A Novel Challenge into Multimedia Cultural Heritage: An Integrated Approach to Support Cultural Information Enrichment

Author(s):  
Angelo Chianese ◽  
Fiammetta Marulli ◽  
Francesco Piccialli ◽  
Isabella Valente
2021 ◽  
Vol 13 (6) ◽  
pp. 3231
Author(s):  
Luigi Fusco Girard ◽  
Marilena Vecco

By referring to the European Green Deal, this paper analyzes the “intrinsic value” of cultural heritage by investigating the human-centered adaptive reuse of this heritage. This implies questions such as how to improve the effectiveness of reuse, restoration, and valorization interventions on cultural heritage/landscapes and how to transform a cultural asset into a place, interpreted as a living ecosystem, to be managed as a living organism. The autopoietic characteristic of the eco-bio-systems, specifically focusing on the intrinsic versus instrumental values of cultural heritage ecosystem is discussed in detail. Specifically, the notion of complex social value is introduced to express the above integration. In ecology, the notion of intrinsic value (or “primary value”) relates to the recognition of a value that “pre-exists” any exploitation by human beings. The effectiveness of transforming a heritage asset into a living ecosystem is seen to follow from an integration of these two values. In this context, the paper provides an overview of the different applications of the business model concept in the circular economy, for a better investment decision-making and management in heritage adaptive reuse. Matera case is presented as an example of a cultural heritage ecosystem. To conclude, recommendations toward an integrated approach in managing the adaptive reuse of heritage ecosystem as a living organism are proposed.


2019 ◽  
Vol 11 (21) ◽  
pp. 2508 ◽  
Author(s):  
Argyro-Maria Boutsi ◽  
Charalabos Ioannidis ◽  
Sofia Soile

The evolution of the high-quality 3D archaeological representations from niche products to integrated online media has not yet been completed. Digital archives of the field often lack multimodal data interoperability, user interaction and intelligibility. A web-based cultural heritage archive that compensates for these issues is presented in this paper. The multi-resolution 3D models constitute the core of the visualization on top of which supportive documentation data and multimedia content are spatial and logical connected. Our holistic approach focuses on the dynamic manipulation of the 3D scene through the development of advanced navigation mechanisms and information retrieval tools. Users parse the multi-modal content in a geo-referenced way through interactive annotation systems over cultural points of interest and automatic narrative tours. Multiple 3D and 2D viewpoints are enabled in real-time to support data inspection. The implementation exploits front-end programming languages, 3D graphic libraries and visualization frameworks to handle efficiently the asynchronous operations and preserve the initial assets’ accuracy. The choice of Greece’s Meteora, UNESCO world site, as a case study accounts for the platform’s applicability to complex geometries and large-scale historical environments.


2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Barbara Prus ◽  
Małgorzata Dudzińska ◽  
Stanisław Bacior

AbstractThe article attempts to define and determine the intangible components of cultural heritage related to the spatial structure of land in a comprehensive way using computational methods. The components were quantified and a method of empirical evaluation of landscape durability was proposed for agricultural areas of significant cultural and historical value with an evident mosaic structure of fields, baulks, ponds, meadows, and forests. This method allows us to identify places more resistant to political transformation and those with greater cultural potential. The paper proposed an integrated approach to the measuring of the degree of preservation of spatial arrangements in the landscape based on a set of objects that describe the spatial land structure. The article classifies areas by the degree of preservation of rural spatial arrangements of land. The spatial analysis employed facilitated a synthetic quantification of the multi-criteria process. Three groups of factors were used: spatial assessment of land-cover type persistence (u), agricultural land structure persistence (w), and persistence of settlement buildings (z). The final results pinpointed areas in need of strategic intervention to sufficiently protect the rural cultural heritage, properly consider them in zoning planning, and ensure their sustainable development. The proposed tool can be used to monitor the degree of changes in the landscape layout structure when multiple time points are analysed as well.


Aerobiologia ◽  
2010 ◽  
Vol 27 (3) ◽  
pp. 203-211 ◽  
Author(s):  
Cesira Pasquarella ◽  
Giuliano Ezio Sansebastiano ◽  
Elisa Saccani ◽  
Manuela Ugolotti ◽  
Francesco Mariotti ◽  
...  

