scholarly journals Hugh MacDiarmid and Chambers's Twentieth Century Dictionary1

2008 ◽  
Vol 55 (1) ◽  
pp. 78-80
Author(s):  
Michael H. Whitworth
Keyword(s):  
Twentieth Century ◽  
Hugh Macdiarmid

scholarly journals Hugh MacDiarmid’s ‘On Raised Beach’: ‘Geopoetics’ in a Time of Catastrophic Crisis’

Religions ◽  
2021 ◽  
Vol 13 (1) ◽  
pp. 31
Author(s):  
Richard H. Roberts
Keyword(s):  
Twentieth Century ◽  
Driving Force ◽  
Deep Ecology ◽  
Environmental Crisis ◽  
Hugh Macdiarmid ◽  
Immediate Experience ◽  
Literary Renaissance

The poet Hugh MacDiarmid (1892–1978) was the major driving force behind the twentieth-century Scottish literary renaissance and was also a passionate Scottish nationalist. His poem ‘On a Raised Beach’ (1934) has been understood in theological and philosophical terms as a metaphysical exploration, albeit one grounded in an immediate experience of nature that took place on Shetland. In this paper, MacDiarmid’s epic is placed in the context of the present environmental crisis and the ongoing consequences of the COVID-19 pandemic. ‘On a Raised Beach’ can now be re-located within the hermeneutical tradition of ‘Geopoetics’, a Scottish genre that is articulated and asserted by the poet Kenneth White (1938–). Whilst, however, White draws upon the highly contested and polyvalent concept of ‘shamanism’ in elaborating his standpoint, we shall argue that it is also appropriate to look for affinities between this dynamic poem and the ethos and mysticism of ‘deep ecology’, a perspective that invokes the equally contested mythology of ‘Gaia’.

scholarly journals Minor Modernisms: The Scottish Renaissance and the Translation of German-language Modernism

2019 ◽  
Vol 14 (2) ◽  
pp. 213-235
Author(s):  
Scott Lyall
Keyword(s):  
Twentieth Century ◽  
German Language ◽  
Deleuze And Guattari ◽  
Cultural Encounter ◽  
Experimental School ◽  
Hugh Macdiarmid ◽  
Lewis Grassic Gibbon

Germany has been epitomised in the twentieth century as Britain's main rival and adversary. Yet Scottish modernists were influenced by Germany and German-language modernism to think more internationally about their nation and work, a cultural encounter that took place largely in and through translation. Willa and Edwin Muir, who in the early 1920s stayed at educational modernist A. S. Neill's experimental school in Germany, translated German-language modernists such as Kafka and Broch. Hugh MacDiarmid utilised translations of Nietzsche to inform his call for a renascent Scotland. Lewis Grassic Gibbon would write Sunset Song after reading Gustav Frenssen's regional novel Jörn Uhl. Behind this lies the contention that the breakup of world empires, such as the British and Austro-Hungarian, occasioned minor modernisms (to adapt Deleuze and Guattari) such as that in Scotland, and that translation was central to the emergence, impact, and transnationality of the Scottish renaissance movement.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

Twentieth Century Classics

2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  
Twentieth Century
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