Real‐time computer simulation of concert hall acoustics: Arbitrary geometries

1994 ◽  
Vol 96 (5) ◽  
pp. 3302-3302
Author(s):  
Turker Kuyel ◽  
Elmer L. Hixson ◽  
Russell Pinkston
2014 ◽  
Vol 610 ◽  
pp. 339-344
Author(s):  
Qiang Guo ◽  
Yun Fei An

A UCA-Root-MUSIC algorithm for direction-of-arrival (DOA) estimation is proposed in this paper which is based on UCA-RB-MUSIC [1]. The method utilizes not only a unitary transformation matrix different from UCA-RB-MUSIC but also the multi-stage Wiener filter (MSWF) to estimate the signal subspace and the number of sources, so that the new method has lower computational complexity and is more conducive to the real-time implementation. The computer simulation results demonstrate the improvement with the proposed method.


1977 ◽  
Vol 21 (3) ◽  
pp. 235-240
Author(s):  
Edward J. Dragavon

Three general classes of image enhancement techniques for synthetic aperture radar (SAR) video were investigated through non-real-time computer simulation. The general categories were 1) monochromatic adaptive gray shade transformations, 2) pseudocolor encoding, and 3) feature analytic methods. The class of feature analytic techniques was found to have the greatest potential for improving the operational utility of SAR imagery.


1970 ◽  
Vol 41 (13) ◽  
pp. 5348-5350 ◽  
Author(s):  
George M. White ◽  
Farid F. Abraham

2014 ◽  
Vol 513-517 ◽  
pp. 3699-3702
Author(s):  
Hui Min Guo ◽  
Hui Lin Su

In this paper, on the basis of queuing theory, a quantitative algorithm of highway toll free release length using 3G/4G intelligent monitoring system is proposed in view of congestion problems of the domestic highway toll. In the algorithm, the severity of real-time congestion is divided into three levels, each level corresponds to different queue length thresholds; The central server of monitoring system can determine the congestion level at present and give the dynamic free release queue length instructions using the algorithm; Computer simulation shows that the algorithm has certain practical guiding significance.


2020 ◽  
Vol 64 (1) ◽  
pp. 2-7
Author(s):  
Miya Masaoka

The vagina resembles the fleshy folds of the ear without the cartilage. Like the Third Eye, the Third Ear connotes a supernatural ability of intuition, perception. Female sexuality is broadened and expanded, as the vagina is reimagined and reclaimed from previous definitions. Performances with vibrating surfaces and internal vaginal microphones sonify and activate the vagina in real time. This sonic reveal of female body parts asserts a political radicality beyond the gallery or concert hall.


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