scholarly journals Orchestrating collaborative projects: Inside ICT networks in Horizon 2020

2020 ◽  
Vol 47 (3) ◽  
pp. 396-409
Author(s):  
Simen G Enger ◽  
Magnus Gulbrandsen
Keyword(s):  
Main Idea ◽  
Detailed Examination ◽  
Project Managers ◽  
Regulatory Control ◽  
Horizon 2020 ◽  
Second Stage ◽  
Research Organizations ◽  
Third Stage ◽  
Set Up ◽  
The Eu

Abstract This article investigates decisions taken at the project level in establishing and managing collaborative ICT projects under the European Framework Programme Horizon 2020. Based on interviews with project coordinators from European research organizations, we offer a detailed examination of how projects are built and managed, and how decisions influence the formation of collaborative networks. Projects are typically set up in three stages. In the first, a smaller group that has worked together before decides on the main idea. This leads in the second stage to a gradual invitation of partners to satisfy professional and formal demands, which also defines the structure of the project. If funded, more detailed decisions on ownership and interaction are taken in the third stage. Coordinators are under pressure from the regulatory control of the EU Commission, which can explain the strong preference for well-known partners, but the formal monitoring also provides tools for project managers.

scholarly journals Wayang Klithik Robot

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Gandar Setiawan1
Keyword(s):  
Main Idea ◽  
Three Dimension ◽  
Visual Form ◽  
Second Stage ◽  
Third Stage ◽  
Three Stages

Wayang is a autentic culture from Indonesia. Wayang has many figure and character. It is main idea of this make the artwork. Inspiration of the artwork also from observation robot forms. Robot has the furious and futuristic form. Like the progression of technologi, form of robot also more experiencing form progression. Until now, form of robot still identic and can not losed from imajinative forms. This prossesing to make the artwork use created methode from Gustami, it is a three stages six steps creating craft artwork. First stage is eksploration consist of observation and finding refference steps. Second stage is desaigning consist of making the sketch and making the gambar teknik or modeling steps. Third stage is forming consist of create artwork and finished with value and evaluation steps. Result of visual form is a three dimension artwork with futuristic robot form. Visual form the artwork is a transformastion of futuristic wayang klithik with robot form. The puppet figures are Wrekudara and Gatotkaca Combination form is a method for impression and aesthete value of the artwork. Wayang merupakan budaya asli dari Indonesia. Wayang memiliki berbagai macam tokoh dan karakter. Wayang menjadi ide utama dalam penciptaan karya ini. Inspirasi karya juga muncul dari pengamatan bentuk-bentuk robot. Robot memiliki bentuk yang variatif dan futuristik. Sesuai dengan perkembangan teknologi, bentuk robot juga mengalami perkembangan yang lebih bermacam-macam. Sampai saat ini, bentuk robot masih identik dan tidak bisa lepas dari bentuk-bentuk imajinatif. Proses pembuatan karya seni ini menggunakan metode penciptaan dari Gustami, yaitu metode tiga tahap enam langkah dalam menciptakan karya seni kriya. Tahap pertama yaitu eksplorasi yang meliputi langkah pengamatan dan pencarian sumber pustaka. Tahap kedua merupakan tahap perancangan yang terdiri dari langkah pembuatan beberapa sketsa dan pembuatan gambar teknik ataupun model. Tahap yang ketiga yaitu tahap perwujudan yang terdiri langkah pengerjaan karya, dan diakhiri dengan penilaian juga evaluasi karya yang telah jadi. Bentuk visual yang dihasilkan yaitu karya seni tiga dimensi dengan bentuk futuristik menyerupai robot. Bentuk visual karya merupakan penggabungan antara bentuk wayang klithik dengan bentuk robot. Tokoh wayang yang dibuat yaitu Wrekudara dan Gatotkaca. Perpaduan bentuk dilakukan sebagai cara untuk memberikan kesan dan nilai estetik pada karya.

