Time‐space characteristics of bubble clouds in the open ocean

1996 ◽  
Vol 100 (4) ◽  
pp. 2805-2805
Author(s):  
Jerome A. Smith
Keyword(s):  
2007 ◽  
Author(s):  
Ursina Teuscher ◽  
David Brang ◽  
Lee Edwards ◽  
Marguerite McQuire ◽  
Vilayanur S. Ramachandran ◽  
...  
Keyword(s):  

2020 ◽  
Vol 638 ◽  
pp. 149-164
Author(s):  
GM Svendsen ◽  
M Ocampo Reinaldo ◽  
MA Romero ◽  
G Williams ◽  
A Magurran ◽  
...  

With the unprecedented rate of biodiversity change in the world today, understanding how diversity gradients are maintained at mesoscales is a key challenge. Drawing on information provided by 3 comprehensive fishery surveys (conducted in different years but in the same season and with the same sampling design), we used boosted regression tree (BRT) models in order to relate spatial patterns of α-diversity in a demersal fish assemblage to environmental variables in the San Matias Gulf (Patagonia, Argentina). We found that, over a 4 yr period, persistent diversity gradients of species richness and probability of an interspecific encounter (PIE) were shaped by 3 main environmental gradients: bottom depth, connectivity with the open ocean, and proximity to a thermal front. The 2 main patterns we observed were: a monotonic increase in PIE with proximity to fronts, which had a stronger effect at greater depths; and an increase in PIE when closer to the open ocean (a ‘bay effect’ pattern). The originality of this work resides on the identification of high-resolution gradients in local, demersal assemblages driven by static and dynamic environmental gradients in a mesoscale seascape. The maintenance of environmental gradients, specifically those associated with shared resources and connectivity with an open system, may be key to understanding community stability.


2010 ◽  
Vol 55 (1) ◽  
pp. 69-89
Author(s):  
Katharina Münchberg

Die Kunst der Moderne, insbesondere die Lyrik, entwickelt eine eigene ästhetische Konzeption der Bewegung, die mit der klassischen Vorstellung der Bewegung als räumlicher Veränderung eines Körpers in der Zeit bricht. Baudelaires À une Passante, Rimbauds Bateauivre und Paul Valérys Le Cimetière marin sind drei paradigmatische Texte der französischen Moderne, in denen Bewegung als zeiträumliches Kontinuum reflektiert und in der Dynamik der Sprache materialisiert wird. Die moderne Kunst, so erweist sich, ist selbst Bewegung und stiftet Bewegung. Sie wird zu einer Kunst des Werdens, nicht der Substanz, zu einer Kunst der reinen sinnlichen Wahrnehmung, nicht des Begriffes, zu einer Kunst der diskontinuierlichen Erlebnisse, nicht der Erfahrung.<br><br>The art of the modern age, particularly the lyric poetry, develops an own aesthetic conception of the movement which breaks with the classic idea of the movement as a spatial change of a body in time. Baudelaires À une Passante, Rimbauds Bateau ivre and Paul Valérys Le Cimetière Marin are three paradigmatic texts of the French modern age, in which movement is reflected as a time-space-continuum and materialized in the dynamic of language. Modern art is itself movement and causes movement. It becomes an art of the development, not sub- stance, an art of pure sensory perception, not concept, an art of discontinuous adventures, not experience.


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