2020 ◽  
Author(s):  
Cristian Moise ◽  
Cristina Elena Mihalache ◽  
Luminita Andreea Dedulescu ◽  
Andi-Mihai Lazăr ◽  
Alexandru Badea ◽  
...  

<p>Remote sensing has already proven to represent an invaluable resource for monitoring the cultural heritage objectives by using non-invasive methods, thus enhancing the capabilities of safeguarding cultural heritage sites. Multiple types of data provide a better insight for the cultural heritage monitoring. Increasing human industrial activities in the vicinity of the Corvin Castle puts a question mark on the long-term conservation of the historic monument. Satellite imagery provides a large amount of data regarding the castle itself and its surrounding areas, enabling authorities and decision makers to assess the natural or anthropic hazards and mitigate potential damages. Freely available high-resolution satellite imagery that spans from mid 1970s until the present day enables an unprecedented opportunity for the creation of multi-sensor, multi-temporal and cross analysis.</p><p>In the field of cultural heritage and archaeological research, Light Detection and Ranging (LiDAR) is a significant technology that provides comprehensive data. LiDAR sensors acquire high-precision 3D information (point cloud) of the land surfaces and buildings.</p><p>Knowledge of structures stability is essential in early recognition of potential risks and enables preventive diagnosis of heritage sites. Vertical displacements in wide or remote areas can be identified using Persistent Scatterer Interferometry (PS-InSAR) technique. Measuring millimetric displacements using multi-temporal series of data acquired by spaceborne active sensors is less time consuming compared with in-situ measurements. The two-satellite constellation Sentinel-1 mission offers a 6-day exact repeat cycle at the equator, thus providing fast and high accuracy results for emergency situations and hazards monitoring, suitable for PS-InSAR processing. Monitoring the structure stability of this historical monument is of great importance.</p><p>The Corvin Castle, also known as Hunyadi Castle or Hunedoara Castle, is the most spectacular Gothic-style construction in Transylvania, Romania. Today, the castle is a rare historical and architectural example. Built in the mid-15th century, the Corvin Castle is split into three large areas: The Knight’s Hall, the Diet Hall, and the circular stairways. Each of these three parts is surrounded by both circular and rectangular towers that were used for both defense and as a prison.</p><p>This paper presents the ongoing activities of bringing together various geospatial technologies and data sources in order to set-up an integrated approach for site monitoring and risk assessment related to the Corvin Castle and other similar cultural heritage objectives. The outcomes will provide significant contributions for implementing suitable protection and preservation measures.</p>


Author(s):  
Anna Maria Colavitti ◽  
Alessia Usai

Purpose – Literature on cultural districts has repeatedly pointed out the role of place branding as a tool to upgrade the image of urban environment as an indicator of meaning and significance. Throughout the case of UNESCO’s mining heritage district in Sardinia (Italy), the purpose of this paper is to investigate on the role that Place Branding Organizations (PBOs) has and/or may have in the construction of coherent images for landscape and cultural heritage in the design of “sustainable” cultural districts in connection with local authorities’ agenda. At this purpose, the authors propose an operative definition of “partnership building strategy” and a new analytic framework to evaluate PBO’s activity within place branding theory. Design/methodology/approach – Considering what recently expressed by UNESCO about the integration between spatial and cultural planning, the authors focus the research on cultural heritage districts protected by this organization. Starting from the definition of strategy proposed by Anholt (2011) and the participation-based approach outlined by Hankinson (2010), the authors propose a new analytic framework to evaluate PBO’s activity and the authors try to apply it to the experience of mining heritage in Sardinia (Italy), comparing the activity of local PBOs (the Consortium for the UNESCO’s Sardinian Geo-mining Park and the Local Tourism System) with the Development Plan of the Carbonia-Iglesias Province. In the final part of the work, the authors discuss the outcomes of the comparative analysis in terms of partnership building strategy and its influence on cultural heritage district design. Findings – The experience of the Sardinia district proves that partnership building strategy has a relevant role both in place branding and cultural heritage district design but it is not sufficient to make this letter really functioning. It confirms also that a place brand can survive to political regime changes on a periodic basis only if the PBO establishes an appropriate institutional framework for the creation of a cooperative network that can take the branding process forward. The research finding about place branding of UNESCO’s mining heritage sites, outline the demand for a new and more integrated approach in the district design, inspired to the geographic studies on “cultural basin.” Research limitations/implications – The analytical framework which the authors provide on the basis of a new operative definition of partnership strategy building, has proved to be a useful tool to assess PBO’s activity but, despite this, it represents only a partial result because the theoretical model of the relationships between PBOs, local and supra-local actors requires further developments to describe the effective type and nature of this links. Practical implications – The research finding about place branding of UNESCO’s mining heritage sites, outline the demand for a new and more integrated approach in the district design, inspired to the geographic studies on “cultural basin.” To achieve a real sustainable development and a shared enhancement of identity and landscape, the authors propose as a possible solution the abandonment of administrative boundaries in cultural planning through a correspondence between cultural district and historic region, this latter defined according to the methods and tools developed by the geographical sciences for the “cultural basin.” At this scope the authors propose a new methodological framework which takes the participation-based place branding into the “cultural heritage chain” for the district design, setting a future research agenda. Originality/value – The authors propose an operative definition of “partnership building strategy” for the participation-based approach outlined by Hankinson (2010) and, on this base, the authors test a new analytic framework to evaluate PBOs’ activity which combines the traditional activities of promotion and marketing with PBOs’ partnership strategies. Finally, the authors propose a methodological frame which brings the participation-based place branding into the “cultural heritage chain” setting a future research agenda in cultural heritage district’s design.


