Animation Programs of Islamic Television : A Study of Al-Hijrah Television Channel

2016 ◽  
pp. 95-109
Author(s):  
Osama Kanaker ◽  
Zulkiple Abd Ghani
Keyword(s):  
Television Channel

Britain's Channel 4: A TV Provider Caught Between Private Sector Funding and Its Cultural Mission

2014 ◽  
Vol 11 (4) ◽  
pp. 418-439 ◽  
Author(s):  
Gabriele Bock ◽  
Siegfried Zielinski
Keyword(s):  
Public Service ◽  
Risk Taking ◽  
Independent Film ◽  
Television Channel ◽  
Policy Context ◽  
Funding Mechanism ◽  
Contemporary Perspective ◽  
Hybrid Character ◽  
Commercial Station ◽  
First Time

This article, which first appeared in Media Perspektiven 1 (1987), is published here for the first time in English. It offers an enlightening contemporary perspective, from the then German Federal Republic, on the innovation in European broadcasting which Channel 4 represented. It outlines the policy context which gave rise to the UK's fourth television channel and describes its unique, hybrid character as a commercial station funded by advertising revenue with a public service remit. It assesses the strengths and weaknesses of Channel 4's commissioning structure and identifies significant examples of its innovative programming, paying particular attention to its support for independent film. That emphasis is noteworthy since it was West German television's film-funding mechanism that provided the model on which Film on Four was based. The article recognises Channel 4's commitment to catering for minority audiences, to enabling broader access to programme-making and to commissioning work that was experimental in form and content. It is generous in suggesting that such a risk-taking cultural enterprise was only possible within the UK's mature and highly developed broadcasting ecology, but it remains cautious (perhaps presciently) of its sustainability in the expanding commercial marketplace of multi-channel television.

scholarly journals Some Features of the Implementation of the Cultural and Educational Function in the Programs of the Modern Television Channel Dedicated to Culture (the Example of the TV Channel «Russia-C»)

2020 ◽  
Vol 30 (2) ◽  
pp. 211-218
Author(s):  
Anastasia Vinokurova ◽  
Irina Panteleeva
Keyword(s):  
High Quality ◽  
Television Channel ◽  
Wide Audience ◽  
The Difference

The article is devoted to understanding the features of the implementation of the cultural and educational function in the programs of the television channel «Russia-C». As a rule, coverage of culture and science topics on television channels occurs through programs that capture the difference between trained, «qualified» viewers and a wide audience, and either focus on the former, choosing formats and genres that are not interesting to the majority, or shift the focus to entertainment. In this regard, the resolution of this contradiction and the choice of a format for the TV channel about culture to meet the demand of broad layers of Russian television viewers for high-quality intellectual leisure seems to be significant. The authors of the article analyzed all the Russia-C TV channel programs that are regularly broadcast. The authors identified the features of the programs and concluded that the format of the TV channel is focused on the implementation, first of all, of the cultural and educational function, and also that the programs on TV channels are designed to overcome this contradiction. Competent interlocutors and presenters, who have a flexible strategy and tactics, take part in these programs. The variety of genres and the specifics of camera work are noted, patterns in the design of studios are revealed.

scholarly journals Les Clubs de presse au Japon

2019 ◽  
Vol 8 (2) ◽  
pp. 124-137
Author(s):  
César Castellvi
Keyword(s):  
Division Of Labor ◽  
Career Path ◽  
Raw Material ◽  
Television Channel ◽  
Geographical Mobility ◽  
Media Companies ◽  
Daily Press ◽  
Club Membership ◽  
Exclusive Right

