scholarly journals Have The England and Wales Guidelines Affected Sentencing Severity? An Empirical Analysis Using a Scale of Severity and Time-Series Analyses

2019 ◽  
Vol 59 (4) ◽  
pp. 979-1001 ◽  
Author(s):  
Jose Pina-Sánchez ◽  
John Paul Gosling ◽  
Hye-In Chung ◽  
Elizabeth Bourgeois ◽  
Sara Geneletti ◽  
...  
Keyword(s):  
Time Series ◽  
Empirical Analysis ◽  
England And Wales ◽  
Time Series Analyses

scholarly journals Corrigendum to: Have The England and Wales Guidelines Affected Sentencing Severity? An Empirical Analysis using a Scale of Severity and Time-Series Analyses

2019 ◽  
Vol 59 (5) ◽  
pp. 1267-1267
Author(s):  
Jose Pina-Sánchez ◽  
John Paul Gosling ◽  
Hye-In Chung ◽  
Elizabeth Bourgeois ◽  
Sara Geneletti ◽  
...  
Keyword(s):  
Time Series ◽  
Empirical Analysis ◽  
England And Wales ◽  
Time Series Analyses

Time‐series analyses of firearm‐related Google searches and U.S. suicide rates 2004–2016

2021 ◽  
Author(s):  
Daniel W. Capron ◽  
Rita Andel ◽  
Martin Voracek ◽  
Benedikt Till ◽  
Thomas Niederkrotenthaler ◽  
...  
Keyword(s):  
Time Series ◽  
Suicide Rates ◽  
Time Series Analyses

scholarly journals Comparative Time Series Analysis of Perceptual Responses to Electroacoustic Music

2012 ◽  
Vol 29 (4) ◽  
pp. 359-375 ◽  
Author(s):  
Freya Bailes ◽  
Roger T. Dean
Keyword(s):  
Time Series ◽  
Sound Intensity ◽  
Electroacoustic Music ◽  
Affective Content ◽  
Musical Expertise ◽  
Perceived Change ◽  
Time Series Analyses ◽  
Time Perceptions ◽  
The Relationship ◽  
Acoustic Measure

this study investigates the relationship between acoustic patterns in contemporary electroacoustic compositions, and listeners' real-time perceptions of their structure and affective content. Thirty-two participants varying in musical expertise (nonmusicians, classical musicians, expert computer musicians) continuously rated the affect (arousal and valence) and structure (change in sound) they perceived in four compositions of approximately three minutes duration. Time series analyses tested the hypotheses that sound intensity influences listener perceptions of structure and arousal, and spectral flatness influences perceptions of structure and valence. Results suggest that intensity strongly influences perceived change in sound, and to a lesser extent listener perceptions of arousal. Spectral flatness measures were only weakly related to listener perceptions, and valence was not strongly shaped by either acoustic measure. Differences in response by composition and musical expertise suggest that, particularly with respect to the perception of valence, individual experience (familiarity and liking), and meaningful sound associations mediate perception.

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