Gender as Lived Time: Reading The Second Sex for a Feminist Phenomenology of Temporality

Hypatia ◽  
2018 ◽  
Vol 33 (1) ◽  
pp. 111-127 ◽  
Author(s):  
Megan M. Burke

This article suggests that Simone de Beauvoir's The Second Sex offers an important contribution to a feminist phenomenology of temporality. In contrast to readings of The Second Sex that focus on the notion of “becoming” as the main claim about the relation between “woman” and time, this article suggests that Beauvoir's discussion of temporality in volume II of The Second Sex shows that Beauvoir understands the temporality of waiting, or a passive present, to be an underlying structure of women's existence and subordination. Accordingly, I argue that Beauvoir does not see “woman” as a mere becoming, as that which unfolds in time, but instead understands becoming a woman to be realized as lived time. As such, Beauvoir's account shows that gender and temporality are deeply entangled, and thus she challenges the classic phenomenological account of temporality as a general, given structure of human existence. More specifically, I argue that her account shows how a particular experience of time is an underlying structure of sexual objectification, a claim that expands on the feminist phenomenological claim that a particular relation to space becomes a way in which women take up and negotiate their own subordination and objectification.

Hypatia ◽  
2016 ◽  
Vol 31 (1) ◽  
pp. 140-155
Author(s):  
Lior Levy

Among philosophers, Simone de Beauvoir is unique in treating childhood as a philosophical phenomenon. In both The Ethics of Ambiguity and The Second Sex, she examines the relationship between childhood and human freedom and considers its role in the development of subjectivity. Despite this, few sustained analyses of her treatment of the phenomenon exist. I argue that Beauvoir's conception of childhood is not uniform, but changes from The Ethics of Ambiguity to The Second Sex. Whereas the former presents children as lacking moral freedom, as not fully sovereign individuals, the latter suggests that children are just as free as adults. When children do not fully possess or exercise freedom, it is not because they are not in a position to do so, but rather because various social institutions hinder them. I find this position useful for developing a phenomenological account of childhood as a site for freedom. Hence, Beauvoir becomes a source for thinking of issues in philosophical anthropology concerning the temporality of human existence and the nature of human agency over a lifespan.


Elements ◽  
2009 ◽  
Vol 5 (1) ◽  
Author(s):  
Michael Minkoff

This paper is a phenomenological exploration into the true nature of musical time. Drawing on the thought of Henri Bergson, Vladimir Jankelevitch, and contemporary philosophers of music, I propose that the nature of musical time lies within the performer and that its existence is parallel to that of the ordinary lived time of the empirical universe. We experience musical time as "mobile" (Bergson's terminology) and as a phenomenon of passing. A musician's ability to play music "in time" is governed by what I refer to as his "internal musical biological clock." However, as music is an art form that is typically performed in a group, a musician's relationship must be an intersubjective relationship where the performers' experience of time is forced by a synchronization of their internal musical biological clocks.


Author(s):  
Anna-Lisa Baumeister

“On ne naît pas femme: on le devient” is the sentence most commonly associated with Simone de Beauvoir. This chapter discusses some of the peculiarities that have emerged in the translation and quotation of the sentence in the German-speaking world. Comparing the translation of Beauvoir’s sentence in the hands of German feminist and activist Alice Schwarzer with the version that appears in both existing full text translations of The Second Sex into German, the author argues that the latter version aligns with Beauvoir’s phenomenological account of womanhood, whereas Schwarzer’s translation elides the statement’s philosophical basis. Schwarzer’s rendering of the sentence made a significant contribution to 20th-century German feminism in its own right. Yet Beauvoir’s authorship of Schwarzer’s version of the translation, which is taken for granted, must be questioned.


Author(s):  
Megan M. Burke

The author argues that the exclusion of the indefinite article in Borde and Malovany-Chevallier’s translation of “the famous sentence” in The Second Sex obscures Beauvoir’s phenomenological account of feminine existence. While it is best to understand the recent translation as an informed, interpretative reading of Beauvoir, this essay suggests that reading the end of the sentence as “becoming a woman” undoes the common Anglo-American reading of Simone de Beauvoir as a social constructionist (for example, in the work of Judith Butler). This undoing is important for the way readers become oriented to Beauvoir’s phenomenological commitments. Thus the inclusion of the “a” gestures to a phenomenological sensibility. There is a sphere within the lived experience of femininity that the exclusion cannot capture.


