La Llorona on Stage: Re-visiting Chicana Cultural Paradigms in Josefina López's Unconquered Spirits

2018 ◽  
Vol 51 (2) ◽  
pp. 91-107
Author(s):  
Trevor Boffone
2021 ◽  
pp. 0957154X2110346
Author(s):  
Tyler Durns

Involuntary hospitalization has been a fundamental function of psychiatric care for mentally ill persons in the USA for centuries. Procedural and judicial practices of inpatient psychiatric treatment and civil commitment in the USA have served as a by-product of socio-political pressures that demanded constant reform throughout history. The origin of modern commitment laws can best be understood through the lens of cultural paradigms that led to their creation and these suggest caution for future legislative amendments.


2021 ◽  
pp. 002216782110507
Author(s):  
Joseph P. Gone

The contributors to this special issue have demonstrated the potency and promise of cultivating Alternate Cultural Paradigms (ACPs) in psychology that reflect and express the lived realities of non-White communities in America. Based on my past research engagement with several distinct American Indian and First Nations communities, I offer for consideration four principles for psychologists who seek to further cultivate ACPs: (a) attend independently to culture and power, (b) anchor conceptual abstractions in empirical examples, (c) complicate stock oppositions and essentialisms, and (d) integrate emancipation with application. Adoption of these four principles should assist with the development of robust ACPs that accurately reflect the lived experiences of non-White communities. The promotion of these in psychology represents the exciting possibility for a more just and equitable future in which the injuries of White racism are remedied and all Americans are granted equal opportunities to live and thrive in self-determined fashion.


2018 ◽  
Vol 14 (1) ◽  
pp. 101-118
Author(s):  
Milan Orlić

Post-Yugoslav literature and culture came out of the stylistic formations of Yugoslav modernism and postmodernism, in the context of European cultural discourse. Yugoslav literature, which spans the existence of “two” Yugoslavias, the “first” Yugoslavia (1928–1941) and the “second” socialist Yugoslavia (1945–1990), is the foundation of various national literary and cultural paradigms, which shared the same or similar historical, philosophical and aesthetic roots. These were fed, on the one hand, by a phenomenological understanding of the world, language, style and culture, and on the other, by an acceptance of or resistance to the socialist realist aesthetics and ideological values of socialist Yugoslav society. In selected examples of contemporary Serbian prose, the author explores the social context, which has shaped contemporary Serbian literature, focusing on its roots in Serbian and Yugoslav 20th century (post)modernism.


Author(s):  
Ellen Rutten

This conclusion reflects on today's dreams of renewing or revitalizing sincerity and rejects the notion that they are outdated or do not deserve any of our attention. It cites the work of several scholars to show that sincerity is anything but obsolete in twenty-first-century popular culture. Indeed, today's strivings to renew sincerity have not been neglected by scholars such as R. Jay Magill Jr., Epstein, and Yurchak. The rhetoric on new sincerity has been addressed in thoughtful analyses of contemporary culture that have helped the author in crafting a comprehensive and geographically inclusive analysis of present-day sincerity rhetoric. In post-Communist Russia, debates on a shift to late or post-postmodern cultural paradigms are thriving with at least as much fervor as—and possibly more than—in Western Europe or the United States. This conclusion discusses the newly gained insights which the author's sincerity study offers.


2021 ◽  
Vol 29 ◽  
pp. 69-79
Author(s):  
Laura Roldan-Sevillano

This article explores Haitian American writer Roxane Gay’s An Untamed State (2014) as a novel that represents our intricate and rhizomatic transmodern era. In order to prove this contention, it focuses on the novel’s amalgamation of different literary genres and modes from previous cultural paradigms—namely, the postmodern fairy-tale retelling and the social realist novel—with Euro-American as well as Haitian/Caribbean literary and sociocultural elements. The result of this mélange is a complex narrative of multiple interconnections that offers a nuanced portrait of new millennium Haitian diasporas and locals, and that most especially, recuperates subaltern Haitian voices so as to denounce the “untamed state” of the country. The article concludes by arguing that Gay’s hybrid and relational text effaces an either/or episteme which, although considerably used in Western and postcolonial theories for a while, has now become obsolete and inoperative in such a globalised and entangled world.


2018 ◽  
Vol 64 ◽  
Author(s):  
O.Yu. Litinska ◽  
V.I. Palenha

The article deals with to the problem of the interpretation of phraseology with the keywords 腹 and 怒 り. Definition of the concept sphere, in which the semantic features of phraseology are revealed. The cultural paradigms and typical meanings of phraseologies associated with these concepts in the Japanese language are considered. The variants of literal translation of phraseologies are offered. A semantic distinction is established between close phraseological units with «anger» meaning.


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