scholarly journals On Causation

1916 ◽  
Vol 62 (256) ◽  
pp. 1-108
Author(s):  
Charles A. Mercier

Through the kindness of Dr. Mercier we have been favoured with an advanced copy of the first instalment of a new work recently completed by him on the subject of Causation, with special reference to causes of death and causes of insanity. Owing to conditions now existing in consequence of the war, with, as a result, an extreme scarcity of suitable literary material for publication, as explained in the October number of the Journal, the Editors have had to face quite unprecedented difficulties; and they wish here to express their acknowledgments to Dr. Mercier for so generously coming to their aid in what may almost be termed a crisis in the history of the Journal. The second (and final) instalment of Dr. Mercier's book will appear in the April number.

1860 ◽  
Vol 10 ◽  
pp. 544-557 ◽  

After referring to the earlier history of the subject, and especially' to the conclusion of Saussure, that plants derive their nitrogen from the nitrogenous compounds of the soil and the small amount of ammonia which he found to exist in the atmosphere, the Authors preface the discussion of their own experiments on the sources of the nitrogen of plants, by a consideration of the most prominent facts established by their own investigations concerning the amount of nitrogen yielded by different crops over a given area of land, and of the relation of these to certain measured, or known sources of it. On growing the same crop year after year on the same land, without any supply of nitrogen by manure, it was found that wheat, over a period of 14 years, had given rather more than 30 lbs.—barley, over a period of 6 years, somewhat less—meadow-hay, over a period of 3 years, nearly 40 lbs.— and beans, over 11 years, rather more than 50 lbs. of nitrogen, per acre, per annum. Clover, another leguminous crop, grown in 3 out of 4 consecutive years, had given an average of 120 lbs. Turnips, over 8 consecutive years, had yielded about 45 lbs.


1923 ◽  
Vol 60 (1) ◽  
pp. 32-39
Author(s):  
R. H. Rastall

For several years prior to 1914 the writer was engaged in the study of the mineral composition of loose detrital sediments with special reference to the rarer minerals and so-called heavy constituents of sands, the principal object of these investigations being an endeavour to ascertain what conclusions, if any, could be drawn as to the source and past history of the material and their bearing on stratigraphical and palæogeographical problems along the lines laid down by Dr. Thomas in his well-known researches on the New Red Sandstone of south-western England. In those days the subject was still in its infancy, and there were no standard books of reference dealing with it, such as are now abundant: it was necessary to evolve methods and to learn the characteristics of the minerals in grains by experimental investigation and by reference to the comparatively few published descriptions then available. This work was carried out chiefly on the Lower Greensand between the borders of Buckinghamshire and the Wash, but a good deal was also done on the superficial deposits of the neighbourhood of Cambridge and elsewhere, and some of the results obtained on the last-named group were published. The study of the Lower Greensand was, however, still incomplete at the end of 1914. After the war, for reasons unnecessary to detail here, it was not possible to continue the investigation of this particular formation on a more extended scale, as had been originally intended, and the results attained up to 1914 were published in the Geological Magazine.


PMLA ◽  
1907 ◽  
Vol 22 (1) ◽  
pp. 140-156 ◽  
Author(s):  
John W. Cunliffe

As the Italian origin of the Masque has been questioned in the latest and most elaborate investigation of the subject (R. Brotanek, Die Englischen Maskenspiele, Wien und Leipzig, 1902), it seems worth while to examine the history of the word and the circumstances of its introduction into English. Brotanek thinks that it came from the French, but it is to be borne in mind in the first place that the form masque is not found in sixteenth century English; and in the second place, that the French masque has never meant the performance but always the performer or the domino worn. Cotgrave gives masque as the synonym for “a maske for a woman,” but for “maske” without this qualification “masquerade, masquerie, barboire,” just as he gives for “mummery or mumming” “mommerie, masquerade, barboire.” Littré cites only one example of the use in French of masque for a form of entertainment, and that is from a modern author, with special reference to the English masques, which are elaborately described.


Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.


