Digital media and identity construction: Exploring the discourse of Pakistani vloggers

2021 ◽  
Author(s):  
Fizza Farrukh ◽  
Sham Haidar ◽  
Wasima Shehzad
Keyword(s):  
Digital Media ◽  
Identity Construction ◽  
Media And Identity

scholarly journals Identitas digital: Konstruksi identitas pada pameran karya seni Biennale Jawa Timur 8

2021 ◽  
Vol 5 (2) ◽  
pp. 187-198
Author(s):  
Jokhanan Kristiyono ◽  
Rachmah Ida
Keyword(s):  
Social Media ◽  
Discourse Analysis ◽  
Digital Media ◽  
Identity Construction ◽  
Digital Communication ◽  
Analysis Method ◽  
Data Archives ◽  
Digital Discourse ◽  
Art Practices ◽  
Community Movement

Biennale merupakan pameran dan diskusi karya seni yang rutin diadakan setiap dua tahun. Tahun 2019 merupakan kegiatan Biennale Jawa Timur (Jatim) ke-8 dengan tema “GAS TOK! Lebur Sakjeroning Jawa Timur” melibatkan 500 seniman dan 40 kurator, terdiri 65 kegiatan yang tersebar di 16 kota dan kabupaten di Jawa Timur. Berbeda dengan kegiatan Biennale Jatim sebelumnya, tahun ini lokasi pameran tersebar di berbagai daerah Jawa Timur. Seluruh arsip data dan dokumentasi rangkaian Biennale Jatim 8 dikumpulkan dan dipublikasikan melalui akun Instagram @jatimbiennale8 sebagai bentuk identitas gerakan komunitas Biennale Jawa Timur. Gelaran Biennale Jatim 8 merupakan sebuah perayaan dan imajinasi bersama yang bersifat inklusif. Penelitian ini mengangkat permasalahan tentang konstruksi identitas komunitas Biennale Jatim.  Metode analisa wacana digital dalam penelitian ini menganalisa kontruksi identitas yang diciptakan oleh Biennale Jatim 8 melalui media komunikasi digital media sosial Instagram. Akun Instagram @jatimbienale8 dan @biennalejatim menjadi obyek penelitan analisa wacana kontruksi identitas, dan praktik seni yang terjadi pada Biennale Jatim. Hasil penelitian ini menunjukkan sebuah wacana perubahan dan perlawanan terhadap kegiatan Biennale Jatim sebelumnnya. Perubahan ditunjukkan dari segi penyelanggara, pendanaan, format acara, lokasi berlangsungnya kegiatan, dan kerja kuratorial. Biennale Jatim 8 mendobrak dan melawan stigma tersebut. Diskursus kontruksi identitas baru tersebut ditunjukkan dengan jelas dan tegas pada proses produksi karya seni, pameran Biennale hingga pasca pameran melalui media sosial Instagram @biennalejatim8 yaitu identitas digital Biennale Jatim.     Biennale, an art event (visual) both exhibition and discussion of artworks, comes on regularly every two years. 2019 is the 8th East Java (Jatim) Biennale with the theme “GAS TOK! Lebur Sakjeroning Jawa Timur” involves 500 artists and 40 curators, consisting of 65 activities spread across 16 cities and regencies in East Java. Unlike the previous East Java Biennale, the exhibition locations are spreading across various regions of East Java. All data archives and documentation of the East Java 8 Biennale series are collected and published through the @jatimbiennale8 Instagram account as a form of identity for the East Java Biennale community movement. The 8th East Java Biennale is a celebration and shared inclusive imagination. This research raises the issue of the identity construction of the East Java Biennale community. The digital discourse analysis method in this study analyzes the identity construction created by the East Java 8th Biennale through the digital communication media of Instagram social media. Instagram accounts @jatimbienale8 and @biennalejatim became the object of research on the discourse analysis of identity construction and art practices at the East Java Biennale. The results of this study indicate a discourse of change and resistance to the previous East Java Biennale activities. The changes show organization, funding, event format, location of activities, and curatorial work. The 8th East Java Biennale breaks and fights the stigma. The discourse on constructing a new identity is clearly and unequivocally demonstrated in the art production process, the Biennale exhibition, and post-exhibition through social media Instagram @biennalejatim8, the digital identity of the East Java Biennale.

scholarly journals Confessional technologies of the self: From Seneca to social media

