Conflict and Coexistence: Archbishop Rodrigo [Jimenez de Rada] and the Muslims and Jews of Medieval Spain (review)

2005 ◽  
Vol 91 (4) ◽  
pp. 787-788
Author(s):  
Robert Ignatius Burns
Traditio ◽  
2019 ◽  
Vol 74 ◽  
pp. 249-270
Author(s):  
HELENA DE CARLOS VILLAMARÍN

Rodrigo Jimenez de Rada's Historia Romanorum depends, when describing some of Aeneas's adventures and the origins of Rome, both on the anonymous paraphrase of the Excidium Troie called Excidium, and on the paraphrase of Paul the Deacon's Historia Romana copied in some manuscripts related to the codex Bamberg, Staatsbibliothek Hist. 3. Some features of Jimenez de Rada's Historia de rebus Hispanie also follow the paraphrase of Exordia Scythica copied in the same family of manuscripts. The antigraphus of the Bamberg codex, probably written in Campania in the tenth century, seems to have been the textual model for Jimenez de Rada, a man who used to travel to Italy and visit the papal court. Besides proving this fact, this paper aims to follow the steps of Excidium Troie, a text whose presence in medieval Spain is detectable, although in a particular version, in some manuscripts of the late 13th century.


Author(s):  
Antonio Urquízar-Herrera

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).


2020 ◽  
Vol 50 (1) ◽  
pp. 66-82
Author(s):  
Rasmus Vangshardt

AbstractTom Kristensen’s travel book En Kavaler i Spanien (1926) was the result of a stay at the Danish explorer Knud Rasmussen’s house, where Kristensen not only met his physical and psychological superior, he also began his artistic development and personal breakdown towards the novel Hærværk (1930). The article argues that with a departure from this context, En Kavaler i Spanien can be read as an original and complex subgenre of the sentimental novel and it suggests that the work might best be categorized as ‘hard sentimentalism’. This subgenre of the travel novel can be identified in the intertwinement of the core thematic of the book — eroticism, medieval Spain and identity loss — with style and form. The paradoxical generic notion of ‘hard sentimentalism’ is used to connect medieval Spain with the erotic, but in an increasingly dangerous way, which threatens the traveler’s identity by increasing homosexual attraction and opening an abyss of degeneration and distorted emptiness behind the flirt.


2011 ◽  
Vol 99 (2) ◽  
pp. 75-85
Author(s):  
MARIA ROSA MENOCAL
Keyword(s):  

2008 ◽  
Vol 3 (1) ◽  
pp. 72-85 ◽  
Author(s):  
Kenneth Baxter Wolf
Keyword(s):  

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