Mass Media, Consumerism and National Identity in Postwar Japan. By Martyn David Smith. (London, UK: Bloomsbury Academic, 2018. Pp. 165. $74.10.)

Historian ◽  
2019 ◽  
Vol 81 (2) ◽  
pp. 329-330
Author(s):  
Laurie Anne Freeman
Keyword(s):  
National Identity ◽  
Mass Media ◽  
Postwar Japan

The Victim as Hero: Ideologies of Peace and National Identity in Postwar Japan

2002 ◽  
Vol 28 (2) ◽  
pp. 435
Author(s):  
Thomas Berger ◽  
James J. Orr
Keyword(s):  
National Identity ◽  
Postwar Japan

Counter-hegemony in today's Belarus: dissident symbols and the mythological figure of Miron Vitebskii

2016 ◽  
Vol 44 (5) ◽  
pp. 713-730
Author(s):  
Anastasiya Astapova
Keyword(s):  
National Identity ◽  
Mass Media ◽  
Political Development ◽  
Political Discourse ◽  
Nation State ◽  
Civil State ◽  
Multiple Functions

Tackling the role of state symbols in negotiating national identity and political development, this research focuses on Belarus where the alternative white-red-white flag became instrumental in protests against the dominant political discourse. Since 1995, oppositional mass media have been reporting about cases of this tricolor being erected in hard-to-reach and/or politically sensitive places. These actions were mainly attributed to some “Miron,” whose identity remained concealed and served as a simulacrum of a national superhero in non-conformist discourse. The image of Miron immediately acquired multiple functions: condemning the Soviet colonial past, struggling for the European future, and creating a nation-state rather than the Russian-speaking civil-state of Belarus. Yet, first and foremost, Miron became a means for contesting the authority of the president who has been in power since 1994. Concentrating on the methods employed for the construction of the counter-hegemonic fakelore project of Miron and its aims, this article explores the vernacular response to its creation.

The Flapper and the Joven Moderna

2020 ◽  
pp. 33-52
Author(s):  
Cecilia Tossounian
Keyword(s):  
Popular Culture ◽  
National Identity ◽  
Mass Media ◽  
Upper Class ◽  
Female Role ◽  
Consumer Capitalism ◽  
The Public ◽  
Media Construction ◽  
Traditional Female Role

Chapter 2 studies how the flapper, the archetypical modern girl, was construed by popular culture in the 1920s and 1930s. Mass media was engaged in a debate about the defining traits of the American flapper and her Argentine counterpart. While the flapper inhabited a distant land, the joven moderna combined popular fashions and mannerisms both foreign and domestic. Portrayed as an upper-class character, she went beyond the traditional female role of the devoted daughter. An oversimplified media construction, the Argentine flapper alerted the public of the dangerous effects of international consumer capitalism and Americanization on gender and national identity.

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