Pioneering works in the application of random numbers to digital art and linear programs of Zdeněk Sýkora

2016 ◽  
Author(s):  
Marie Nedvedova ◽  
Jaroslav Marek
Keyword(s):  
Digital Art ◽  
Random Numbers ◽  
Linear Programs

Generation of Random Numbers by Means of Optical Manipulator

2011 ◽  
Vol 43 (8) ◽  
pp. 76-80
Author(s):  
Rostislav M. Mikhersky ◽  
Oleg I. Popov
Keyword(s):  
Random Numbers

Remnants of Forgotten States and Resurrection of Suppressed Possibilities

2013 ◽  
Author(s):  
Udi Edelman ◽  
Eyal Danon ◽  
Ran Kasmy-Ilan
Keyword(s):  
Digital Art ◽  
Research Project ◽  
Zionist Movement

A curatorial essay on the research project and exhibition "Where to?", held at the Israeli Center for Digital Art in Holon between April and June 2012. The exhibition set out to reexamine forgotten ideological currents and modes of activity within the framework of the modern Jewish revolution in general, and the Zionist movement in particular. This attempt led to an engagement with these lost possibilities, and their problems, within contemporary Jewish-Israeli existence.

Construction of Visual Features of Indonesian Digital Poetry

2017 ◽  
Vol 3 (5) ◽  
pp. 1
Author(s):  
Johan Mahyudi ◽  
Djoko Saryono ◽  
Wahyudi Siswanto ◽  
Yuni Pratiwi
Keyword(s):  
Computer Technology ◽  
Visual Art ◽  
Feature Space ◽  
Digital Art ◽  
Visual Features ◽  
Technology Application ◽  
Digital Poetry ◽  
Textual Space ◽  
Neutral Space ◽  
Short Time

In short time, Indonesian digital poetry attracts its audience through a series of visualization features of the digital art. This research uses a short segment analysis on Indonesian videography digital poetry to demonstrate the existence of visual conglomeration practices through the creation of objects, features, a feature of space, measuring distance in feature space, and dimension reduction. These five approaches are proposed by Manovich (2014) in ​​grouping millions of visual artworks based on simple criteria. Of the three common objects are found, Indonesian animators, prefer individuals and texts as the main impression. The movement features are found in cinematic poetry and its rely depend on kinetic texts. Meanwhile, non-movement features can be found in the form of human imitation or part of them, portraits, silhouettes, and comics. Indonesian digital poetry of space features in form of textual space is prioritizing on the kinetics text, the space of time is prioritizing the presentation of objects association of words are spoken, the neutral space is prioritizing the use of computer technology application. The grouping of visual art composition is based on two criteria: the technique of creating and artistic impressions. The dimensional reducing is prominently practiced by Afrizal Malna.

Interactive digital art for individuals with intellectual disabilities

2021 ◽  
pp. 174462952097555
Author(s):  
Lindsey Albrecht ◽  
Hannah Starnes ◽  
Katie Benton ◽  
Awel Bol ◽  
Emily Gettings ◽  
...  
Keyword(s):  
Developmental Disabilities ◽  
Literature Review ◽  
Intellectual Disabilities ◽  
Digital Art ◽  
Social Aspects ◽  
Intellectual And Developmental Disabilities ◽  
Digital Form ◽  
Interactive Art ◽  
Digital Painting ◽  
Individuals With Intellectual Disabilities

Interactive digital art can be a beneficial therapeutic intervention for a variety of populations, but specifically for the population of intellectual and developmental disabilities. Interactive digital art uses the engagement of the participant to create a digital form of art. The purpose of this literature review is to explore the effects that interactive art has on individuals with intellectual and developmental disabilities. Interactive arts discussed were used in a variety of settings ranging from sand art, to using video games, or interactive art exhibits. Sand art and other digital painting methods were proven to be beneficial in improving cognitive functioning and social aspects of those with intellectual disabilities. While exploring the various settings, participant feedback was given in association with using interactive digital art.

scholarly journals A Hardware Pseudo-Random Number Generator Using Stochastic Computing and Logistic Map

Micromachines ◽  
2020 ◽  
Vol 12 (1) ◽  
pp. 31
Author(s):  
Junxiu Liu ◽  
Zhewei Liang ◽  
Yuling Luo ◽  
Lvchen Cao ◽  
Shunsheng Zhang ◽  
...  
Keyword(s):  
Random Number ◽  
Chaotic Map ◽  
Logistic Map ◽  
Random Number Generator ◽  
Alternative Methods ◽  
Random Numbers ◽  
Number Generator ◽  
Stochastic Computing ◽  
Pseudo Random Number ◽  
Pseudo Random Number Generator

Recent research showed that the chaotic maps are considered as alternative methods for generating pseudo-random numbers, and various approaches have been proposed for the corresponding hardware implementations. In this work, an efficient hardware pseudo-random number generator (PRNG) is proposed, where the one-dimensional logistic map is optimised by using the perturbation operation which effectively reduces the degradation of digital chaos. By employing stochastic computing, a hardware PRNG is designed with relatively low hardware utilisation. The proposed hardware PRNG is implemented by using a Field Programmable Gate Array device. Results show that the chaotic map achieves good security performance by using the perturbation operations and the generated pseudo-random numbers pass the TestU01 test and the NIST SP 800-22 test. Most importantly, it also saves 89% of hardware resources compared to conventional approaches.

Random numbers for stochastic simulation

1984 ◽  
Vol 6 (4) ◽  
pp. 5-6 ◽  
Author(s):  
Daniel Guinier
Keyword(s):  
Stochastic Simulation ◽  
Random Numbers

MapTap and Cornelia Slow Digital Art History and Formal Art Historical Social Network Research

2016 ◽  
Vol 79 (3) ◽  
pp. 315-330 ◽  
Author(s):  
Koenraad Brosens ◽  
Klara Alen ◽  
Astrid Slegten ◽  
Fred Truyen
Keyword(s):  
Social Networks ◽  
Social Network ◽  
Early Modern ◽  
Data Model ◽  
Art History ◽  
Digital Art ◽  
Unique Data ◽  
Network Research ◽  
Custom Made

Abstract The essay introduces MapTap, a research project that zooms in on the ever-changing social networks underpinning Flemish tapestry (1620 – 1720). MapTap develops the young and still slightly amorphous field of Formal Art Historical Social Network Research (FAHSNR) and is fueled by Cornelia, a custom-made database. Cornelia’s unique data model allows researchers to organize attribution and relational data from a wide array of sources in such a way that the complex multiplex and multimode networks emerging from the data can be transformed into partial unimode networks that enable proper FAHSNR. A case study revealing the key roles played by women in the tapestry landscape shows how this kind of slow digital art history can further our understanding of early modern creative communities and industries.

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