    FR. En partant de l’analyse des clubs de presse japonais, cet article porte sur le rôle joué par les entreprises médiatiques dans les relations des journalistes aux sources institutionnelles. En tant que principale forme d’accès aux sources, les clubs de presse (kisha kurabu) sont des rassemblements de reporters accrédités aux institutions majeures de la société (ministères, administrations, grandes entreprises, commissariats). Ils se distinguent d’autres formes d’associations de journalistes par leur présence systématique à l’ensemble du pays ainsi que par leur modalité d’accès. Seuls les reporters salariés d’une entreprise de la presse quotidienne ou d’une chaîne de télévision peuvent y adhérer. Cela écarte les autres segments de la profession et impose une division du travail où les reporters salariés disposent seuls de l’exclusivité sur la production d’informations institutionnelles. Ce système, souvent critiqué, mais toujours en place, s’explique également par l’organisation des carrières des journalistes. Les parcours des reporters salariés se déroulent en interne des entreprises et sont soumis à une forte mobilité thématique et géographique. Cette mobilité rend difficile l’entretien d’un carnet d’adresses pour beaucoup d’entre eux. L’accréditation aux clubs joue le rôle de facilitateur de mise en relation avec les sources. En contrepartie, il renforce la dépendance des journalistes vis-à-vis des entreprises qui sont les véritables propriétaires de l’accès à la matière première de l’information.   ***   EN. Based on an analysis of Japanese press clubs, this paper examines the role of media companies in journalists' relations with institutional sources. Press clubs (kisha kurabu) consist of reporters accredited by the major institutions of society (ministries, administrations, large companies, police stations) and are the main avenue of access to these sources. They differ from other journalists' associations in their systematic presence throughout the country and how one becomes a member. Only reporters employed by a daily press company or television channel can join. This bars access by other segments of the profession and imposes a division of labor in which staff reporters have the exclusive right to produce institutional news. This system is often criticized, and yet it persists, at least in part because of the career path of journalists, which takes place within companies and are subject to high thematic and geographical mobility. This mobility makes it difficult for many of them to maintain a roster of sources. Club membership facilitates connection with sources. In return, it reinforces journalists' dependence on companies that are the true gatekeepers of access to the raw material of news.   ***   PT. Partindo da análise dos clubes de imprensa japoneses, este artigo enfoca o papel desempenhado pelas empresas de mídia nas relações dos jornalistas com as fontes institucionais. Como principal forma de acesso às fontes, os clubes de imprensa (kisha kurabu) são reuniões de repórteres credenciados em grandes instituições da sociedade (ministérios, administrações, grandes empresas, delegacias de polícia). Distinguem-se de outras formas de associação de jornalistas por sua presença sistemática em todo o país e por sua modalidade de acesso. Somente repórteres que são funcionários de uma empresa de jornais diários ou de um canal de televisão podem participar. Isso exclui outros segmentos da profissão e impõe uma divisão do trabalho em que apenas os repórteres assalariados têm direitos exclusivos sobre a produção de informações institucionais. Esse sistema, frequentemente criticado, mas ainda em vigor, também é explicado pela organização de carreiras de jornalistas. As jornadas dos repórteres assalariados são realizadas internamente pelas empresas e estão sujeitas a uma alta mobilidade temática e geográfica. Essa mobilidade dificulta a manutenção de um catálogo de endereços para muitos deles. O credenciamento de clubes atua como um facilitador para o vínculo com as fontes. Em contrapartida, reforça a dependência dos jornalistas de empresas que são os verdadeiros proprietários do acesso à matéria-prima da informação.   ***

scholarly journals News Framing in a Time of Terror

2020 ◽  
Vol 37 (s1) ◽  
pp. 85-99
Author(s):  
Hanne Jørndrup
Keyword(s):  
News Media ◽  
News Coverage ◽  
Terror Attack ◽  
Critical Approach ◽  
Television Channel ◽  
Saturday Afternoon ◽  
Public Meeting ◽  
The Media ◽  
Media Event ◽  
Charlie Hebdo

