A suggested method for estimating setbacks from the crests of slopes on the Interior Plains in Alberta

1993 ◽  
Vol 30 (5) ◽  
pp. 863-875 ◽  
Author(s):  
J.S. de Lugt ◽  
S. Thomson ◽  
D.M. Cruden

A method of estimating safe setbacks from the crests of river valley slopes in Alberta was evaluated for 39 slopes, of which eight are presented to illustrate the method and assess its reliability. The slope at each site is compared with angles of nearby stable, abandoned slopes with similar geology. An abandoned slope is a slope not being eroded by a river at present. The terrain behind the valley crest is often level. However, if the terrain rises or falls away from the crest, the setback should be corrected by a simply determined factor. Setbacks include an allowance for lateral river erosion, though this component is difficult to determine precisely. Ideally, site-specific rates of erosion should be determined and then applied to the model. In the eight cases discussed, no damage would have occurred had the structures been built behind the setback guideline. The suggested method for determining setbacks appears to be a prudent guideline for development along valley crests. The crests of slopes that have reached their ultimate angle are available for development with a small setback. For any slope that has not attained its ultimate angle, the setback represents land that is not available for development without detailed geotechnical analyses and remedial work. Key words : setback, slope, landslide, abandoned slope, angle of ultimate stability.

1989 ◽  
Vol 26 (1) ◽  
pp. 64-70 ◽  
Author(s):  
D. M. Cruden ◽  
K. H. Tedder ◽  
S. Thomson

Setbacks from the crests of slopes along the North Saskatchewan River valley between Edmonton and Fort Saskatchewan can be estimated from the ultimate angle of the slope and the rate of lateral river erosion. The ultimate slope angle depends on the slope stratigraphy and the position of the water table in the slope. Three slopes, in overburden, with a bedrock base and dominantly in bedrock, typically having groundwater tables at respectively the toe of the slope, halfway up the slope, and at the lower quarter of the slope height, are studied. Theoretical estimates of the ultimate slope angle in each type, from infinite slope analysis and from charts, agree with observations of the inclinations of abandoned slopes along the river valley. The procedure recommended presents a rational estimation of setback distances without extensive site investigations. Key words: setback, slope, ultimate angle, abandoned slopes, river erosion.


Author(s):  
О. Budko

At the article a Horyn and Sluch river valleys are described. Terrace levels are allocated, the structure of valleys as a whole is analyzed. Special attention is concentrated on differences in geomorphologic structure of the river Sluch within the Ukrainian shield and Volyn-Podilska plate. Identified and characterized the different parts of the Goryn and Sluch valleys. The conclusions about the role of structural, lithological and other factors in the construction of river valleys are maked. Key words: river valley, terrace, Sluch, Goryn, alluvium, Polissya.


2006 ◽  
Vol 86 (Special Issue) ◽  
pp. 1383-1386 ◽  
Author(s):  
Gloria Thyssen ◽  
David Percival ◽  
David Burton ◽  
Kevin Sanderson

Environmental losses of soil-applied N-fertilizers through ammonia volatilization were examined. Volatilization trials were established in the vegetative phase of wild blueberry production in Nova Scotia (NS) and Prince Edward Island (PE) in 2004 and 2005. Treatments consisted of no fertilizer (control) and N applications (35 kg N ha-1) of ammonium sulphate (AS), diammonium phosphate (DAP), urea (U) and sulphur coated urea (SCU). When compared with the control, results indicated significantly elevated volatilization rates for U (303% NS in 2004, 274% PE in 2005), SCU (273% NS in 2004, 205% PE in 2005) and DAP (178% PE in 2005). Results indicate that volatilization losses are significant, site specific and may contribute to reductions in nutrient availability. Key words: Nitrogen, wild blueberry, environmental losses, ammonia, volatilization


