Jean Michael Massing and Nicolette Zeeman, eds., King’s College Chapel 1515–2015: Art, Music and Religion in Cambridge. London and Turnhout: Harvey Miller, 2014. Pp. 422; many color figures. €75. ISBN: 978-1-909400-21-4.Table of contents available online at http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9781909400214-1

Speculum ◽  
2018 ◽  
Vol 93 (2) ◽  
pp. 542-543
Author(s):  
Matthew M. Reeve
Keyword(s):  
Art Music ◽  
King's College ◽  
Music And Religion

scholarly journals 'Os Capitães da Areia' e a coragem dos Erês: Notas sobre o imbricamento da arte, música e religião | 'Os Capitães da Areia' and the courage of the Erês: notes on the overlap of art, music and religion

2021 ◽  
Vol 3 (1) ◽  
pp. 116-136
Author(s):  
Lia Machado dos Santos ◽  
Rosângela Fachel de Medeiros
Keyword(s):  
Comparative Analysis ◽  
Cultural Studies ◽  
Cultural Practices ◽  
Art Music ◽  
The Novel ◽  
Cultural Systems ◽  
Nestor Garcia Canclini ◽  
Religious Syncretism ◽  
Symbolic Processes ◽  
Music And Religion

ResumoAs práticas culturais fundem, a todo o momento, diferentes relações entre sistemas culturais (EVEN-ZOHAR, 1990) que antes eram separados. Tais manifestações híbridas reconfiguram e desterritorializam processos simbólicos. Nesse sentido, o presente artigo realiza uma análise comparatista das relações intertextuais presentes na configuração artística do álbum Esú, do rapper brasileiro Baco Exu do Blues, em especial na faixa “Capitães de Areia” em relação ao romance quase homônimo de Jorge Amado, às referências à mitologia dos Erês, e à série fotográfica Laróyè, de Mario Cravo Neto. Para analisar as implicações dessas inter-relações na configuração cultural e identitária da obra, buscamos aporte teórico-crítico no campo dos Estudos Culturais pela perspectiva de conceitos que tentam dar conta desses processos, acerca do Hibridismo, em Néstor García Canclini, e das reflexões sobre sincretismo religioso em Sérgio Ferretti.Palavras-chave: Capitães da Areia; Hibridismo; sincretismo religioso; práticas culturais. AbstractCultural practices merge, at all times, different relationships with cultural systems (EVENN-ZOHAR, 1991) that were previously separated. Such hybrid manifestations reconfigure and deterritorialize symbolic processes. In this sense, this article performs a comparative analysis of the intertextual relations present in the artistic configuration of the album Esú, by rapper Baco Exu do Blues, especially the track “Capitães de Areia” and references to the mythology of the Erês, to the novel by Jorge Amado and Laróyè photographic series by Mario Cravo Neto. To analyze the implications of these interrelations in the cultural and identity configuration of the work, we seek theoretical-critical support in the field of Cultural Studies from the perspective of concepts that try to account for these processes, about Hybridism in Néstor García Canclini and reflections on religious syncretism in Sérgio Ferreti.Keywords: Capitães da Areia; Hybridity; religious syncretism; cultural practices.

The Mathematical Association

1939 ◽  
Vol 23 (253) ◽  
pp. 3-5
Keyword(s):  
Annual Meeting ◽  
Mathematical Association ◽  
King's College

The Annual Meeting of the Mathematical Association was held at King’s College, London, on 2nd and 3rd January, 1939. On Monday, 2nd January, the proceedings opened at 2.15 p.m. with the transaction of business, the President, Mr. W Hope-Jones, was in the chair. The Report of the Council for 1938 was adopted. The Hon. Treasurer presented a statement of accounts for the year ending 31st October, 1938.

Lyric Cousins

2016 ◽  
Author(s):  
Fiona Sampson
Keyword(s):  
Art Music ◽  
Sensory Experience ◽  
Early History ◽  
Sight Reading ◽  
Public Performance ◽  
Art Form ◽  
The Way

Today, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, ‘difficult’, and therefore ‘elitist’. Despite this, the audiences and numbers of participants for each are substantial: yet they tend not to overlap. This is odd, because the forms share early history in song and saga, and have some striking similarities, often summed up in the word ‘lyric’? These similarities include much that is most significant to the experience of each, and so of most interest to practitioners and audiences. They encompass, at the very least: the way each art-form is aural, and takes place in time; a shared reliance on temporal, rather than spatial, forms; an engagement with sensory experience and pleasure; availability for both shared public performance and private reading, sight-reading, and hearing in memory; and scope for non-denotative meaning. In other words, looking at these elements in music is a way to look at them in poetry, and vice versa. This is a study of these two formal craft traditions that is concerned with the similarities in their roles, structures, projects, and capacities.

An Inventory of King's College, 1634

1995 ◽  
Vol 15 (First Serie (1) ◽  
pp. 123-127 ◽  
Author(s):  
C.A. McLaren
Keyword(s):  
King's College
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