Wes Hill. How Folklore Shaped Modern Art: A Post‐Critical History of Aesthetics. New York: Routledge, 2016, 182 pp., $160.00 cloth.

2020 ◽  
Vol 78 (2) ◽  
pp. 261-264
Author(s):  
mu li
2000 ◽  
Vol 25 (2) ◽  
pp. 40-44
Author(s):  
Simon Ford

In 1966 John Latham and some friends began chewing Clement Greenberg’s book Art and culture: collected essays. The resulting art work, entitled Art and Culture (1966-1969), is now recognised as a seminal conceptual art work and is part of the collection of the Museum of Modern Art, New York. Latham, however, had borrowed the book from St. Martin’s School of Art library and when he was unable to return it in a suitable condition his teaching contract was not renewed. This essay looks at the history of the work, the ideas behind its creation, and the issues it raises for the culture of the book today.


1964 ◽  
Vol 19 (6) ◽  
pp. 398-401
Author(s):  
SIDNEY L. JACKSON

One of the most striking phenomena in the literature of bibliography is the absence of a comprehensive critical history of the encyclopaedia. Helpful summaries with supporting references can be found, as might be expected, in the 9th, 11th and 14th editions of the Encyclopaedia Britannica and in Enciclopedia Italiana. Certain encyclopedic works have been treated perceptively in studies focussed on other subjects, such as Thorndike's classic History of Magic and Experimental Science. And for a few particular titles, notably the Encyclopédic of eighteenth‐century France, there is a rather substantial body of published discussion. Occasionally the monographic contributions reach the heights of critical acumen displayed in Hans Aarsleff's essay, “The Early History of the Oxford English Dictionary,” in the Bulletin of the New York Public Library September, 1962 (66: 417–439). But that is not characteristic.


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