Arthur Rimbaud: “The Man with Wind Soles” - Riders' Osteosarcoma with Postamputation Stump Pain

Author(s):  
Julien Bogousslavsky ◽  
Laurent Tatu
Keyword(s):  
VASA ◽  
2015 ◽  
Vol 44 (5) ◽  
pp. 381-386 ◽  
Author(s):  
Christian Uhl ◽  
Thomas Betz ◽  
Andrea Rupp ◽  
Markus Steinbauer ◽  
Ingolf Töpel

Abstract. Summary: Background: This pilot study was set up to examine the effects of a continuous postoperative wound infusion system with a local anaesthetic on perioperative pain and the consumption of analgesics. Patients and methods: We included 42 patients in this prospective observational pilot study. Patients were divided into two groups. One group was treated in accordance with the WHO standard pain management protocol and in addition to that received a continuous local wound infusion treatment (Group 1). Group 2 was treated with analgesics in accordance with the WHO standard pain management protocol, exclusively. Results: The study demonstrated a significantly reduced postoperative VAS score for stump pain in Group 1 for the first 5 days. Furthermore, the intake of opiates was significantly reduced in Group 1 (day 1, Group 1: 42.1 vs. Group 2: 73.5, p = 0.010; day 2, Group 1: 27.7 vs. Group 2: 52.5, p = 0.012; day 3, Group 1: 23.9 vs. Group 2: 53.5, p = 0.002; day 4, Group 1: 15.7 vs. Group 2: 48.3, p = 0.003; day 5, Group 1 13.3 vs. Group 2: 49.9, p = 0.001). There were no significant differences between the two groups, neither in phantom pain intensity at discharge nor postoperative complications and death. Conclusions: Continuous postoperative wound infusion with a local anaesthetic in combination with a standard pain management protocol can reduce both stump pain and opiate intake in patients who have undergone transfemoral amputation. Phantom pain was not significantly affected.


L Homme ◽  
1969 ◽  
Vol 9 (1) ◽  
pp. 23-41 ◽  
Author(s):  
Jean-Claude Coquet
Keyword(s):  

2013 ◽  
Vol 86 (4) ◽  
pp. 835-836
Author(s):  
Candice Nicolas
Keyword(s):  

Pain ◽  
1983 ◽  
Vol 17 (3) ◽  
pp. 243-256 ◽  
Author(s):  
Troels S. Jensen ◽  
Børge Krebs ◽  
Jørn Nielsen ◽  
Peter Rasmussen

2016 ◽  
Vol 51 (2) ◽  
pp. 325-343 ◽  
Author(s):  
Nora Zapf

AbstractEven though Coleridge’s fantastic romantic poem “The Rime of the Ancient Mariner” (1798) and Rimbaud’s hallucinatory symbolist poem “Le bateau ivre” (1871) use very different procedures, both of them show, each in their own way, a ghostly movement of the ship: a movement that seems to lead into the vastness of the globe but finds itself confined to the narrowness of one’s own self. Both of these sea poems draw a route that in the end is aimless in its bouncing and circular movement. The haunted ghost ship as a wooden skeleton without crew flies over water in Coleridge’s ballad, or falls into unattainable depths in Rimbaud’s long poem. Can these poetic travel narratives be described as forms of a “haunted globalization,” in which leaving the known for the unknown turns out to mean always moving around the same – the self, the known, the own writing process? Even if in the self, there will always be found the other, the foreign, too.


2009 ◽  
Vol 3 (6) ◽  
pp. 58-70
Author(s):  
Florence Dravet ◽  
Gustavo De Castro
Keyword(s):  

Fruto de uma pesquisa desenvolvida no âmbito do projeto Razão-Poesia a respeito da colocação dos poetas na sociedade e nos meios editorial e literário, este artigo tem por objetivo identificar posicionamentos éticos e estéticos de alguns poetas diante da visibilidade proporcinada pelos meios de comunicação. Fomos em busca de compreender a opção daqueles que qualificamos de “poetas da verticalidade” pela sua busca estética, e “poetas do desaparecimento” pelo seu posicionamento ético. Arthur Rimbaud e Roberto Juarroz tiveram duas maneiras diferentes de escolher o desaparecimento: a fuga para o estrangeiro e a discrição silenciosa. O primeiro transformou definitivamente a forma do verso pela intensidade da pulsação do seu dizer. O segundo não teve a mesma influência sobre a produção poética subsequente, mas compôs uma obra extensa e sistemática. A análise desses dois exemplos nos conduziu a pensar a liberdade do desprendimento como condição de possibilidade do exercício ético e estético.


Author(s):  
Michel Planat ◽  
Raymond Aschheim ◽  
Marcelo Amaral ◽  
Fang Fang ◽  
Klee Irwin

It is shown how the secondary structure of proteins, musical forms and verses of poems are approximately ruled by universal laws relying on graph coverings. In this direction, one explores the group structure of a variant of the SARS-Cov-2 spike protein and the group structure of apolipoprotein-H, passing from the primary code with amino acids to the secondary structures organizing the foldings. Then one look at the musical forms employed in the classical and contemporary periods. Finally, one investigates in much detail the group structure of a small poem in prose by Charles Baudelaire and that of the Bateau Ivre by Arthur Rimbaud.


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Moisés Carlos Amorim (UFMT) ◽  
Diego Pinto Sousa (UNICAMP)
Keyword(s):  

1974 ◽  
pp. 64 ◽  
Author(s):  
Enid Rhodes Peschel
Keyword(s):  

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