scholarly journals Pathway design effects on synthetic vision head-up displays

Author(s):  
Lynda J. Kramer ◽  
Lawrence J. Prinzel III ◽  
Jarvis J. Arthur III ◽  
Randall E. Bailey
Author(s):  
Petra Jahn ◽  
Johannes Engelkamp

There is ample evidence that memory for action phrases such as “open the bottle” is better in subject-performed tasks (SPTs), i.e., if the participants perform the actions, than in verbal tasks (VTs), if they only read the phrases or listen to them. It is less clear whether also the sole intention to perform the actions later, i.e., a prospective memory task (PT), improves memory compared with VTs. Inconsistent findings have been reported for within-subjects and between-subjects designs. The present study attempts to clarify the situation. In three experiments, better recall for SPTs than for PTs and for PTs than for VTs were observed if mixed lists were used. If pure lists were used, there was a PT effect but no SPT over PT advantage. The findings were discussed from the perspective of item-specific and relational information.


2004 ◽  
Author(s):  
Michael D. Byrne ◽  
Alex Kirlik ◽  
Michael D. Fleetwood ◽  
David G. Huss ◽  
Alex Kosorukoff ◽  
...  

2012 ◽  
Vol 22 (1) ◽  
pp. 69-80 ◽  
Author(s):  
Tingyong Fang ◽  
Jufen Yu ◽  
Jing Wang
Keyword(s):  

2006 ◽  
Vol 11 (2) ◽  
pp. 101-112 ◽  
Author(s):  
BRUNO BOSSIS

The musicologist is confronted with many situations during the analysis of electroacoustic music, whether on support media, mixed, or real-time. Musical genres and styles vary greatly, and the collection of electronic musical instruments has also proven to be very heterogeneous. The intrinsic characteristics of the electroacoustic parts and their scoring create serious limitations. Furthermore, many sources remain inaccessible or are already lost. Thus the preoccupation with documentary sources related to the acts of creation, interpretation, and technological context becomes more and more pressing. It is now essential to formulate a synthetic vision of this music, which has existed for half a century, and to pursue the search for invariants. This work must be based on a rigorous methodology that has yet to be developed. More generally speaking, the goal is to establish the terms and conditions of a systematic musicology of electroacoustics.


1993 ◽  
Vol 12 (13) ◽  
pp. 1259-1268 ◽  
Author(s):  
John M. Neuhaus ◽  
Mark R. Segal

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