Development of dwelling in the downstream area of the Nakdong River in Proto-Three Kingdoms Period

2018 ◽  
pp. 61-85
Keyword(s):  
Second Century ◽  
Residential Areas ◽  
Nakdong River ◽  
Second Stage ◽  
Third Stage ◽  
The Nakdong River ◽  
Set Up ◽  
Time Specific ◽  
Location Type ◽  
Downstream Area

This paper examines the developments of dwelling in the downstream area of the Nakdong River during the Proto-Three Kingdoms Period. In the middle of the 2nd century BC, the period of the 2nd century AD was divided into three stages according to the advanced years suggested by advanced researchers. The first stage is the second stage of the first century BC, and the second stage is the second stage of the second century BC. The third stage consisted of the earthenware pottery as the second century. The area was mainly located in Gimhae, Changwon, and Busan, which are located in the lower part of the Nakdong River, and the relics were set up in a residential area located about 5 km from the tomb site. As a result, the selected dwellings are located in 12 places, and the steps are set up referring to the earthenware excavated from the dwellings and tombs. Residential areas classified by phase were analyzed for attributes by location type, plane type, fire facility, and Columna layout and were derived using a combination of time-specific plane forms, fire facility and Columna layout. The type is set for the following types of dwellings : ‘A-a-ㄱ, A-a-ㄷ, A-d-ㄱ, A-d-ㄷ, B-a-ㄷ, B-b1-ㄷ, B-d-ㄷ ’. A local review of the dwelling corresponding to III stage was attempted. As a result, it was found that fire facilities differed and generally preferred wall columna arrangements. The development of the dwelling by level was examined by referring to the natural environment, nearby sites, and documents. The dwelling was located in the hills around the coast and the river to ensure safety, but it seems to have grown by touching the new culture through communication with others.

scholarly journals The Once-Only Principle: A Matter of Trust

2021 ◽  
pp. 1-8
Author(s):  
Robert Krimmer ◽  
Andriana Prentza ◽  
Szymon Mamrot ◽  
Carsten Schmidt
Keyword(s):  
Legal Framework ◽  
Transformation Process ◽  
Single Market ◽  
Point Of View ◽  
The European Union ◽  
Horizon 2020 ◽  
Funded Project ◽  
Research Questions ◽  
Set Up ◽  
The Eu

AbstractThe Single Market is one of the cornerstones of the European Union. The idea to transform it into a Digital Single Market (DSM) was outlined several years ago. The EU has started different initiatives to support this transformation process. One of them is the program Horizon 2020 to support the process from a technical point of view. In parallel to this, initiatives were started to set up a sound legal framework for the DSM. The Single Digital Gateway Regulation (SDGR) is an outcome of these initiatives. The key aspect of the SDGR is the underlying Once-Only Principle (OOP), outlining that businesses and citizens in contact with public administrations have to provide data only once. “The Once-Only Principle Project (TOOP)” is the EU-funded project initiated for research, testing, and implementation of the OOP in Europe. The authors give an overview of the research questions of the different parts of TOOP. Besides that, they introduce the other chapters of this book and what the reader can expect as the content of them.

A Model for Solar Photocatalytic Mineralization

2011 ◽  
Vol 133 (3) ◽  
Author(s):  
Franck Correia ◽  
Vincent Goetz ◽  
Gaël Plantard ◽  
Daniel Sacco
Keyword(s):  
Organic Pollutant ◽  
Weather Conditions ◽  
Second Stage ◽  
Third Stage ◽  
Different Dimensions ◽  
Set Up ◽  
Artificial Uv ◽  
Semi Empirical ◽  
Kinetics Of ◽  
Adjustment Of Parameters

Modeling the mineralization of an organic pollutant was studied using a slurry of TiO2 powder. 2-4 dichlorophenol was chosen as the target molecule. In a first stage, a study was carried out, on the basis of a semi-empirical approach in order to define the optimal concentration of the catalyst. In a second stage, a series of photocatalytic mineralization was performed with a laboratory set-up using an artificial UV source. The parameters involved in the kinetics of mineralization were identified by a comparison of results obtained by simulations and experiments at constant but different levels of irradiation. In a third stage, the robustness and suitability of the model were tested with experiments carried out with an experimental solar set-up with different dimensions. No supplementary adjustment of parameters was needed to simulate the experiments performed under unsteady irradiation. Finally, the model is used to illustrate the great variation in treatment capability of a solar photocatalytic process depending on the weather conditions and, more particularly, the seasonal variations in UV irradiation.

scholarly journals Integration of Ukraine and the cis countries into the European scientific space: experience of participation in EU framework programs