Author(s):  
Vitaliy Brusak ◽  
Kateryna Moskalyuk

Tovtry is a complex of Miocene fossils reef buildups that rise in a scenic ridge and hills above the surrounding plains of Podillya region. The Tovtry zone consists of main ridge (the late Baden barrier reef), isolated Tovtry hills (the late Baden bioherms, located east of the ridge), isolated tovtry (the early Sarmat bioherms, located west of the main ridge), the territories of the former channels, lagoons and passes between hills, where the modern rivers flows. The correlation and form of relief of Tovtry zone elements are the basis of detailed geomorphologic zoning. Within geomorphological area of Podillian Tovtry distinguish three subdistricts – Zbarazh, Medobory and Kamenec-Podolsky regions. The Zbarazhky Tovtry is stretching from Pidkamin village (Lviv region) to the valley of Gnizna river and includes Mylnivskyy, Zbarazhsky and Lub’yanetskyy hills of Tovtry. Within Podillian Tovtry are 85 objects of nature reserve fund (NRF), dominated by the number of botanical (20) and geological (19) natural monuments. The largest area is occupied by National Nature Park “Podilski Tovtry” (261 316,0 ha) and nature reserve “Medobory” (9 516,7 ha) and 7 landscape reserves (2 423,2 ha). The structure of NRF of Zbarazhsky Tovtry dominated by the number of botanical (6) and geological (6) natural monuments, and the largest area is occupied by 2 zoological reserves (6 041,0 ha). The particularly valuable geologic-geomorphologic objects of Tovtry have been identified (the Tovtry main ridge areas and isolated tovtry hills, the outcrops of reef sediments, rocks, canyon sections of the river valley, waterfalls etc.), they are protected in the form of geological nature monuments “Kydanetski rocks”, “Podillian Tovtry outliers”, “Sarmat sea outliers”, “Big Saddle” and into botanic reserve “Acute grave”. Share of environmental protection objects aimed at the protection of geological and geomorphological Tovtry formations in the Zbarazhsky Tovtry NRF is less than 2 %. The creations of the regional landscape park (RLP) “Zbarazhsky Tovtry” in the territory f the main ridge and surrounding areas with isolated tovtry hills from Left Seret river valley to Stryyovetski stream valley has been proposed. The park administration should be placed in the Zbarazh, where in 1994 the historical and architectural reserve “Zbrazh” has been created. Into RLP reserve zone should be included the most outstanding areas of main ridge (natural landmark Pozharnytsya, mount Hontova, mount Zubova) and isolated tovtry hills (Lub’yanetski Tovtry). The RLP will include “MilneBlihivskyy” (3 488,0 ha) and “Maloberezovytsko-Ivanchanskyy” (2 553,0 ha) zoological reserves, 4 botanical reserves, 5 geological and 2 hydrological reserves, 4 botanical nature monuments. Two circular routes from Zbarazh for the tourism development into regional landscape park “Zbarazhsky Tovtry” have been developed. The first route includes unique historical and architectural monuments and objects of inanimate nature, and the second – botanical and zoological objects and nature monuments. The landscape reserves “Tovtry steppe” and “Stryyovetski Mountains”, geological nature monuments “Fold bordering in the reef limestones in Bilokrynytsya village”, “Kolodiyivski giants”, “Hontva Mountain” and natural landmark “Zaluzhanskyy forest” are proposed to create in Zbarazhsky Tovtry. The chain of nature reserve objects will preserve the unique geological and geomorphological formation of Zbarazhsky Tovtry region. Key words: Zbarazhsky Tovtry, main ridge, isolated tovtry hills, natural reserve fund, outstanding geology-geomorphologic objects, geotourism.


AusArt ◽  
2016 ◽  
Vol 4 (1) ◽  
pp. 65-76
Author(s):  
Joaquim Cantalozella i Planas ◽  
Marta Negre i Busó

La luz sugiere una imagen culturalmente construida, sus metáforas están tan arraigadas a nuestro pensamiento que se hace difícil ignorar el efecto que provocan. A causa de la carga cultural que posee, en una escenificación o representación, la luz alude a cierta mística o trascendencia; incluso siendo esta completamente artificial, sujeta a artefactos y bombillas. Podría decirse, pues, que en nuestra cotidianeidad electrificada, las luces que envuelven el entorno toman partido en este juego de significados. En la presente era de la tecnificación, la luz no parece haber perdido el menor ápice de su poder evocativo, lo cual es perceptible en muchas propuestas artísticas, cuyos enfoques ambivalentes redundan irónicamente en los grandes temas. Esto sucede porque muchas de ellas parten de un ideario desmitificador, para aplicar criterios diferentes tanto en la elaboración como en la recepción de las imágenes. Aun así, los significados tradicionales de la luz sobreviven en propuestas de muy distinta índole, ya sea en clave crítica o no. En el presente artículo, indagamos en las lecturas que suscitan obras realizadas mediante estos parámetros, aquellas que justamente se instalan en la contradicción y la aceptan como punto de partida.Palabras clave: LUZ; OSCURIDAD; ARTE CONTEMPORÁNEO; TECNOLOGÍA; INTERVENCIONES  Flashes of light and their symbolic ambivalence AbstractLight in art is essentially tied to culturally constructed images and its various metaphors are so enmeshed in human thought that their effect is difficult to ignore. Because of its cultural load, the light in any staging or representation invariably refers, however indirectly, to matters that are in some sense mystical and transcendent—even when it relies upon prosaic electrical devices or simple light bulbs. We might argue, therefore, that the many lights illuminating our electrified everyday reality also play their part in this game of meanings. Indeed, in today’s technified world, light does not seem to have lost even the slightest portion of its evocative potential. This is evidenced in the many art works whose intentional ambivalence casts a wry eye on the big issues they address and which set out to demystify their subject, applying novel criteria in how images are created and responded to. But it is also seen in the more traditional metaphors of light which still abound, critical or otherwise, in art works of very different kinds. This article examines the readings that emerge from artworks created with these parameters, the very ones that that are based on contradiction and accept contradiction as their point of departure. Key Words: LIGHT; DARKNESS; CONTEMPORARY ART; TECHNOLOGY; SITE-SPECIFIC


