Parser Adaptation to Patent Domain Exploiting Case Frames

2008 ◽  
Author(s):  
Chikara Hashimoto ◽  
Daisuke Kawahara ◽  
Takayuki Yoshida ◽  
Hiroki Goto ◽  
Shoichi Yokoyama
Keyword(s):  
Case Frames

scholarly journals Gradual Fertilization of Case Frames

2005 ◽  
Vol 12 (2) ◽  
pp. 109-131 ◽  
Author(s):  
DAISUKE KAWAHARA ◽  
SADAO KUROHASHI
Keyword(s):  
Case Frames

From the past into the present: From case frames to semantic frames

2017 ◽  
Vol 3 (1) ◽  
Author(s):  
Hans C. Boas ◽  
Ryan Dux
Keyword(s):  
Frame Semantics ◽  
Semantic Roles ◽  
Basic Principles ◽  
The Past ◽  
Case Grammar ◽  
Data Formats ◽  
Semantic Frames ◽  
Corpus Data ◽  
Case Frames

AbstractThis paper first shows how Frame Semantics grew out of earlier work on Case Grammar. Then, it discusses some of the basic principles of Frame Semantics and shows how these have been implemented in FrameNet, an online corpus-based lexicographic database (http://framenet.icsi.berkeley.edu). Using semantic frames to structure the lexicon of English, FrameNet provides a wealth of information showing how frame elements (situation-specific semantic roles) are realized syntactically (valence patterns). Finally, the paper provides an overview of how frame-semantic principles have been applied to cover non-lexical phenomena using compatible annotation and data formats. This so-called “constructicon” offers entries of grammatical constructions that are also based on corpus data and that are parallel to lexical entries in FrameNet.

scholarly journals Fan film on the final frontier: Axanar Productions and the limits of fair use in the digital age

2018 ◽  
Vol 28 ◽  
Author(s):  
Sarah Elizabeth Lerner
Keyword(s):  
Case History ◽  
Digital Age ◽  
Fair Use ◽  
Participatory Culture ◽  
Legal Action ◽  
The Gift ◽  
History Of ◽  
Definition Of ◽  
Media Fandom ◽  
Case Frames

In an analysis of the copyright case Paramount/CBS v. Axanar Productions Inc. and Alec Peters (2016), which centers on a high-budget Star Trek fan film, I consider how the case frames digital-age media fandom's challenges to the law, and concomitantly, how the case frames the law's challenges to media fandom. Even while legal action of this kind does not dampen participatory culture on the whole, it raises questions about the legal definition of a fan and the limits of fair use doctrine, and it delineates the changing relationships between media industries and fans. Paramount/CBS v. Axanar Productions reveals the tension between the gift-giving ethos of fandom and online crowdfunding as a type of gift; it also reveals the negative industrial and legal reactions to fan filmmaking and crowdfunding as threats to the way film has traditionally been constituted. I analyze Axanar's use of Kickstarter and Indiegogo campaigns, the introduction of Paramount/CBS's restrictive fan film guidelines, and finally, the rejected fair use argument proposed by the defense. I take up the rejected fair use argument by situating it alongside the case history of appropriation art in order to consider another way to argue for fan films as transformative works.

scholarly journals Semantic constraints on case assignment in secondary adjectival predicates in Russian

2001 ◽  
Vol 22 ◽  
pp. 99-112 ◽  
Author(s):  
Roland Hinterholzl
Keyword(s):  
Case Assignment ◽  
Semantic Constraints ◽  
The Matrix ◽  
Secondary Predicates ◽  
Control Relation ◽  
Case Frames

Adjectival secondary predicates can enter into two Case frames in Russian, the agreeing form and the Instrumental. The paper argues that these Case frames go together with two syntactic positions in the clause which are correlated with two different interpretations, the true depictive and the temporally restricted reading, respectively. The availability of the two readings depends on the houndedness of the secondary predicate. Only bounded predicates can enter into both Case frames and only partially non-bounded predicates can appear in the Instrumental. The paper therefore argues that the pertinent two-way SL/IL-contrast is to he replaced by a three-way distinction in terms of boundedness. The paper outlines the syntax and semantics of the true depictive and the temporally restricted interpretation and discusses how adjectival secondary predicates whose salient properties involve a cotemporary interpretation with the matrix predicate and a control relation of an individual argument, differ from temporal adjuncts as well as from non-finite clauses.  

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