Ask A Feminist: Patricia Williams Discusses Rage and Humor as an Act of Disobedience with Carla Kaplan and Durba Mitra

Signs ◽  
2021 ◽  
Vol 46 (4) ◽  
pp. 1073-1088
Author(s):  
Patricia J. Williams ◽  
Carla Kaplan ◽  
Durba Mitra
Keyword(s):  
Patricia Williams

Practicing Liberatory Pedagogy

2012 ◽  
Vol 12 (2) ◽  
pp. 96-108 ◽  
Author(s):  
Dalia Rodriguez ◽  
Afua O. Boahene ◽  
Nicole Gonzales-Howell ◽  
Juliann Anesi
Keyword(s):  
Social Justice ◽  
Predominantly White ◽  
Women Of Color ◽  
Classroom Practice ◽  
White Student ◽  
Student Resistance ◽  
Policy Recommendations ◽  
Bell Hooks ◽  
Patricia Williams ◽  
Experiences Of Women

Following the works of Patricia Williams, bell hooks, and other feminist scholars of color, we address what it means for women of color teaching social justice issues in predominantly white classrooms. Very little research has been done to illuminate the challenges women of color face in classrooms and what this means for liberatory practice. We grapples with the question, “What are the particular experiences of women of color from various racial and ethnic backgrounds with white student resistance, specifically in relation to issues of authority?” We also provide recommendations for classroom practice as well as address policy recommendations to structurally support women of color.

Aphanisis: Patricia Williams and Ernest Jones

2015 ◽  
Vol 20 (2) ◽  
pp. 176-191
Author(s):  
Vicky Lebeau
Keyword(s):  
Patricia Williams ◽  
Ernest Jones

scholarly journals “Esther Weren’t No Harlot”: Rape and Marriage in Go Tell It on the Mountain

2017 ◽  
Vol 3 (1) ◽  
pp. 9-26
Author(s):  
Porter Nenon
Keyword(s):  
Twentieth Century ◽  
Sexual Politics ◽  
James Baldwin ◽  
The Novel ◽  
Black Feminist ◽  
Minor Characters ◽  
Political Ideas ◽  
Patricia Williams ◽  
Race And Sexuality ◽  
Patricia Hill Collins

To consider how James Baldwin resisted racialized notions of sexuality in his first novel, Go Tell It on the Mountain, I employ a number of black feminist critics—including Saidiya Hartman, Patricia Williams, Hortense Spillers, and Patricia Hill Collins—to analyze three under-studied minor characters: Deborah, Esther, and Richard. Those three characters are best understood as figures of heterosexual nonconformity who articulate sophisticated and important critiques of rape and marriage in America at the turn of the twentieth century. Baldwin thus wrote subversive theories of race and sexuality into the margins of the novel, making its style inextricable from its politics. Baldwin’s use of marginal voices was a deft and intentional artistic choice that was emancipatory for his characters and that remains enduringly relevant to American sexual politics. In this particularly polarizing transition from the Obama era to the Donald J. Trump presidency, I revisit Baldwin’s ability to subtly translate political ideas across fault lines like race, nationality, and sex.

Were Patricia Williams and Ronald Dworkin Separated at Birth?

1995 ◽  
Vol 95 (6) ◽  
pp. 1568 ◽  
Author(s):  
Clark Freshman ◽  
Richard A. Posner
Keyword(s):  
Ronald Dworkin ◽  
Patricia Williams

scholarly journals ‘ISLANDS OF EMPOWERMENT’: ANTI-DISCRIMINATION LAW AND THE QUESTION OF RACIAL EMANCIPATION

2013 ◽  
Vol 31 (2) ◽  
pp. 65 ◽  
Author(s):  
Faisal Bhabha
Keyword(s):  
Civil Rights ◽  
Turning Point ◽  
Status Quo ◽  
Social Equality ◽  
Institutional Practices ◽  
Political Dynamics ◽  
Mouvements Sociaux ◽  
Patricia Williams ◽  
The Social