AbstractOn Saturday afternoon, 14 February 2015, a man attacked a public meeting at Krudttønden in Copenhagen and later the city's synagogue, killing two persons. The attacks did not take the Danish media by surprise since they had recently been engaged in the coverage of similar events, reporting the attacks at the Charlie Hebdo office in Paris in January 2015.This article analyses how the Danish television channel DR1 framed the attacks in the newscast from the first shot at Krudttønden and for the following week. Furthermore, the analysis will discuss how the framing of the shooting as a “terror attack” transformed the news coverage into a “news media” media event, abandoning the journalistic norm of critical approach while the media instead became the scene of national mourning.

scholarly journals The Production of TV Lessons in Economics Education for Primary School Children: Principles and Practice

2002 ◽  
Vol 5 (2) ◽  
pp. 115-121 ◽  
Author(s):  
Yullya N. Lelyuk
Keyword(s):  
Primary School ◽  
Production Process ◽  
School Children ◽  
Economic Education ◽  
Primary School Children ◽  
Economics Education ◽  
Commercial Television ◽  
Television Channel

This article is an attempt to generalise and analyse the experience of producing TV lessons in economics education for primary school children. A series of such lessons was broadcast on the commercial television channel in the Poltava Region of Ukraine. This article deals with the peculiarities of the production process of the economics lessons, their usefulness and their role in the whole system of school economic education.

La creación de imagen de marca en los canales infantiles politemáticos de televisión | The creation of brand image in Polithematic children’s channels of Digital Television

2012 ◽  
Author(s):  
Irene Melgarejo Moreno ◽  
María del Mar Rodríguez Rosell
Keyword(s):  
Content Analysis ◽  
Brand Image ◽  
Main Element ◽  
Digital Television ◽  
Television Channel ◽  
Scientific Methods ◽  
Study Methodology ◽  
The Creation ◽  
Depth Interviews

ResumenLa marca constituye el principal elemento de todo canal televisivo dónde el tratamiento y uso que se hace de la propia  imagen de marca del  canal se convierten en fundamentales para atraer la atención de la audiencia y conseguir afinidad entre el público objetivo, el canal y la marca. Con una metodología de estudio basada en la triangulación de métodos científicos, donde convergen las entrevistas en profundidad, el análisis de contenido y la observación descriptiva, este artículo presenta los resultados globales sobre imagen de marca y publicidad  extraídos del estudio exhaustivo de los canales infantiles,  lo que permite obtener una aproximación a la realidad de los Canales Infantiles Politemáticos en España.AbstractThe brand constitutes the main element of every television channel where the treatment and use that they do of a channel brand image are essential to attract audience attention and get affinity between target, channel and brand. By means of a study methodology based in the triangulation of scientific methods, where several in – depth interviews, content analysis and descriptive observation converge, this article presents the global results about brand image and advertising that we extract from the exhaustive children’s channels study, which allows to get an approximation to the Polithematic Children’s channels reality in Spain.Palabras clavecanal infantil; imagen de marca; politemático; publicidad; televisión.Keywordschildren’s channel; brand image; Polithematic; advertising; television.

The Role of Locally Produced and Digitally Animated Cartoons in the Process of Acquisition of Social Values

2019 ◽  
pp. 195-208
Author(s):  
Pınar Özgökbel Bilis ◽  
Ali Emre Bilis
Keyword(s):  
Qualitative Analysis ◽  
Social Values ◽  
Moral Values ◽  
Analysis Method ◽  
Television Channel ◽  
The Social ◽  
The Media ◽  
The Relationship

Television channels for children contain many cartoons and programs. These productions reach the viewers via both the television and the channel's official website. TRT Çocuk, broadcasting for children as a government television channel, presents many locally produced animated cartoons to the viewers. A product of the modern and digital technology, these locally produced cartoons carry importance in terms of transfer of social values. This study focuses on locally produced animation cartoons that have an important potential especially in the transfer of national and moral values. Determination of values conveyed via cartoons that bear importance in the transformation of television into an educational tool allows the media and child relationships to become visible. This work aims to examine the relationship between media and values by defining the concept of “value.” After creating a corporate frame, the study brings to light the social values conveyed in locally produced cartoons aired on TRT Çocuk television channel via qualitative analysis method.

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