Author(s):  
Debra Bergoffen

Negotiating the distance between Simone de Beauvoir and Luce Irigaray reveals that, despite their diverse starting points and philosophical commitments, they arrive at similar conclusions regarding the issue of violence against woman. Beauvoir’s existential–phenomenological account of the embodied vicissitudes of freedom and Irigaray’s psychoanalytic account of the bodied drives that structure human symbolic existence reveal that so long as women are signified as woman, the second sex (Beauvoir) and the power of masculine symbolic to silence all other articulations the human endures (Irigaray), men can and will imagine they are immune from the vulnerabilities of the human condition. Understanding the abuse of women throughout the ages and across the globe marks it as a symptom of the flight from vulnerability, identifies the high stakes of this flight, and directs us to develop strategies of resistance that, by resignifying the meaning of vulnerability, gets at the roots of the violence.


Author(s):  
Thomas Fuchs

The chapter first introduces a phenomenological concept of temporality, referring to time as pre-reflectively lived vs. consciously experienced. Lived time is based on the constitutive synthesis of inner time consciousness on the one hand, and on the conative-affective dynamics of life on the other hand. Experienced time, for its part, results from an interruption and desynchronisation of lived time. It unfolds into the dimensions of present, past and future, leading to autobiographical time and finally to narrative identity. On this basis, major psychiatric disorders such as schizophrenia, melancholic depression and obsessive-compulsive disorder will be presented as paradigm cases for a psychopathology of temporality.


Author(s):  
Debra Bergoffen

Identifying herself as a philosopher, author, and feminist, Simone de Beauvoir took the phenomenological ideas of the lived body, situated freedom, intentionality, intersubjective vulnerability, and the existential ethical-political concepts of critique, responsibility, and justice, in new directions. She distinguished two moments in an ongoing dialogue of intentionality: the joys of disclosure and the desires of mastery. She disrupted the phenomenological account of perception, revealing its hidden ideological dimensions. Attending to the embodied experience of sex, gender, and age, she challenged the privilege accorded to the working body and introduced us to the unique humanity of the erotic body. Her categories of the Other and the Second Sex exposed the patriarchal norms that are naturalized in the taken-for-granted givens of the life-world. In translating the phenomenological-existential concepts of transcendence and freedom into an activist ethics of critique, hope, and liberation, her work continues to influence phenomenology, existentialism, and feminist theory and practice.


Phainomenon ◽  
2018 ◽  
Vol 28 (1) ◽  
pp. 29-48
Author(s):  
Irene Borges-Duarte

Abstract ‘Quiet’ and ‘Disquiet’ are terms which express ways of accounting for time-experience, besides being equally open for a rendering as emotional states. Starting from three existential moods – stress, boredom, and the joy of the present moment – this inquiry aims to put into evidence the structuring features of our existential experience of time itself, both in the daily exercise of our being-in-the-world, and at the level of our being or not being in possession of oneself in such exercise and in its potentially pathological derivates. In this context, which finds its theoretical roots in the Heideggerian analysis of the being-in, quiet and disquiet reveal their paradoxical character in terms of the mutual belonging and tension each of them, respectively, presupposes. At the same time, and with such a basis, we will find the way of understanding ‘quiet’ as a correlate of time as a ‘duration’.


Triangle ◽  
2020 ◽  
pp. 33
Author(s):  
Christian Snoey Abadías

Time has always been a field full of experimental innovations during the 20th century, and Deseos, by Marina Mayoral, is not alien to that. This novel contains a double analysis of time: On one hand from a philosophical point of view, fiction gets divided on many occasions in two dierent parts: the chronological time of the clock and the psychological or lived time, which ts with the personal experience of time. On the other hand, from a technical perspective, the way time builds the structure of the text will be studied, and also the different kinds of flashbacks that allow characters' soliloquies. Finally, implicit and explicit time indicators that guide time's becoming will also be object of study.


Author(s):  
Zareena Qasim ◽  
Adeela Iftikhar ◽  
Asifa Qasim

The study investigates the novel The Wandering Falcon (2011) by Jamil Ahmad in the milieu of feminist approach. It qualitatively explores the text for the representation of women: the treatment of women by men, and their position in the patriarchal society. The novel is analysed by employing De-Beauvoir’s (1949) feministic philosophical approach in The Second Sex. This research explores the way power is exercised over women in the novel and the suppression of women by men plays as an instrument of transmission of customs and traditions.  This research is to explore the novel from a feministic perspective to unveil the hidden realities in the novel regarding women to find out what sort of oppression is faced by women in the novel and to explore the general problems of women in the novel. It is found that in the context of the novel, women are treated unjustly by men. They are deprived of their rights and are taken as commodities in the patriarchal society. Women are stereotypically presented as having no identity, no freedom, and no voice of their own. Being treated as objects and things to be traded by men, women in the novel are found facing domestic violence, sexual objectification, and extra judicial killings.


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