Jurassic West: The Dinosaurs of the Morrison Formation and Their World. Life of the Past. By John Foster. Bloomington (Indiana): Indiana University Press. $49.95. xxi + 389 p. + 16 pl.; ill.; index. 978‐0‐253‐34870‐8. 2007.

2009 ◽  
Vol 84 (1) ◽  
pp. 86-87
Author(s):  
Nathan D. Smith
Keyword(s):  
Morrison Formation ◽  
Indiana University ◽  
The Past ◽  
P 16

Studying Palestinian-Israeli Relations at the Vanderbilt Television News Archive (VTNA)

2000 ◽  
Vol 34 (1) ◽  
pp. 38-40
Author(s):  
Deborah L. Wheeler
Keyword(s):  
Mass Media ◽  
Collective Identity ◽  
Television News ◽  
Building Blocks ◽  
Media Culture ◽  
The Past ◽  
Shared Identity ◽  
P 16 ◽  
The Creation ◽  
Words And Images

For the Past Five Decades, media texts, broadcast over television air waves, have created a shared identity among viewing audiences. John B. Thompson notes that if culture is understood as “the ways in which meaningful expressions of various kinds are produced, constructed and received by individuals”, then mass media can be understood as central to the creation and maintenance of culture (pp. 122-23). The words and images that construct a media culture are the very building blocks of collective identity. As Michael Schudson observes, “news is part of the background through which and with which people think” (p. 16).

JONATHAN EDWARDS IN HIS TIME, AND IN OURS

2004 ◽  
Vol 1 (3) ◽  
pp. 387-398
Author(s):  
DAVID D. HALL
Keyword(s):  
Philosophy Of History ◽  
Jonathan Edwards ◽  
New Haven ◽  
Yale University ◽  
Indiana University ◽  
The Past ◽  
Princeton University ◽  
The Bible ◽  
Grand Rapids ◽  
The World

George M. Marsden, Jonathan Edwards: A Life (New Haven, CT: Yale University Press, 2003)Robert E. Brown, Jonathan Edwards and the Bible (Bloomington: Indiana University Press, 2002)Avihu Zakai, Jonathan Edwards's Philosophy of History: The Re-enchantment of the World in the Age of Enlightenment (Princeton, NJ: Princeton University Press, 2003)Amy Plantinga Pauw, “The Supreme Harmony of All”: The Trinitarian Theology of Jonathan Edwards (Grand Rapids, MI: Eerdmans, 2002)We play tricks on the past, but the past also plays tricks on us. We try to fool the past by reconstructing it in our own image, imposing order and significance on the untidy sources we depend upon. The trick the past plays on us is to remain defiantly strange, ever able to expose what it is that our gestures of sympathetic reconstruction have altered, ignored, or suppressed.

HISTORICAL ARCHAEOLOGY IN AFRICA: NOBLE CLAIMS, REVISIONIST PERSPECTIVES, AND AFRICAN VOICES? African Historical Archaeologies. Edited by Andrew M. Reid and Paul J. Lane. New York: Kluwer Academic/Plenum Publishers, 2004. Pp. 408. $70, paperback (ISBN 0-306-47996-6).

2005 ◽  
Vol 46 (2) ◽  
pp. 315-319 ◽  
Author(s):  
PETER R. SCHMIDT ◽  
JONATHAN R. WALZ
Keyword(s):  
New York ◽  
Historical Archaeology ◽  
North Africa ◽  
Knowledge Production ◽  
The Past ◽  
Contemporary Life ◽  
History Of ◽  
P 16 ◽  
Independence Era ◽  
The Cost

The editors of this volume affiliate their mission with an amplified and heightened sense of history that has swept Africanist scholarship in the post-independence era. They claim to take historical archaeology in Africa in a new direction by beginning the process of constructive interaction between history and archaeology (pp. 27-8). An intended component of their project is to create ‘alternative histories rooted in explicitly African sources’ (p. 16). They further raise our anticipation that the volume will examine the disjuncture between the practice of archaeology and contemporary life on most of the continent. This is a noble sentiment, yet the contributors fail to draw on African scholars who attempt to make archaeology pertinent to daily African lives. The editors' insistence on African representations in writing the past is poignantly contradicted by the paucity of African authors in their volume fourteen years after Peter Robertshaw's A History of African Archaeology was faulted for its failure to include more than two (non-white) African contributors. This practice largely restricts knowledge production to hegemonic Western perspectives and subverts the book's primary rhetorical theme of giving ‘voice’ to silenced African pasts. The cost of the paperback – $70 – also hinders access to African readers and their capacity to engage issues that arise in the fourteen chapters, three of which focus on West Africa, three on East Africa, one on North Africa and five on southern Africa.

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