John F. Callahan and Marc C. Conner, eds. The Selected Letters of Ralph Ellison. New York: Random House, 2019. Pp. 1,072. $50.00 (cloth).

2021 ◽  
Vol 10 (2) ◽  
pp. 303-306
Author(s):  
H. William Rice
Keyword(s):  
New York ◽  
Author(s):  
John Callahan

In “’That Pause for Contemplation’: A Centennial Meditation on Ralph Ellison,” John Callahan—Ellison’s literary executor and the dean of Ellison studies—looks back upon Ellison’s life and work, asking what Ellison’s accomplishment looks like 100 years after his birth, and a new century proceeds in his wake. Beginning with the “thought experiment” of a young Barack Obama jogging past Ralph Ellison in New York in the 1980s, Callahan meditates on Ellison’s investigation of the relationship between the individual search for identity and America’s pursuit of democratic equality. Drawing upon Ellison’s wealth of posthumously published material—the short stories, essays, interviews, and his unfinished second novel—Callahan emphasizes Ellison’s relentless pursuit of the novel form as his means of interrogating the fluid, improvisational, evolving form of American identity. Callahan probes the omnipresent father figures that dominate Ellison’s work after Invisible Man—Lewis Ellison, Abraham Lincoln, Alonzo Hickman, and others.


1971 ◽  
Vol 4 (2) ◽  
pp. 227-231
Author(s):  
Frederick L. Radford

In our society it is not unusual for a Negro to experience a sensation that he does not exist in the real world at all. He seems rather to exist in the nightmarish fantasy of the white American mind as a phantom that the white mind seeks unceasingly, by means both crude and subtle, to lay.(Ralph Ellison, Shadow and Act (New York, 1964), p. 304)It is still true, alas, that to be an American Negro male is also to be a kind of walking phallic symbol: which means that one pays, in one's own personality, for the sexual insecurity of others.(James Baldwin, Nobody Knows My Name (New York, 1961), p. 172)


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