2019 ◽  
pp. 54-66
Author(s):  
L.P. Kavunenko ◽  
O.H. Chernohaieva ◽  
O.S. Vashulenko
Keyword(s):  
Information System ◽  
Comparative Analysis ◽  
High Tech ◽  
Horizon 2020 ◽  
Research Organizations ◽  
Innovative Products ◽  
International Projects ◽  
Governmental Institutions ◽  
Cis Countries ◽  
The Eu

The article discusses the results of a study on the participation of research organizations, universities, small and medium-sized enterprises in Ukraine and the CIS countries in the framework programs of the EU to integrate into the European scientific space. Based on the research and development information system (CORDIS), data were collected, processed and analyzed on the participation of scientists, specialists and business representatives of Ukraine and the CIS countries in EU international projects. A comparative analysis of the participation of the CIS countries in the framework of programs has been made. Particular attention is paid to the participation of Ukraine in the program “Horizon 2020”. Examples of participation of Ukrainian organizations in it are given. In the course of the research, it was revealed that almost a third of the projects that Ukrainian participants are performing involved several organizations from Ukraine. Compared to previous programs, the peculiarity of the Horizon 2020 program in comparison with previous programs is the active participation of business, public organizations and associations, as well as other non-governmental institutions. These organizations make up 45% of the total number of Ukrainian organizations that received grants in the “Horizon 2020”. The study showed that Ukraine is also one of the active participants in the international projects of the Horizon 2020 program as a participant. Participation in the program allows you to attract high-tech industries of Ukraine for projects and receive orders for the creation of innovative products

QUINT: A Problem-Solving Strategy for Mechanical System Conceptual Design: Part II — Analysis, Evaluation, and Example

1990 ◽  
Author(s):  
Wang Qun ◽  
Yang Haibin ◽  
Zhou Ji ◽  
Yu Jun
Keyword(s):  
Problem Solving ◽  
Mechanical System ◽  
Conceptual Design ◽  
Main Idea ◽  
Second Stage ◽  
Third Stage ◽  
Problem Solving Strategy ◽  
Two Stages ◽  
Solving Strategy

Abstract In part I, the characteristics of mechanical system conceptual design, the main idea of of QUINT and how to realize the first-stage, second-stage and third-stage reasoning were discussed. The part II will continue to study the last two stages of QUINT strategy, and give an example.

scholarly journals WAYANG KLITHIK ROBOT

CORAK ◽  
2014 ◽  
Vol 3 (2) ◽  
Author(s):  
Gandar Setiawan
Keyword(s):  
Main Idea ◽  
Three Dimension ◽  
Visual Form ◽  
Second Stage ◽  
Third Stage

Wayang is a autentic culture from Indonesia. Wayang has many figure and character.It is main idea of this make the artwork. Inspiration of the artwork also from observation robotforms. Robot has the furious and futuristic form. Like the progression of technologi, form ofrobot also more experiencing form progression. Until now, form of robot still identic dan cannot losed from imajinative forms.This prossesing to make the artwork use created methode from Gustami, it is a threestages six steps creating craft artwork. First stage is eksploration consist of observation andfinding refference steps. Second stage is desaigning consist of making the sketch and makingthe gambar teknik or modeling steps. Third stage is forming consist of create artwork andfinished with value and evaluation steps.Result of visual form is a three dimension artwork with futuristic robot form. Visualform the artwork is a transformastion of futuristic wayang klithik with robot form. The puppetfigures are Wrekudara and Gatotkaca Combination form is a method for impression andaesthete value of the artwork. Keywords: puppet, wayang klithik, robot, Wrekudara, Gatotkaca  Wayang merupakan budaya asli dari Indonesia. Wayang memiliki berbagai macamtokoh dan karakter. Wayang menjadi ide utama penciptaan dalam penciptaan karya ini.Inspirasi karya juga muncul dari pengamatan bentuk-bentuk robot. Robot memiliki bentukyang variatif dan futuristik. Sesuai dengan perkembangan teknologi, bentuk robot jugamengalami perkembangan yang lebih bermacam-macam. Sampai saat ini, bentuk robot masihidentik dan tidak bisa lepas dari bentuk-bentuk imajinatif.Proses pembuatan karya seni ini menggunakan metode penciptaan dari Gustami, yaitumetode tiga tahap enam langkah dalam menciptakan karya seni kriya. Tahap pertama yaitueksplorasi yang meliputi langkah pengamatan dan pencarian sumber pustaka. Tahap keduamerupakan tahap perancangan yang terdiri dari langkah pembuatan beberapa sketsa danpembuatan gambar teknik ataupun model. Tahap yang ketiga yaitu tahap perwujudan yangterdiri langkah pengerjaan karya, dan diakhiri dengan penilaian juga evaluasi karya yang telahjadi.Bentuk visual yang dihasilkan yaitu karya seni tiga dimensi dengan bentuk futuristikmenyerupai robot. Bentuk visual karya merupakan penggabungan antara bentuk wayangklithik dengan bentuk robot. Tokoh wayang yang dibuat yaitu Wrekudara dan Gatotkaca.Perpaduan bentuk dilakukan sebagai cara untuk memberikan kesan dan nilai estetik padakarya.Kata kunci: wayang, wayang klithik, robot, Wrekudara, Gatotkaca

