The Scene of Harlem Cabaret: Race, Sexuality, Performance. By Shane Vogel. Chicago: University of Chicago Press, 2009; 257 pp. $60.00 cloth, $17.00 paper. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. By Tavia Nyong'o. Minneapolis: University of Minnesota Press, 2009; 230 pp. $67.50 cloth, $17.82 paper

2012 ◽  
Vol 56 (1) ◽  
pp. 158-160
Author(s):  
Soyica D. Colbert
2004 ◽  
Vol 1 (2) ◽  
pp. 283-292
Author(s):  
BRUCE KUKLICK

George Cotkin, Existential America (Baltimore: Johns Hopkins University Press, 2003)Ann Fulton, Apostles of Sartre: Existentialism in America, 1945–1963 (Evanston, IL: Northwestern University Press, 1999)Jean-Philippe Mathy, Extrême-Occident: French Intellectuals and America (Chicago: University of Chicago Press, 1993)Jean-Philippe Mathy, French Resistance: The French–American Culture Wars (Minneapolis: University of Minnesota Press, 2000)


2004 ◽  
Vol 3 (2) ◽  
pp. 175-182

New Money, Nice Town: How Capital Works in the New Urban Economy, by Leonard Nevarez. New York: Routledge, 2003. National Performances: The Politics of Class, Race, and Space in Puerto Rican Chicago, by Ana Y. Ramos‐Zayas. Chicago, IL: University of Chicago Press, 2003. x + 245 pages. Maps, illustrations, photographs, notes, bibliography, index. ISBN: 0‐226‐70359‐2 (paper). Remaking New York: Primitive Globalization and the Politics of Urban Community, by William Sites. University of Minnesota Press, 2003. 260 pp. City: Urbanism and Its End, by Douglas W. Rae. New Haven, CT: Yale University Press, 2003. xix + 516 pp. ISBN 0‐300‐09577‐5.


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