2020 ◽  
Vol 48 (3-4) ◽  
pp. 13-26
Author(s):  
Brandon W. Hawk

Literature written in England between about 500 and 1100 CE attests to a wide range of traditions, although it is clear that Christian sources were the most influential. Biblical apocrypha feature prominently across this corpus of literature, as early English authors clearly relied on a range of extra-biblical texts and traditions related to works under the umbrella of what have been called “Old Testament Pseudepigrapha” and “New Testament/Christian Apocrypha." While scholars of pseudepigrapha and apocrypha have long trained their eyes upon literature from the first few centuries of early Judaism and early Christianity, the medieval period has much to offer. This article presents a survey of significant developments and key threads in the history of scholarship on apocrypha in early medieval England. My purpose is not to offer a comprehensive bibliography, but to highlight major studies that have focused on the transmission of specific apocrypha, contributed to knowledge about medieval uses of apocrypha, and shaped the field from the nineteenth century up to the present. Bringing together major publications on the subject presents a striking picture of the state of the field as well as future directions.


Author(s):  
John Chambers ◽  
Jacqueline Mitton

The birth and evolution of our solar system is a tantalizing mystery that may one day provide answers to the question of human origins. This book tells the remarkable story of how the celestial objects that make up the solar system arose from common beginnings billions of years ago, and how scientists and philosophers have sought to unravel this mystery down through the centuries, piecing together the clues that enabled them to deduce the solar system's layout, its age, and the most likely way it formed. Drawing on the history of astronomy and the latest findings in astrophysics and the planetary sciences, the book offers the most up-to-date and authoritative treatment of the subject available. It examines how the evolving universe set the stage for the appearance of our Sun, and how the nebulous cloud of gas and dust that accompanied the young Sun eventually became the planets, comets, moons, and asteroids that exist today. It explores how each of the planets acquired its unique characteristics, why some are rocky and others gaseous, and why one planet in particular—our Earth—provided an almost perfect haven for the emergence of life. The book takes readers to the very frontiers of modern research, engaging with the latest controversies and debates. It reveals how ongoing discoveries of far-distant extrasolar planets and planetary systems are transforming our understanding of our own solar system's astonishing history and its possible fate.


2019 ◽  
Vol 5 (4) ◽  
pp. 14-20
Author(s):  
Ms. Cheryl Antonette Dumenil ◽  
Dr. Cheryl Davis

North- East India is an under veiled region with an awe-inspiring landscape, different groups of ethnic people, their culture and heritage. Contemporary writers from this region aspire towards a vision outside the tapered ethnic channel, and they represent a shared history. In their writings, the cultural memory is showcased, and the intensity of feeling overflows the labour of technique and craft. Mamang Dai presents a rare glimpse into the ecology, culture, life of the tribal people and history of the land of the dawn-lit mountains, Arunachal Pradesh, through her novel The Legends of Pensam. The word ‘Pensam’ in the title means ‘in-between’,  but it may also be interpreted as ‘the hidden spaces of the heart’. This is a small world where anything can happen. Being adherents of the animistic faith, the tribes here believe in co-existence with the natural world along with the presence of spirits in their forests and rivers. This paper attempts to draw an insight into the culture and gender of the Arunachalis with special reference to The Legends of Pensam by Mamang Dai.


Author(s):  
Vera V. Serdechnaia ◽  

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.


2020 ◽  
Vol 15 (2) ◽  
pp. 68
Author(s):  
А. Н. Сухов

This given article reveals the topicality not only of destructive, but also of constructive, as well as hybrid conflicts. Practically it has been done for the first time. It also describes the history of the formation of both foreign and domestic social conflictology. At the same time, the chronology of the development of the latter is restored and presented objectively, in full, taking into account the contribution of those researchers who actually stood at its origins. The article deals with the essence of the socio-psychological approach to understanding conflicts. The subject of social conflictology includes the regularities of their occurrence and manifestation at various levels, spheres and conditions, including normal, complicated and extreme ones. Social conflictology includes the theory and practice of diagnosing, resolving, and resolving social conflicts. It analyzes the difficulties that occur in defining the concept, structure, dynamics, and classification of social conflicts. Therefore, it is no accident that the most important task is to create a full-fledged theory of social conflicts. Without this, it is impossible to talk about effective settlement and resolution of social conflicts. Social conflictology is an integral part of conflictology. There is still a lot of work to be done, both in theory and in application, for its complete design. At present, there is an urgent need to develop conflict-related competence not only of professionals, but also for various groups of the population.


2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.


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