scholarly journals Images of Sculptures in the Poetry of Giorgis Manousakis

2016 ◽  
Vol 19 ◽  
pp. 5-14
Author(s):  
Michał Bzinkowski ◽  
Rita Winiarska
Keyword(s):  
Cultural Identity ◽  
Nobel Prize ◽  
Nobel Prize Winner ◽  
Ancient Greek ◽  
Greek Poetry ◽  
Modern Greek

The imagery of fragmentary sculptures, statues and stones appears often in Modern Greek Poetry in connection with the question of Modern Greeks’ relation to ancient Greek past and legacy. Many famous poets such as the first Nobel Prize winner in literature, George Seferis (1900-1971), as well as Yannis Ritsos (1909-1990) frequently use sculptural imagery in order to allude to, among other things, though in different approaches, the classical past and its existence in modern conscience as a part of cultural identity. In the present paper we focus on some selected poems by a well-known Cretan poet Giorgis Manousakis (1933-2008) from his collection “Broken Sculptures and Bitter Plants” (Σπασμένα αγάλματα και πικροβότανα, 2005), trying to shed some light on his very peculiar usage of sculpture imagery in comparison with the earlier Greek poets. We attempt to categorize Manousakis’ metaphors and allusions regarding the symbolism of sculptures in correlation with existential motives of his poetry and the poet’s attitude to the classical legacy.

scholarly journals Bodies Out of Time: Sculpting Queer Poetics and Queering Classical Sculpture in the Poetry of C. P. Cavafy

2021 ◽  
Author(s):  
J. L. Watson
Keyword(s):  
Raw Material ◽  
Ancient Greek ◽  
Greek Poetry ◽  
Modern Greek ◽  
The Past ◽  
Greek World

AbstractTwo major themes dominate the poetry of the Alexandrian poet, C. P. Cavafy: homosexual desire and Greekness, broadly defined. This paper explores the interconnectivity of these motifs, showing how Cavafy’s poetic queerness is expressed through his relationship with the ancient Greek world, especially Hellenistic Alexandria. I focus on Cavafy’s incorporation of ancient sculpture into his poetry and the ways that sculpture, for Cavafy, is a vehicle for expressing forbidden desires in an acceptable way. In this, I draw on the works of Liana Giannakopoulou on statuary in modern Greek poetry and Dimitris Papanikolaou on Cavafy’s homosexuality and its presentation in the poetry. Sculpture features in around a third of Cavafy’s poems and pervades it in various ways: the inclusion of physical statues as focuses of ecphrastic description, the use of sculptural language and metaphor, and the likening of Cavafy’s beloveds to Greek marbles of the past, to name but three. This article argues that Cavafy utilizes the statuary of the ancient Greek world as raw material, from which he sculpts his modern Greek queerness, variously desiring the statuesque bodies of contemporary Alexandrian youths and constructing eroticized depictions of ancient Greek marbles. The very ontology of queerness is, for Cavafy, ‘created’ using explicitly sculptural metaphors (e.g. the repeated uses of the verb κάνω [‘to make’] in descriptions of ‘those made like me’) and he employs Hellenistic statues as a productive link between his desires and so-called ‘Greek desire’, placing himself within a continuum of queer, Greek men.

The Continuity of Hellenism

1971 ◽  
Vol 18 (1) ◽  
pp. 18-29 ◽  
Author(s):  
George Thomson
Keyword(s):  
The Sun ◽  
Ancient Greek ◽  
Greek Poetry ◽  
Modern Greek ◽  
Full Life ◽  
Greek Civilization

InThe Twelve Lays of the Gipsy, one of the masterpieces of modern Greek poetry, Palamás puts into the mouth of his Gipsy these words, addressed to the Beautiful Immortals, who symbolize the achievements of ancient Greek civilization:What if you are immortal ? Your life is over,The full life that you lived in full bodily vigourIn the sun and air of the blissful country of your birth.Now there is another sun, another air, and you are onlyApparitions.

The Legacy of the Outstanding Economist (The Centenary of Maurice Allais)

2011 ◽  
pp. 4-15
Author(s):  
A. Belyanin ◽  
I. Egorov
Keyword(s):  
Present Article ◽  
Nobel Prize ◽  
Nobel Prize Winner ◽  
Contemporary Science

The paper is devoted to Maurice Allais, the Nobel prize winner and one of the most original and deep-thinking economist whose centenary is celebrated this year. The authors describe his contributions to economics, and his place in contemporary science - economics and physics, as well as his personality and philosophy. Scientific works by Allais, albeit translated into Russian, still remain little known. The present article aims to fill this gap and to pay tribute to this outstanding intellectual and academic, who deceased last year, aged 99.

Galilean Reflections on Milton Friedman’s "Methodology of Positive Economics", with Thoughts on Vernon Smith’s "Economics in the Laboratory"

2007 ◽  
pp. 55-70 ◽  
Author(s):  
E. Schliesser
Keyword(s):  
Experimental Evidence ◽  
Experimental Economics ◽  
Nobel Prize ◽  
Free Fall ◽  
Nobel Prize Winner ◽  
Theoretical Physics ◽  
History Of ◽  
Positive Economics

The article examines in detail the argument of M. Friedman as expressed in his famous article "Methodology of Positive Economics". In considering the problem of interconnection of theoretical hypotheses with experimental evidence the author illustrates his thesis using the history of the Galilean law of free fall and its role in the development of theoretical physics. He also draws upon methodological ideas of the founder of experimental economics and Nobel prize winner V. Smith.

Inherent tensions in chemistry

2018 ◽  
Vol 9 (3) ◽  
pp. 177
Author(s):  
Joachim Schummer
Keyword(s):  
Nobel Prize ◽  
Nobel Prize Winner ◽  
Philosophy Of Chemistry

<span>If you expect a Nobel prize winner being a crank who can think of nothing but his subject, then read Roald Hoffmann's The Sume and Not the Sameand test your hypothesis. This book is about chemistry, to be sure-but in the broadest scope including sociology, psychology, ethics and philosophy of chemistry.</span>

Roger Sperry—1981 Nobel Prize Winner

1995 ◽  
Vol 70 (4) ◽  
pp. 349
Author(s):  
Marc A. Shampo ◽  
Robert A. Kyle
Keyword(s):  
Nobel Prize ◽  
Nobel Prize Winner

Imperatives, V-movement and logical mood

1995 ◽  
Vol 31 (2) ◽  
pp. 301-332 ◽  
Author(s):  
María Luisa Rivero ◽  
Arhonto Terzi
Keyword(s):  
Ancient Greek ◽  
Modern Greek ◽  
Self Interest ◽  
Distinctive Morphology

Imperative Vs with distinctive morphology either have a distinctive syntax (Modern Greek, Spanish), or distribute like others Vs (Serbo-Croatian, Ancient Greek). The contrast follows from properties of the root C. The first type has a strong Imperative V-feature in C, and under Chomsky's Greed Principle, Imperative Vs raise overtly to check this feature. The second type is the Wackernagel language, whose C hosts no features, but V-features are in I. If no phrase fronts, Vs move to C to support second position items. V-to-C affects all Vs, is last resort, follows Lasnik's Enlightened Self-Interest, and escapes Greed.

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