EVANGELICAL YOUTH CULTURE: ALTERNATIVE MUSIC AND EXTREME SPORTS SUBCULTURES. By IbrahimAbraham. New York: Bloomsbury Academic, 2017. Pp. 196. Paper, N.p.

2020 ◽  
Vol 46 (4) ◽  
pp. 549-549
Popular Music ◽  
1993 ◽  
Vol 12 (1) ◽  
pp. 33-41 ◽  
Author(s):  
Holly Kruse

Angela McRobbie (1992) has recently observed that what is currently missing from Marxist cultural studies is a sense of urgency. In part, I believe this lack of urgency is the result of cultural studies' tendency ultimately to privilege theory over lived experience; the lived experiences of the post-baby boom generation seem especially neglected. As a 1991 issue of Spin magazine told its readers:Magazines and newspapers such as Time and the New York Times are … comparing you unfairly to the dynamic and euphoric baby boomers – the authentic prototype of youth culture, at least as they would have it. They're saying you, the members of the twentysomething generation, have no distinctive identity, no culture to call your own, only recycled bits from the past. Ask yourself this question: Do you recognize yourself in this portrait? No? We didn't think so. (Owen 1991, p. 68)


2002 ◽  
Vol 31 (3) ◽  
pp. 476-479
Author(s):  
Kathryn A. Woolard

This fourth volume in the series “Language, Power and Social Process” is an excellent ethnographic and sociolinguistic study of youth culture in Barcelona. Joan Pujolar brings research on Catalan-Spanish bilingualism into the post-structuralist era without pretense or puffery. The book is a systematic exploration of bilingual practices in relation to the variable construction and performance of gender and class as well as ethnic identities. Drawing inspiration from Bakhtin, Pujolar has an acute – and, as far as I know, unerring – sensitivity to the voices of the Catalan context.


Author(s):  
Donald Tricarico

This chapter views the Italian American youth culture known as “Guido” as a collective ethnic adaptation by young people whose immigrant parents settled in New York City, most notably Bensonhurst, after 1945. The ethnogenesis of second-generation youth blended thick Italian ethnicity with styles referenced to popular American culture like disco. New second-generation youth identity constitutes an ethnic agency according to a constructionist model of ethnicity that cannot be subsumed within the narrative of assimilation keyed to the older, mass immigration. Instead, a pronounced turn to consumption style invites a comparison to the new second generation children of post-1965 immigration from outside Europe featured in segmented assimilation theory which recognizes variable patterns as ethnic groups assimilate into different segments of a highly stratified society.


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