In her evocative masterpiece, The Alchemy of Race and Rights, published in 1991, Patricia Williams captured a moment in American legal thought that marked a turning point in expressions about race and power, and the implications for social equality. It contained lessons extending beyond America’s unique race history, to the general social and political dynamics in liberal democracy that create conditions of privilege and exclusion. She invited us to think about the place of law in the social and institutional practices that sustain status quo hierarchies, despite proclaimed civil rights commitments to justice. She also inspired hope that the role of the lawyer could be one of mutinous agitator—struggling from the inside, using the tools and skills of practice to support the causes of identifiable communities and social movements. Dans son chef-d’œuvre évocateur, The Alchemy of Race and Rights, publié en 1991, Patricia Williams a saisi un moment dans la pensée juridique américaine qui a marqué un tournant au niveau des expressions concernant la race et le pouvoir, ainsi que les répercussions pour l’égalité sociale. L’ouvrage contenait des leçons qui allaient au-delà de l’histoire raciale unique des États-Unis et qui abordaient la dynamique sociale et politique générale de la démocratie libérale qui crée des conditions de privilège et d’exclusion. L’auteure nous a invités à examiner la place du droit dans les pratiques sociales et institutionnelles qui maintiennent les hiérarchies du statu quo, malgré les engagements en matière de droits civils qui ont été pris en faveur de la justice. Elle a aussi laissé espérer que l’avocat pourrait jouer un rôle d’agitateur rebelle — luttant de l’intérieur, en utilisant les outils et compétences pratiques pour soutenir les causes des collectivités et des mouvements sociaux identifiables.

scholarly journals De Patricia Williams A Patricia Collins: Raça, Crítica E Feminismo

2021 ◽  
Vol 12 (2) ◽  
pp. 1169-1202
Author(s):  
Ana Pontes-Saraiva ◽  
Ciani Sueli das Neves
Keyword(s):  
Critical Race Theory ◽  
Critical Race ◽  
Critical Legal Studies ◽  
Race Theory ◽  
Legal Studies ◽  
Patricia Williams ◽  
Patricia Hill Collins

Resumo Traçar caminho dialógico entre Patricia Hill Collins, como elemento do pensamento feminista negro para superar opressões racistas, patriarcais, classistas e heterossexistas, com as reflexões realizadas por Patricia J. Williams ao articular-se com os Critical Legal Studies (CLS), enfrentando realidades invisibilizadas com a Critical Race Theory (CRT) é o escopo deste artigo. Analisar todos esses “passos que vêm de longe” nos faz compreender que o arcabouço teórico de Williams, detentora de trocas significativas na epistemologia feminista negra, foi rico o suficiente para permitir qualidade em seu olhar teórico e refletir sobre os CLS e a acuidade de suas contribuições para a CRT. Patricia Hill Collins foi escolhida pela contemporaneidade e similitudes de articulações teóricas com Williams. Sua visão do pensamento feminista negro como teoria social crítica, em um processo consciente contra formas diversificadas de opressão, leva a compreender a influência sobre Patricia Williams na crítica sobre a troca das demandas por direitos por demandas por necessidades, ideia bem construída por Collins. O artigo também busca esclarecer como essas reflexões influenciaram e podem permanecer fortalecendo a epistemologia feminista interseccional brasileira.

scholarly journals Introduction: Re-Igniting Critical Race In Canadian Legal Spaces: Introduction To The Special Symposium Issue Of Contemporary Accounts Of Racialization In Canada

2013 ◽  
Vol 31 (2) ◽  
pp. 1
Author(s):  
Shanthi Senthe ◽  
Sujith Xavier
Keyword(s):  
Critical Race Theory ◽  
Law School ◽  
Critical Race ◽  
Race Theory ◽  
Patricia Williams ◽  
Special Symposium

Osgoode Hall Law School, York University’s Challenging Conventions! Speaker Series organized Re-Igniting Critical Race: A Symposium on Contemporary Accounts of Racialization in Canada on November 2, 2012.  The symposium sought to explore critical race theory and its praxis within the Canadian legal academy by inviting emerging scholars and practitioners to engage with the scholarship of Professor Patricia Williams. 

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