The effect of musicality on cue selection in pitch perception

2017 ◽  
Vol 141 (5) ◽  
pp. 3818-3818 ◽  
Author(s):  
Jianjing Kuang
Keyword(s):  
Pitch Perception ◽  
Cue Selection

Age-Related Decline in Emotional Prosody Discrimination

2014 ◽  
Vol 61 (3) ◽  
pp. 215-223 ◽  
Author(s):  
Rachel L. C. Mitchell ◽  
Rachel A. Kingston
Keyword(s):  
Older Adults ◽  
Auditory Perception ◽  
Duration Discrimination ◽  
Pitch Perception ◽  
Sensory Level ◽  
Emotional Prosody ◽  
Processing Stage ◽  
Acoustic Characteristics ◽  
Age Related ◽  
Level Of Processing

It is now accepted that older adults have difficulty recognizing prosodic emotion cues, but it is not clear at what processing stage this ability breaks down. We manipulated the acoustic characteristics of tones in pitch, amplitude, and duration discrimination tasks to assess whether impaired basic auditory perception coexisted with our previously demonstrated age-related prosodic emotion perception impairment. It was found that pitch perception was particularly impaired in older adults, and that it displayed the strongest correlation with prosodic emotion discrimination. We conclude that an important cause of age-related impairment in prosodic emotion comprehension exists at the fundamental sensory level of processing.

Superior pitch perception in autism? Evidence of auditory mismatch negativity from Chinese

2013 ◽  
Author(s):  
Suiping Wang ◽  
Luodi Yu ◽  
Yuebo Fan ◽  
Zhizhou Deng ◽  
Dan Huang ◽  
...  
Keyword(s):  
Mismatch Negativity ◽  
Pitch Perception

Reversible pitch perception shift caused by trimipramine

2004 ◽  
Vol 36 (05) ◽  
Author(s):  
C Koerner ◽  
M Deuschle
Keyword(s):  
Pitch Perception

Tonal Hierarchies and Rare Intervals in Music Cognition

1990 ◽  
Vol 7 (3) ◽  
pp. 309-324 ◽  
Author(s):  
Carol L. Krumhansl
Keyword(s):  
Temporal Order ◽  
Music Cognition ◽  
Pitch Perception ◽  
Order Effects ◽  
The Third ◽  
Limited Applicability ◽  
Stimulus Materials ◽  
Psychological Experiments

Four issues raised by Butler's (1989) commentary are addressed. The first issue is the possibility that the results of perceptual studies of tonal hierarchies can be attributed to task-specific strategies developed in response to particular stimuli. Such strategies cannot account for the convergence across experiments employing varied tasks and stimulus materials. The second issue is the correspondence between statistical summaries of music and perceptual data. The correspondence is shown to be quite general and to have implications for the acquisition of tonal knowledge. The third issue is the process listeners use to identify the tonal center. Patternmatching to tonal hierarchies is shown to be a plausible process contributing to key-finding, whereas a tritone rule has limited applicability. The final issue is the effect of temporal order on pitch perception. Principled temporal-order effects are found in many psychological experiments, but not in those focusing on the tritone relation.

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