Video in applied cognitive research for human-centered design

1989 ◽  
Vol 21 (2) ◽  
pp. 75-77
Author(s):  
Renate J. Roske-Hofstrand
Keyword(s):  
Human Centered Design ◽  
Cognitive Research

COGNITIVE RESEARCH ON MUSICAL METAPHORS IN THE POEM “SONG OF MYSELF” BY W. WHITMAN

2020 ◽  
Vol 4 (97) ◽  
pp. 137-148
Author(s):  
OLGA S. KAMYSHEVA
Keyword(s):  
Cognitive Processes ◽  
Basic Concept ◽  
Cognitive Research ◽  
Analysis Technique ◽  
Poetic Work

The author considers the primary and secondary musical metaphors in the poem “Song of Myself” by W. Whitman. The article classifies distinguished metaphorical models according to the frame-slot analysis technique. As a result of the study, the author concludes that the main and secondary metaphors are closely connected, revealing the cognitive processes related to the basic concept of this poetic work.

Conclusion

2018 ◽  
Author(s):  
Elaine Auyoung
Keyword(s):  
Nineteenth Century ◽  
Literary Studies ◽  
Cognitive Research ◽  
Theoretical Assumptions ◽  
Aesthetic Pleasure ◽  
Mental Acts ◽  
The Relationship

The conclusion of this book calls attention to the relationship between comprehending realist fiction and Aristotle’s claim that mimetic representation provides a form of aesthetic pleasure distinct from our response to what is represented. It also argues that, by demonstrating how much nineteenth-century novelists depend on the knowledge and abilities that readers bring to a text, cognitive research on reading helps us revisit long-standing theoretical assumptions in literary studies. Because the felt experience of reading is so distinct from the mental acts underlying it, knowing more about the basic architecture of reading can help literary critics refine their claims about what novels can and cannot do to their readers.

The Placebo Drama of the Asclepius Cult

2021 ◽  
Vol 13 (1) ◽  
pp. 195-226
Author(s):  
Olympia Panagiotidou
Keyword(s):  
Historical Study ◽  
Placebo Effects ◽  
Cognitive Research ◽  
Specific Factors ◽  
Roman Antiquity ◽  
The Relationship

Abstract Asclepius was one of the most popular healing deities in Graeco-Roman antiquity. Patients suffering from various diseases resorted to his sanctuaries, the so-called asclepieia, looking for cure. Many inscriptions preserve stories of supplicants who slept in the abaton of the temples and claimed that they had been healed or received remedies from the god. The historical study may take into consideration modern (neuro)cognitive research on the placebo effects in order to examine the possibilities of actual healing experiences at the asclepeiea. In this paper, I take into account the theoretical premises of the placebo drama theory suggested by Ted Kaptchuk in order to explore the specific factors, including the personality of Asclepius, his patients’ mindsets, the relationship between them, the nature of the supplicants’ impairments, the employed or prescribed treatments and the ritual settings of the cult, which could have mediated health recovery, and contributed to the phenomenal success of the Asclepian therapies via the activation of patients’ placebo responses.

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