50 Shades of Film Censorship: Gender Bias From the Hays Code to MPAA Ratings

2018 ◽  
Vol 11 (4) ◽  
pp. 530-547
Author(s):  
Chloé Nurik
Author(s):  
Keith Withall

This chapter explores the topics of silent film, censorship, and the development of cinematic technology. The roots of all the major film censorship systems lie in the silent era. As such, it helps one to understand the peculiarities of the British system by explaining how the system emerged, and in particular the odd role of local authorities, which produces idiosyncratic exceptions to this day. Equally, the US Hays Code, while its enforcement really dates from the sound era, was formed and moulded in the silent days. Many of the motifs and generic elements of film music also go back to silent roots. The chapter then examines the widespread variety and diversity of silent world cinema. It also considers the return to classical Hollywood for film plots and narratives in contemporary Hollywood.


2010 ◽  
Author(s):  
Amanda J. Koch ◽  
Susan D'Mello ◽  
Paul R. Sackett

2006 ◽  
Author(s):  
Krisztian R. Vegvari ◽  
Ryan J. Altstadt ◽  
Paula Truax

1954 ◽  
Vol 8 (3) ◽  
pp. 290-301
Author(s):  
Gilbert Geis
Keyword(s):  

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