2008 ◽  
Vol 45 (9) ◽  
pp. 1189-1209 ◽  
Author(s):  
Arash Eshraghian ◽  
C. Derek Martin ◽  
Norbert R. Morgenstern

Since the construction of the Canadian Pacific Railway and Canadian National Railway main rail lines in western Canada in 1885 and 1905, respectively, both companies have had to contend with 11 large, translational, retrogressive earth slides in the Thompson River Valley south of Ashcroft, British Columbia. The initiation of these slides is associated with the down cutting by the Thompson River through the Quaternary sediments in its valley. The slides move on two subhorizontal weak layers in a glaciolacustrine clay–silt unit within this Quaternary sediment sequence. Transient seepage and stability analyses were conducted for two sample slides, and the results were in agreement with inclinometer and piezometric data. It is concluded that the Thompson River triggers the movements in a drawdown mechanism and (or) erosion mechanism. The Thompson River affects the stability of these slides in three ways: (i) by changing the pore pressure on the rupture surface, (ii) by changing the supporting force on the toe of the slide, and (iii) by changing the geometry of the slides as a result of river erosion. The relative importance of each of these effects depends on the river erosion protection, the depth of the rupture surface, and the amount of river level fluctuation.


Author(s):  
О. Lavryk

The problem of allocating paragenetic anthropogenic landscapes. The processes of formation, development and operation of the paragenetic and paradinamic connection in landscape complex of channel and floodplain of the Southern Bug River. On the example of the space-time process of development of the bottom of the river valley described the process of exchange of matter, energy and information between the anthropogenic landscape complexes. Key words: Southern Bug River, channel, floodplain, anthropogenic landscape, landscaped complex, paradinamic connection, paragenetic connection.


2020 ◽  
Vol 17 (1) ◽  
pp. 12-27
Author(s):  
BORIS A. KOROTYAEV ◽  
NESLİHAN GÜLTEKİN ◽  
LEVENT GÜLTEKİN

A new species Asproparthenis omeri sp. nov. closely related to A. vexata (Gyllenhal, 1834) is described in the tribe Cleonini (Curculionidae) from the Aras River valley in Northeastern Turkey. The new species is the first representative of the genus Asproparthenis Gozis, 1886 with vestigial hind wings. Digital photographs of diagnostic morphological features of the new species and A. vexata are provided. Adults of the new species feed on leaves of a halophilic chenopod Bassia hirsuta (L.) Ascherson that dominates vegetation in the saline and desertified habitat in the type locality. Key words: Asproparthenis, new species, taxonomy, bionomics, halophyte, Bassia hirsuta, Turkey


Revista Prumo ◽  
2019 ◽  
Vol 4 (7) ◽  
pp. 138-151
Author(s):  
Adriana Sansão Fontes ◽  
Fernando Espósito ◽  
Sergi Arbusà

Architecture, a discipline called to design the living places, usually operates within a logic that has as main objective welcoming human acts. Its status as a built object requires an adequate response not only material, structural, spatial and environmental, but also in meeting the most vital demands of these acts. Art, on the other hand, can respond with almost absolute freedom, uncompromising with the proper habits of living, in which the act of dwelling can be questioned, freeing itself from its responsibilities related to life. This paper presents a clipping of the work of the artistic collective Penique Productios - the inflatables - their references and methodology, highlighting two interventions in Rio de Janeiro, carried out in a partnership between Penique, DAU PUC-Rio and FAU/UFRJ. The common denominator is to establish a connection between architecture, city and art, through large, ephemeral and habitable collective works that dialogue with the existing place, stimulating its reinterpretation. Key-Words: Inflatables, ephemeral interventions, site-specific interventions, contemporary art


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