First Monday ◽  
2017 ◽  
Author(s):  
Norm Friesen
Keyword(s):  
Digital Media ◽  
Identity Construction ◽  
The Self ◽  
General Notion ◽  
Social Self ◽  
Self Disclosure ◽  
Technologies Of The Self ◽  
Starting Point ◽  
Contemporary Media ◽  
Over Time

Foucault’s general notion of “technologies of the self” provides an invaluable starting point for investigating a range of broadly “confessional” practices and technologies over time — from medieval confession to contemporary forms of networked identity construction. Foucault defines technologies of the self as “reflected and voluntary practices by which men not only fix rules of conduct for themselves but seek to transform themselves, to change themselves in their particular being, and to make their life an oeuvre.” These are practices or techniques, in other words, that are both undertaken by the self and directed toward it. Specifically confessional technologies involve a deliberate and often structured externalization of the self, often with the help of a confessor or a confessional text or context. Building on existing work (e.g., by Fletcher and Hall), this paper begins by some of the earliest Western confessional practices and “technologies” as described by Foucault, and then proceeding to explain medieval Christian confession and its subsequent “reformation.” Next, by appealing to Louis Althusser’s notion of interpellation, it develops this conception of confession further, comparing it finally to today’s digital media of social self-disclosure, focusing on Facebook in particular. Such contemporary media, the paper concludes, build upon practices and technologies of the self that have been evolving for centuries, if not millennia.

Disagreements in a feminist digital safe space

2021 ◽  
Author(s):  
Sofia Krikela
Keyword(s):  
Digital Media ◽  
Identity Construction ◽  
Power Distribution ◽  
Analytical Approach ◽  
Safe Space ◽  
Power Dynamics ◽  
Safe Spaces ◽  
Starting Point

Abstract Research on impoliteness has underlined the need for multidisciplinary approaches to impoliteness (Sifianou 2019a). In this article, I adopt the concept of “safe space”, as discussed in works on feminist digital media (Clark-Parsons 2018; Rentschler 2014), to explore how impoliteness relates to identity construction and the negotiation of power dynamics in the context of a Greek feminist website, constructed as a safe space. Both the concept of “safe space” and discursive and relational approaches to impoliteness (Angouri and Locher 2012; Graham 2007; Locher and Watts 2008) relate to norms of appropriate behaviour in particular contexts and relational issues, such as power and identity. The data for this article comprise comments posted in discussions taking place in the Greek website of A, mpa, in which participants became involved in disagreements. Culpeper’s (2010) framework for conventionalised impoliteness formulae is the starting point of the analysis, which takes a discourse analytical approach to investigate the intersection of identity and power in the site. Results show that criticisms and challenging questions are linked to the identification of participants with particular feminist positions, and to the negotiation of the power distribution between the administrator and themselves. Furthermore, the paradoxical nature of safe spaces plays an important role in these processes, as the use of impoliteness points to the negotiation of the norms for interaction among participants and reveals the struggle between individual expression and maintenance of safety.

Accent Policy and Accent Modification Enterprises as Potential Indicators of Intercultural Power Relations: A Call for an Updated Research Agenda

2013 ◽  
Vol 3 (1) ◽  
pp. 22-33 ◽  
Author(s):  
Brynne D. Ovalle ◽  
Rahul Chakraborty
Keyword(s):  
International Relations ◽  
Identity Construction ◽  
Social Theory ◽  
Power Relations ◽  
Linguistic Diversity ◽  
Cultural Organization ◽  
Using Data ◽  
The Individual ◽  
The Impact ◽  
The Relationship

This article has two purposes: (a) to examine the relationship between intercultural power relations and the widespread practice of accent discrimination and (b) to underscore the ramifications of accent discrimination both for the individual and for global society as a whole. First, authors review social theory regarding language and group identity construction, and then go on to integrate more current studies linking accent bias to sociocultural variables. Authors discuss three examples of intercultural accent discrimination in order to illustrate how this link manifests itself in the broader context of international relations (i.e., how accent discrimination is generated in situations of unequal power) and, using a review of current research, assess the consequences of accent discrimination for the individual. Finally, the article highlights the impact that linguistic discrimination is having on linguistic diversity globally, partially using data from the United Nations Educational, Scientific and Cultural Organization (UNESCO) and partially by offering a potential context for interpreting the emergence of practices that seek to reduce or modify speaker accents.

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