2011 ◽  
Vol 361-363 ◽  
pp. 1137-1142
Author(s):  
Wei Mo ◽  
Xiao Li Wang

Presently, along with the new rural reconstruction work development, the Chinese majority of countryside area already started to take gradually the countryside cultural heritage protection, this has included the local construction “the alive culture”. The local construction took the China cultural heritage an important constituent, is containing the massive cultural information and the deep historical inside story. This article attempts through to elaborate the Korean National Minority area local construction distinctive quality, analyzes the near several dozens year changes and the development, and from the natural environment, angles and so on region shape and folk custom culture will come to the Korean National Minority area future the local construction to carry on some explorations.


2015 ◽  
Vol 11 (1) ◽  
Author(s):  
Maria José Vicentini Jorente ◽  
Anahi Rocha Silva ◽  
Ricardo Medeiros Pimenta

RESUMO O Sistema Nacional de Informações e Indicadores Cultural (SNIIC) é uma plataforma convergente e colaborativa que reúne objetos e recursos digitais, com o objetivo de agregar em uma única base de dados informações referentes à cultura e possibilitar o monitoramento das metas e implementação do Sistema Nacional de Cultura (SNC). O objetivo deste trabalho é refletir sobre a atualização dos conceitos de memória em suas instâncias individual, coletiva e, finalmente, digital considerando:(a) quais as possibilidades que a plataforma digital SNIIC pode oferecer para a promover de discursos plurais, dar voz e visibilidade à diversidade cultural; e (b) qual o seu papel na construção, preservação e disseminação da memória coletiva e do patrimônio cultural. A metodologia da pesquisa qualifica-se por sua natureza bibliográfica, descritiva e exploratória, concentrando-se na abordagem temática da ciência da informação acerca da web colaborativa e seus reflexos para a cultura e memória sociais. Muitos desafios e questionamentos surgem a respeito da participação e colaboração do usuário, assim como dos novos fluxos informacionais por meio de aplicações web, da preservação dos inúmeros registros de atividades e patrimônios culturais, para que sirvam de subsídios na composição da memória individual e social brasileira. Resta-nos conhecer, fazer uso efetivo e disseminar a existência da plataforma cultural, enfatizando sua importância e funcionalidades, estimulando a participação das pessoas a atuarem na construção coletiva da cultura, por meio da apropriação social da informação cultural e mediante as múltiplas formas de interação daí surgidas.Palavras-chave: Memória na Internet; Cultura; Informação e Tecnologia; WebColaborativa; Plataforma Digital.ABSTRACT The Brazilian National System of Cultural Information and Indicators (Sistema Nacional de Informações e Indicadores Cultural - SNIIC) is a convergent and collaborative platform which  unites digital resources meant to aggregate in one single data base the information regarding cultural matters in order to monitor the System's goals and implementation. The aim of this article is to reflect on the concept of memory in its individual, collective and digital instances considering (a) the means that the SNIIC digital platform can offer to promote plural speech, to give voice and visibility to cultural diversity and (b) the role it plays in the construction, preservation and dissemination of memory and cultural heritage. The research methodology used is bibliographic, descriptive and exploratory, concentrating on the thematic approach of Information Science regarding the collaborative web and its effects on culture and social memory. Many challenges and issues regarding individual participation and collaboration arise, as well as on new information flows and preservation of the numerous records of activities and cultural heritage in order to subsidise the construction of individual and social Brazilian memory. It is important to explore, to use effectively, and to publicize the existence of the cultural platform, highlighting its importance and functionalities, stimulating people's participation in the collective building of culture through social appropriation of the cultural information in multiple interaction forms.Keywords: Memory on the Internet; Culture; Information and Technology; Collaborative Web; Digital Platform.  


