scholarly journals Active control and sound synthesis—two different ways to investigate the influence of the modal parameters of a guitar on its sound

2016 ◽  
Vol 139 (3) ◽  
pp. 1411-1419 ◽  
Author(s):  
Simon Benacchio ◽  
Adrien Mamou-Mani ◽  
Baptiste Chomette ◽  
Victor Finel
2012 ◽  
Vol 132 (12) ◽  
pp. 1091-1096 ◽  
Author(s):  
Fumiya Kitayama ◽  
Katsuhiro Hirata ◽  
Yasuyoshi Asai

2015 ◽  
Vol 39 (1) ◽  
pp. 145-149 ◽  
Author(s):  
Ewa B. Skrodzka ◽  
Bogumił B.J. Linde ◽  
Antoni Krupa

Abstract Experimental modal analysis of a violin with three different tensions of a bass bar has been performed. The bass bar tension is the only intentionally introduced modification of the instrument. The aim of the study was to find differences and similarities between top plate modal parameters determined by a bass bar perfectly fitting the shape of the top plate, the bass bar with a tension usually applied by luthiers (normal), and the tension higher than the normal value. In the modal analysis four signature modes are taken into account. Bass bar tension does not change the sequence of mode shapes. Changes in modal damping are insignificant. An increase in bass bar tension causes an increase in modal frequencies A0 and B(1+) and does not change the frequencies of modes CBR and B(1-).


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