Framing Black Labor: On Archives and Mine Dancing in South African Gold Mines, 1950–1970
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Promoted as a tourist attraction to highlight the benevolent treatment of black migrant laborers at South African gold mines, mine dance performances by workers became a symbol of both “authentic” preindustrial African culture and, paradoxically, the progress made towards industrializing the nation. Excavating both state-sponsored, industrial archives and the photographs of black South African Ernest Cole enables a reframing of the ways dance was mobilized and extracted during apartheid.
1995 ◽
Vol 32
(6)
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pp. A297
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1998 ◽
Vol 16
(4)
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pp. 423-437
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1983 ◽
Vol 17
(3)
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pp. 393-412
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2020 ◽
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