AN AUSTRALIAN GEODATA SYSTEM

1972 ◽  
Vol 12 (1) ◽  
pp. 161
Author(s):  
Michael J. Gahan
Keyword(s):  
Cross Sections ◽  
Petroleum Industry ◽  
Contour Maps ◽  
Second Stage ◽  
Routine Work ◽  
Third Stage ◽  
Three Stages ◽  
Set Up ◽  
Stage 1 ◽  
Areas Of Interest

Australia is in a very favourable position to set up a central petroleum industry data system particularly as no regional system is yet in operation. Large accessible computers are already available and other countries' experience ensures that a practical system can be evolved.There are three stages to be contemplated:The data input,Simple retrieval,Retrieval and processing.The first stage involves massive and for the most part, routine work but also includes problems of confidential information and interpretation. The second stage is useful for obtaining statistical information and to facilitate literature search. The third stage is open-ended encompassing automatic well correlations, contour maps, seismic cross-sections, reservoir estimations, etc.The Australian situation requires stage 1 and 2 to be introduced as soon as possible. Stage 3 is not recommended until more subsurface data has been obtained. Instead, a microfilm library of the most requested records could be accumulated.Most operating systems are under-used due to unfamiliarity. This can be overcome by supplying a regular output of information on areas of interest.

The Coherence of Mary Barton: Romance, Realism, and Utopia

2015 ◽  
Vol 5 (3) ◽  
pp. 185-200
Author(s):  
Robert Z. Birdwell
Keyword(s):  
Thomas Carlyle ◽  
The Novel ◽  
Second Stage ◽  
The Third ◽  
Third Stage ◽  
Three Stages ◽  
Mode Of Production

Critics have argued that Elizabeth Gaskell's first novel, Mary Barton (1848), is split by a conflict between the modes of realism and romance. But the conflict does not render the novel incoherent, because Gaskell surpasses both modes through a utopian narrative that breaks with the conflict of form and gives coherence to the whole novel. Gaskell not only depicts what Thomas Carlyle called the ‘Condition of England’ in her work but also develops, through three stages, the utopia that will redeem this condition. The first stage is romantic nostalgia, a backward glance at Eden from the countryside surrounding Manchester. The second stage occurs in Manchester, as Gaskell mixes romance with a realistic mode, tracing a utopian drive toward death. The third stage is the utopian break with romantic and realistic accounts of the Condition of England and with the inadequate preceding conceptions of utopia. This third stage transforms narrative modes and figures a new mode of production.

How well do voice-hearing assessment measures capture the positive experiences of individuals?

2019 ◽  
Author(s):  
Lucy Armstrong ◽  
Lorna Hogg ◽  
Pamela Charlotte Jacobsen
Keyword(s):  
Systematic Review ◽  
Lived Experience ◽  
Second Stage ◽  
The Third ◽  
Third Stage ◽  
Hearing Assessment ◽  
Positive Experiences ◽  
Assessment Measures ◽  
Stage 1 ◽  
The Voice

The first stage of this project aims to identify assessment measures which include items on voice-hearing by way of a systematic review. The second stage is the development of a brief framework of categories of positive experiences of voice hearing, using a triangulated approach, drawing on views from both professionals and people with lived experience. The third stage will involve using the framework to identify any positve aspects of voice-hearing included in the voice hearing assessments identified in stage 1.

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