scholarly journals The introduction of public-private partnerships in the Netherlands as a case of institutional bricolage: The evolution of an Anglo-Saxon transplant in a Rhineland context

2017 ◽  
Vol 96 (1) ◽  
pp. 171-184 ◽  
Author(s):  
Joop Koppenjan ◽  
Martin de Jong
Keyword(s):  
The Netherlands ◽  
Public Private Partnerships ◽  
Anglo Saxon ◽  
Institutional Bricolage

scholarly journals Foundations in the Netherlands: Toward a Diversified Social Model?

2018 ◽  
Vol 62 (13) ◽  
pp. 1833-1843 ◽  
Author(s):  
Theo N. M. Schuyt ◽  
Barbara M. Gouwenberg ◽  
Barry L. K. Hoolwerf
Keyword(s):  
The Netherlands ◽  
Large Scale ◽  
Nonprofit Sector ◽  
Public Funding ◽  
Welfare States ◽  
Social Model ◽  
Anglo Saxon ◽  
Budget Cuts ◽  
Income Source

This article describes the history, development, and current position of Dutch foundations. In the past, the philanthropy sector and foundations initiated many nonprofit services in the Netherlands. Along with the growth of the welfare state, philanthropy was sidelined. Due to public funding, the pillarized Dutch nonprofit sector extended strongly. However, despite its large scale it shows a special feature. Most nonprofits are still privately governed institutions although publicly funded. In the 1980s, governmental budget cuts forced the nonprofits to embrace the market as income source. A dualistic model got dominancy or state or market. At the end of the 20th century, however, philanthropy revived and a new philanthropy sector emerged. The article addresses the issue of the role of philanthropy in changing (European) welfare states. Are we experiencing further marketization and privatization—toward a so-called Anglo-Saxon shareholder model—or are we seeing a continuation of the so-called Rhineland, multistakeholder model of government, market, and philanthropy?

Snow Fall in de polder

2021 ◽  
Vol 49 (2) ◽  
pp. 100-126
Author(s):  
Renée van der Nat ◽  
Piet Bakker ◽  
Eggo Müller
Keyword(s):  
The Netherlands ◽  
Digital Media ◽  
English Language ◽  
Interactive Multimedia ◽  
Anglo Saxon ◽  
Content Type ◽  
Additional Information ◽  
Narrative Structures ◽  
Non Linear ◽  
Snow Fall

Abstract Snow Fall in the polder. Interactive multimedia productions in Dutch journalism Interactive multimedia productions are a recent journalistic format. The format has been studied in the Anglo-Saxon context as digital longform and interactive documentary. Research has consequently focused on English language productions. This article presents an overview of these types of productions created in the Netherlands and also proposes an analytical apparatus and conceptualization that does justice to the main properties of this new genre; multimediality and interactivity. The results show that this journalistic form is mainly produced by established national newsrooms. Furthermore, the potential of digital media is used sparsely. Despite the use of complex narrative structures like multi-linear and non-linear stories, familiar media forms are used. Interactive features are mostly utilized to provide additional information to users.

The Contribution of Weberian Sociology to Studies of Southeast Asia

1995 ◽  
Vol 26 (1) ◽  
pp. 17-29
Author(s):  
Wim F. Wertheim
Keyword(s):  
The Netherlands ◽  
Southeast Asia ◽  
Anglo Saxon ◽  
Social Scientists ◽  
The West ◽  
Sociological Studies

Earlier than in the Anglo-Saxon world, Weber's sociological studies attracted attention among social scientists in the Netherlands. It was particularly in connection with the Southeast A sian world that parallels were suggested with the rise of capitalism in the West.

“UMA MINIATURA DO MUNDO DO SÉCULO 19” DE JOHN BARBER: O MOTIVO DOS DOIS CAMINHOS EM UMA GRAVURA ESTADUNIDENSE PRESBITERIANA DE 1826

2019 ◽  
Vol 10 (23) ◽  
pp. 121
Author(s):  
Helmut Renders
Keyword(s):  
The Netherlands ◽  
Visual Culture ◽  
Visual Narrative ◽  
Anglo Saxon ◽  
Palabras Clave ◽  
The Subject

Esse estudo analisa a gravura “Uma miniatura do mundo do século 19” composta e criada em 1826 por John Warner Barber (1798-1885), presbiteriano e pintor estadunidense. A narrativa visual é autônoma em comparação a outros quadros que tratam do tema dos dois caminhos, sejam eles dos países baixos ou de origem católicos ou protestante, ou do mundo anglo-saxão, ou de contemporâneos como François Georgin (1801-1863) ou Charlotte Reihlen (1805-1868).Palavras chave: Linguagens da religião; cultura visual religioso; motivo dos dois caminhos; Presbiterianos; John Warner Barber.AbstractThis study analyzes an engraving by John Warner Barber (1798-1885), a Presbyterian and American painter. It is an autonomous visual narrative in comparison to other paintings dealing with the subject of the paths, whether from the Netherlands, or from Catholic or Protestant origin, or from the Anglo-Saxon world, or works by contemporaries such as François Georgin (1801- 1863) or Charlotte Reihlen (1805-1868).Keywords: Languages of religion; religious visual culture; the motive of the two ways; Presbyterians; John Warner Barber.ResumenEste estudio analiza un grabado de John Warner Barber (1798-1885), presbiteriano y pintor estadounidense. Se trata de una narrativa visual autónoma en comparación con otros cuadros que tratan el tema de los caminos, ya sean de los Países Bajos, o de origen católico o protestante, o del mundo anglosajón, o obras de contemporáneos como François Georgin (1801- 1863) o Charlotte Reihlen (1805-1868).Palabras clave: Lenguajes de la religión; cultura visual religiosa; motivo de los dos caminos; Presbiterianos; John Warner Barber.

scholarly journals PPP in Health Care—Trending Toward a Light Model: Evidence From Italy

2020 ◽  
Vol 25 (3) ◽  
pp. 244-258 ◽  
Author(s):  
Veronica Vecchi ◽  
Francesca Casalini ◽  
Niccolò Cusumano ◽  
Velia Maria Leone
Keyword(s):  
Health Care ◽  
Institutional Change ◽  
Public Private Partnerships ◽  
Anglo Saxon ◽  
Value For Money ◽  
Italian Experience ◽  
Design Build ◽  
Practice Gap ◽  
Model Evidence

Italy, as many other countries, adopted the design–build–finance–maintain (DBFMO) Anglo-Saxon model to build new hospitals. This model proved to be rigid, nontransparent, nonvalue for money, and unaffordable. The aim of this article is to analyze the main drawbacks of the traditional DBFMO public–private partnerships (PPP) contract applied to the health care sector, by referring to the Italian experience, and to discuss the evolutions, conceived through an inductive/deductive approach, conducted in a context of deep collaboration between academia, health care authorities, and market players to make PPP contracts more value for money, flexible, and affordable. The article provides also an example of the role of academia in closing the rigor–practice gap by supporting and facilitating an institutional change.

Sign in / Sign up

Export Citation Format

Share Document