The Roman Noir in Post-War French Culture (review)

MLN ◽  
2004 ◽  
Vol 119 (4) ◽  
pp. 897-900
Author(s):  
Amanda J. Eaton
Keyword(s):  
2006 ◽  
Vol 60 (4) ◽  
pp. 542-543
Author(s):  
Tom Conley
Keyword(s):  

2013 ◽  
Vol 1 (1) ◽  
pp. 16-34
Author(s):  
Orlando Prestidge ◽  
Orlando Prestidge

I will discuss the effect that the Great War had on the medieval woodland landscape of France, and how the cataclysmic destruction of the conflict is now represented, remembered and sometimes even preserved by the presence of post-war woodland. The unparalleled quantities of munitions that tore apart the landscape from 1914-1918 had both physical effects at the time, as well as longer-lasting manifestations that we see today. The first use of chemical weapons, along with the problems posed by their disbursement and disposal, also still affect the soil of the Western Front, as well as the trees and plants that traditionally grew in the region. I will also analyse the deeper and far more ancient significance of forests and trees within French culture, and how this has affected the way that people have interacted with the ‘Forêt de guerre’ landscape that grew up to replace that lost during the hostilities.  World War I; 1914-18; Archaeology; Anthropology; Folklore; Landscape; Trees; Forests; Zone Rouge; Historic Sites - France


2013 ◽  
Vol 20 (1) ◽  
pp. 9-21
Author(s):  
Nancy Berman

The function of the primitivist aesthetic in modern French culture shifted dramatically from the pre- to the post-war period. Whereas the primitivism of the Ballets russes's Le sacre du printemps was understood by its contemporaries to be radical, excessive, even prophetic and apocalyptic, the primitivism of Les noces was perceived to some extent as a manifestation of both the classicist "call to order" and the mechanistic aesthetic of the post-war period. Indeed, Les noces was one of many cultural products by means of which post-war modernists extolled the virtues of the machine age.


2018 ◽  
pp. 234-258
Author(s):  
William Cloonan

The discussion shows how Diane Johnson’s novel, Le Divorce, is a rewriting of James’ The American. In this version the hero becomes the heroine, yet many of the dichotomies between the French and the Americans are maintained. EuroDisney, the symbol of American popular culture in France is paralleled by the quartier Saint-Germain-Des-Prés which has become a more highbrow French theme park, vaunting the glories of post-war French culture in the midst of upscale boutiques offering luxury items to wealthy American tourists. This is the only time in the novels discussed that an American makes a sustained effort to integrate herself into French society.


Author(s):  
Jon Kirwan

This chapter analyses the nouveaux théologiens during the years of the Second World War and the controversial post-war era when their influence peaked. First, it examines the fall of France and the Jesuits’ wartime work, which included the spearheading of the résistance spirituelle. They continued the analysis begun during the 1930s of the social and ecclesiastical crisis, ascribing to themselves a great task of regeneration. Next, the chapter sketches the intellectual atmosphere of the post-war milieu, in which Communists, existentialists, and Left Catholics emerged from the war with tremendous influence in French culture. Then, it surveys the ressourcement project to develop a new anthropology and ecclesiology according to the intellectual categories championed by the generation of 1930, historicity, modern philosophy, and engagement. Finally, the chapter discusses Daniélou’s famous 1946 manifesto, its relationship to the larger post-war landscape, and the controversy it incited with the Toulouse Dominicans.


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