The Organization of Song in the Agile Gibbon (Hylobates agilis)

1984 ◽  
Vol 42 (1) ◽  
pp. 42-61 ◽  
Author(s):  
Elliott H. Haimoff
Primates ◽  
2009 ◽  
Vol 51 (1) ◽  
pp. 63-67 ◽  
Author(s):  
Masayuki Tanaka ◽  
Makiko Uchikoshi

2007 ◽  
Vol 69 (7) ◽  
pp. 777-790 ◽  
Author(s):  
Chisako Oyakawa ◽  
Hiroki Koda ◽  
Hideki Sugiura

1982 ◽  
Vol 51 (1) ◽  
pp. 95-98 ◽  
Author(s):  
Ernest G. Maples ◽  
Maury M. Haraway

The study demonstrated the effectiveness of tape-recorded answering calls as reinforcers of vocal behavior in a female agile gibbon. Following baseline, typical conditioning, extinction, and reconditioning effects were demonstrated. The findings support the proposition that many species-typical behaviors may act as reinforcers.


1910 ◽  
Vol 30 ◽  
pp. 202-218 ◽  
Author(s):  
Duncan C. L. Fitzwilliams

The kindness of Professor Cunningham has enabled me to carry out the dissection of a gibbon in his possession. The dissection was performed in 1905, in the Anatomical Department of the University of Edinburgh. The following paper is a description of the short muscles of the hand of the animal, to which is added a consideration of the primitive position and function of the short muscles of the human hand.


Behaviour ◽  
1989 ◽  
Vol 109 (1-2) ◽  
pp. 20-45 ◽  
Author(s):  
Peter Marler ◽  
John C. Mitani

AbstractAcoustic analyses and experimental field playbacks were conducted to investigate the nature and communicative significance of the phonological structure and organization of male gibbon (Hylobates agilis) songs. Males use a limited number of spectrographically discrete elements or note types to construct songs. A classification of these note types was produced initially through a visual sorting process using gross spectral and temporal features. Measurement of single acoustic variables and a digital sound program, which compared the two-dimensional cross-correlation values of note spectrograms, were employed to check the results of the qualitative sorting procedure. The sequential organization of notes composing songs was examined by tabulating the frequencies of occurrence of each note type in different positions and the transition probabilities between note types. These analyses revealed that songs are formed within a framework of rules, which define regular patterns in the placement and order of note types. To investigate whether the gibbons employ these rules in a biologically meaningful fashion, a field playback experiment was conducted comparing the responses of animals to normal and phonologically rearranged songs. Although the gibbons identify rearranged songs as conspecific territorial signals, responses to playbacks suggested that the hypothesized rules generating songs are communicatively significant; male gibbons responded in a qualitatively different fashion to normal and phonologically rearranged songs. These results are evaluated in light of other studies of animal vocal communication.


Primates ◽  
2012 ◽  
Vol 53 (4) ◽  
pp. 327-332 ◽  
Author(s):  
Hiroki Koda ◽  
Chisako Oyakawa ◽  
Santi Nurulkamilah ◽  
Rizaldi ◽  
Hideki Sugiura ◽  
...  

1971 ◽  
Vol 251 (3) ◽  
pp. 482-488 ◽  
Author(s):  
A.E. Romero Herrera ◽  
H. Lehmann
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document