile as Pope and the other founders of the Scriblerus Club to the regime of his time and the Hanoverian court and this attitude is reflected in various ways throughout the book, but Gulliver’s Travels suggests that we should look further than the confines of the eighteenth-century world. This paper explores the author’s voice in the narrative in order to look closely at the impact of Swift’s ideas on the reader. The attempt to identify several roles of the author suggests that the reader is perplexed by the narrator’s attitude and challenged to reformulate the entire perspective on the human race. The article, therefore, surveys the book by looking at different authorial voices used by Swift as a technical device to communicate his radical critique of human nature.


Littératures ◽  
1962 ◽  
Vol 10 (1) ◽  
pp. 81-117 ◽  
Author(s):  
John Fletcher

Author(s):  
Margaret J. M. Ezell

New formats for periodical publications in this decade included the newspaper, which replaced the earlier newsbooks and handwritten subscription newsletters and which created new opportunities for journalism. In addition to news, they were also important to the development of advertising and opinion writing. While some periodicals were associated with political parties, such as the Tory Examiner for which Jonathan Swift and Delarivier Manley wrote, others such as the Athenian Mercury, the Tatler, and the Guardian were more concerned with polite entertainment and literary matters.


Author(s):  
Margaret J. M. Ezell

Prolific publishers including John Dunton and Edmund Curll sought to provide inexpensive literary entertainments for their readers with periodicals such as The Athenian Oracle and topical publications. Curll earned the animosity of Jonathan Swift, Alexander Pope, and other poets for his unauthorized publications of their works. In contrast, Bernard Lintot sought to secure the leading literary figures of the day including Pope and his friends for long-term relationships to produce important translations and collections. Other publishers frequently employed ‘hack writers’ such Edward ‘Ned’ Ward and Charles Gildon to produce quick translations, satires, fictions, and miscellanies. Women were involved in Grub Street literary productions also as printers, hawkers, and authors.


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