2021 ◽  
Vol 13 (23) ◽  
pp. 13130
Author(s):  
Marco Rossitti ◽  
Alessandra Oppio ◽  
Francesca Torrieri

In the last decades, the growing concern about land consumption, together with the awareness about cultural heritage’s key role for sustainable development, has led to greater attention to cultural property reuse as a conscious process of new values production. However, decisions about heritage bring a high degree of complexity, related to the need to preserve properties’ values and fulfill protection legislation, thus bringing high cost, which discourages public and private investments for reuse interventions. In this context, it becomes urgent to support reuse decisions through proper evaluation methodologies that, dealing with the complexity of interests at stake, allow individuals to assess the financial sustainability of conscious cultural heritage reuse projects. For these reasons, the paper proposes a methodological framework that, grounded on the recognition of cultural properties’ values and their possible integration in the local economic system, assesses reuse projects’ financial sustainability. This methodology’s application is discussed through a case study, represented by a project for a historical rural landscape in Pantelleria island. The application to the case study allows us to discuss the role of the proposed evaluation framework in supporting and promoting cultural heritage reuse and its possible room for improvement.


2019 ◽  
Vol 10 (21) ◽  
pp. 67 ◽  
Author(s):  
Francesco Gherardini ◽  
Mattia Santachiara ◽  
Francesco Leali

<p>The spatial characteristics of museum exhibitions may limit visitors’ experience of the artefacts on display. In the case of large artefacts, limited space may affect their whole visualization, or inhibit the visualization of the details farthest from the observer. In other cases, the storage of artefacts in distant sites (museums or archaeological areas) may influence their knowledge process or the possibility for comparative analysis. Moreover, the precarious state of preservation of some artefacts, with damaged or missing parts, makes it difficult to perceive their original appearance. To overcome these limitations, we propose an integrated approach based on 3D virtual models and Augmented Reality (AR) to enhance the fruition of artefacts, improving their visualization, analysis and personal/shared knowledge, also by overcoming space and time constraints. The final AR application is an easily accessible tool for most users from a mobile device, used both inside and outside museums, opening new perspectives for fruition. The framework encourages the use of free and open source software and standard devices, to maximize their dissemination and exploit the potential of such technologies, which is far greater than current use in the cultural heritage field. Selected case studies to test and validate the integrated framework are proposed, dealing with some Roman artefacts found in the area of Modena (Italy). The first is a Roman floor mosaic, found in Savignano sul Panaro (near Modena) in 2011, of which less than half of its original 4.5 x 6.9 m surface is preserved. The others are two Roman funerary lion sculptures: the first is one of two lions flanking the main door of Modena Cathedral, and the second, well-preserved but damaged, is housed in the Museo Lapidario Estense of Modena. Finally, the application was tested by museum experts and visitors both inside and outside the museum, and positively assessed.</p><p><strong>Highlights:</strong></p><ul><li><p>Digital practice is not understood as a prerogative of a small number of people, but as a tool to guarantee and expand artefact fruition, using standard devices and free and open source software.</p></li><li><p>Experimentation of new settings to re-contextualize artefacts and establish possible links among them, offering engaging and customized experiences to improve their accessibility and enjoyment.</p></li><li><p>Promotion of artefact fruition not only in but also outside museums, such as in a classroom or an open and shared space, opening to new approaches in the fruition of cultural heritage.</p></li></ul>


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